Firebacks

Description: Rectangular with two-stepped top; double astragal edging on sides; top centre, stamp formed of a talbot statant guardant upon a wreath; date split either side of crest; initials below date, ‘+’ below letters.

Notes: The talbot crest is seen on other firebacks indicating a common source.

Copies of this fireback are known.

Inscription: 16 22 / I + H

Description: Rectangular central panel with bead edging all round, pictorial representation of the Annunciation by the Angel Gabriel to the Virgin Mary, the angel carries a lily, Mary kneels at a desk, between them is a basket, above them a dove descends from clouds amid sunbeams, to the left is an arch, in the centre a bed, and to the right a window and a canopy; above the panel is a bead-edged arch with a central scallop shell and a floral swag suspended from scrolls; arched rectangular shaped border with fillet edging, a cascade of leaves and fruit (inc. apples, grapes, pears and pomegranates) descending from a wreath, at the base two cartouches conjoined by a scallop shell and containing the inscription; on top a scallop shell between two dolphins.

Notes: A common fireback design originating in the Siegerland of north Germany and made for the Dutch market. A good clear casting. The illustration is copied from Virgil Solis, 'Biblische Figuren',1562.

Copies of this fireback are known.

Inscription: ANNO 1667

Description: Sub-rectangular; edged with a repeated length of helically-turned dowel (top and sides); apparently random arrangement of same piece of dowel repeated ten times, including a saltire and cross.

Notes: Apart from the Christian significance of the cross, the other arrangements of rope lengths may be apotropaic in their purpose, the double V being a possible invocation of the Virgin. The blemishes at the base are caused by the casting sand being disturbed by the pouring of the metal.

Description: Circular wreathed medallion, bearing the right-facing head of a man in classical dress, carried by two naked, kneeling male figures seated on an elongated pedestal, between them a scallop shell; above the medallion a lion’s face surmounted by a flame; the medallion is surrounded by floral scrolls.

Notes: The wooden pattern would have had a circular aperture (the frame of which is just discernible) for the reception of the medallion; the same pattern was used to cast a fireback bearing the arms of George Worge, and the stamp of the profile was used on an accompanying fireplace side plate (no. 923).

Description: Canted rectangle; fillet edging (top and sides); top centre, initials, above date, between repeated fleur-de-lys stamp; from top corners to bottom corners, repeated V-shape pattern formed of stamped short fillets, with an L-shape inserted between the top two Vs on each side.

Notes: The fleurs de lys are of a distinctive style seen on a small group of firebacks.

Inscription: RH / 1662