Firebacks

Description: Quasi-arched rectangular shape with arch decorated with floral swirls and an urn on each shoulder; three female figures: Aphrodite on the left, Hera in the centre on a plinth with two peacocks behind her, and Athena on the right; a double tassel hangs above Hera’s head.

Notes: The figures are the participants in the Judgement of Paris, the outcome of which precipitated the Trojan War.

Copies of this fireback are known.

Description: Rectangular; cavetto moulded edging; initials in top left corner; date in top right corner.

Notes: The style of lettering and numerals is reminiscent of those seen on firebacks associated with the Sidneys, Earls of Leicester, and may suggest a common source.

Inscription: IB 1695

Description: Arched rectangular shaped with narrow shoulders; fillet edging; date in individual numerals across arch.

Notes: A larger version is different in the spacing of the numerals and the proportions of the plate. For another casting of this fireback see J. Every Collection catalogue no. 20 (Sussex Archaeological Society library, Barbican House, Lewes, Sussex).

Copies of this fireback are known.

Inscription: 1658

Description: Arched rectangular shape; simulated twisted rope edging (top & sides); symmetrical arrangement of fleurs de lys (two types - 2 and 1), diamond shapes (2) and cross-cut squares (4) includes the monogram in which the letters I and F are separated by a small, hollow diamond stamp, the M being above; interspersed symmetrical arrangement of raised spots (8).

Notes: The initials, as with other triple-lettered forms, in which the middle letter is set apart from the other two, may relate to a married couple where their surname initial is M.

Copies of this fireback are known.

Inscription: 1613 / M / I F

Description: Rectangular; cyma curve and fillet edging; crowned Tudor rose within a pediment resting on Tuscan pilasters and pedestals.

Notes: The rose and crown are more finely modelled than other versions.

Copies of this fireback are known.

Description: Canted rectangle; twisted rope edging (top and sides); a rope saltire in each top corner.

Notes: The edging is made from the same, short lengths of rope as the saltires.

Description: Arched shape with forward-facing 'wings', which splay outwards towards the base, curved to follow the shape of the main panel; central panel with stylised tree decoration surmounted with a scallop shell between six 'leaves' (one damaged).

Notes: This small, but unusual, casting was probably cast in an open box mould as the upcast (reverse) side of the casting shows evidence of being sand-treated. Only a very small number of such castings are known. Depth 200mm.

Description: Damaged; top missing; arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; border with fillet edging; two suspended festoons of fruit and leaves; date and monogram in rectangular panel below central panel; rectangular panel at the bottom, with the inscription, PALLAS VND VENVS.

Notes: The three goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). Examples of this fireback have been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram.

Inscription: 16 NDW 97 / PALLAS VND VENVS

Description: Canted rectangle; twisted rope edging (top and sides); a shield bearing three bolts palewise with a molet (star) above the middle bolt, repeated five times, two above three.

Notes: Three bolts form the arms of several families, so identification of the arms is not possible without the associated colouring. The star is likely to be a mark of cadency, granted to a third son. Four rivets along the base may relate to earlier repair. The fireback was formerly at Chisenbury Priory, Wiltshire.

Description: Canted rectangle; fillet edging (top and sides); top centre, initials, above date, between repeated fleur-de-lys stamp; from top corners to bottom corners, repeated V-shape pattern formed of stamped short fillets, with an L-shape inserted between the top two Vs on each side.

Notes: The fleurs de lys are of a distinctive style seen on a small group of firebacks.

Inscription: RH / 1662