Firebacks

Description: Canted rectangle; twisted rope edging (top and sides); top centre, crowned Tudor royal shield; fleur de lys on each side and below; slanting, inverted 'V' of twisted rope on each side of lower fleur.

Notes: One of a large series of firebacks incorporating Tudor heraldic stamps; the 'V' shapes may have apotropaic significance.

Arms: Tudor royal arms of England

Description: Rectangular; twisted rope edging (top and sides); inscription made of short lengths of twisted rope, irregularly spaced across upper middle, central device formed of a Tudor 'A' with overstamped 'V'.

Notes: It is not clear if the central device is a monogram, or if it might have apotropaic significance.

Inscription: T A M T

Description: Rectangular; plain plate with central crossed-square rope pattern with crosses at the corner and top; on each side a rectangular stamp with swirled tendril, serpent and demi-cup decoration.

Notes: The crossed square was an alchemistic symbol for iron vitriol (i.e. ferrous sulphate or copperas), but the crosses at the extremities may indicate other symbolism or none; similar patterns are found on other firebacks of a group that may have been associated with Pounsley furnace, Sussex. The repeated panel at the top appears to have been formed using a mould for a section of a plasterwork frieze, resulting in an intaglio impression (approx 395 x 142mm or 15½ x 5½ in.) as opposed to the normal bas-relief; this is very unusual on a fireback. The style of the mould dates from the Elizabethan or Jacobean period. The stubs on the bottom edge are likely to have been the remains of runners where the molten iron entered the mould. Recovered from a property in Burwash, Sussex, in 1910.

Description: Rectangular; twisted rope edging (top and sides); impression of the end of a firedog repeated three times, one upright in centre, two diagonally inverted with feet angled towards top centre; a large saltire of twisted rope in each top corner, a small saltire, of twisted rope and dowel, on either side of top of central firedog; cross of twisted rope below right hand corner saltire; lower centre, two angled rope lengths either side of central firedog. At the bottom, and outside the feet of the central firedog, two excrescences formed by the pouring of the metal.

Notes: A well-preserved example with an unusual arrangement of the firedog stamp; formerly (c.1886) in the Warbill-in-Tun inn, Warbleton, Sussex.

Description: Canted rectangle; twisted rope edging (top and sides); central arrow-shaped design formed of three repeated rope lengths.

Notes: The arrow design probably has an apotropaic (evil-averting) purpose, perhaps intended as the initials VV for 'virgo virginum'.

Description: Rectangular; twisted rope edging (top and sides); initials in top corners; below the initials, a saltire formed of possibly two straight lengths of twisted rope.

Notes: The saltire is likely to have an apotropaic purpose; the hollows in the risers of the letter 'H' and the end of the left line of the saltire may have been formed by gas bubbles in the molten iron during casting.

Inscription: N H

Description: Rectangular; twisted rope edging (top and sides); to each side, two saltires formed of crossed lengths of twisted rope; in between, and repeated seven times, a circular stamp decorated in low relief with a central disc perforated in the centre, surrounded by a circle inside a square looped at each corner, the sides of which are echoed twice on each side; the stamps are arranged in two rows, of three and four, in the upper part of the plate.

Notes: A boldly cast fireback with an excrescence top centre caused by disturbance of the casting sand by the pouring of the iron.

Description: Arched rectangular shape; fillet edging (top and sides); twisted rope cross in centre of arch; fillet-edged square below arch containing initials of uneven size; along the top, a line of five quatrefoils on each side of the initials; below, two symmetrically carved roundels and associated spandrels, each with a central flower.

Notes: The quatrefoils and roundels are likely to have been part of a redundant, probably medieval, furniture panel, perhaps from a chest. The life-size rubbing, reinforced with ink, is by W. R. Lethaby. The fireback was formerly property of the artist John Callcott Horsley RA (1817-1903) at Wilsley Green, Cranbrook, Kent.

Inscription: PC

Description: Rectangular with canted top corners; twisted rope edging all round except on bottom; three impressions of two circular wafering irons: the central one with invected edge, a heart surmounted by a cross beneath which scroll-work is arranged symmetrically, inscription around edge; the two outer stamps comprise a central motif of four hearts arranged in a cross shape, their points facing the centre, within two concentric bands decorated with lace-like patterns. Above each of the two outer stamps is a simple four-pointed cross shape formed from short lengths of twisted rope.

Notes: The use of wafering irons or butter prints as stamps in casting firebacks is infrequent. Formerly part of the J. H. Every collection.

Inscription: ...N:YOU:NOT: REIVE:MY:HERT:IS:YOURES / [?]1562

Description: Rectangular, edged with twisted leather lengths on top and sides; a ballock dagger with hollow-ground cruciform blade, point down, impressed vertically three times and evenly spaced across the width of the back; between each, two short lengths of twisted leather, arranged in a cross; at either end, the same short lengths of dowel arranged in an inverted ‘V’.

Notes: The dagger (length approx. 38cm) dates from c1575-1625. The probable use of twisted leather is seen occasionally on other firebacks. The grouping of three daggers may also have apotropaic significance in relation to the Trinity.