Firebacks

Description: Arched rectangular shape with sloped spandrels; stepped fillet-moulded edging; pictorial scene of a behatted woman and a girl standing behind a kneeling cloaked figure of a man wearing a pointed cap and holding an open book, with a cross above it; to the left a cottage with trees and ground; to the right the frame of a building.

Notes: The scene is entitled 'Frère Luce', copied from an engraving by Nicolas Larmessin III (1656-1725), of a painting (now lost) by Nicolas Vleughels (1668-1737), from 'Suites d'Estampes Nouvelles pour les Contes de La Fontaine' (c.1736-43).

Copies of this fireback are known.

Description: Canted rectangular shape; braided rope edging (top and sides); top centre, initials 'TSE' in triad, above centred date.

Notes: The use of braided rope edging is unusual. The fireback was formerly in a house in Westmoreland associated with the Salkeld family.

Inscription: TSE [triad] / 1612

Description: Rectangular with pediment arch; wide fillet edging rebated in side edge; upper centre, initials formed of individual letters; an unidentified series of shapes in relief in the top right corner may be thumb prints.

Notes: The edging and letter ‘W’ are very similar to those on the ‘1589’ series of firebacks and may have the same origin. Formerly at Bay Hall, Benington, Lincolnshire.

Inscription: WE

Description: 'Dutch' style; arched rectangular central panel, bead edging, a partially clothed female figure holding a wreath in her left hand and a bunch of flowers in her right hand, a circlet of cloth hanging from her right shoulder; arched rectangular shaped border with fillet edging and floral swags suspended; on top, flowers and swirled foliage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613. A damaged recasting is in Farnham Museum. The 'W' initial probably denotes the pattern maker.

Inscription: W

Description: Quasi-rectangular; twisted rope edging (top and sides); across the centre, three crosses formed of the repeated stamping of a length of twisted rope.

Notes: The edging appears to have been formed of the same length of rope. The crosses almost certainly have Christian significance.

Description: Rectangular; flanged edge; central pictorial panel illustrating Mordecai arriving before King Ahasuerus, Haman hanging from the gallows behind; two floral side panels, at the top of each a monogram within a cartouche: on the left KS, on the right H?D; plain extension panel at bottom.

Notes: Stoveplate; the scene illustrates a scene from Esther 7: 10 and 8: 1.

Copies of this fireback are known.

Inscription: KS H[?]D

Description: Fragment; right part only; canted rectangle; twisted rope edging; lion passant positioned vertically along right side; rose and crown stamp repeated twice (both over-pressed), each above an ‘imp’ figure with both arms lowered.

Notes: A particularly clear casting; the right rear leg of the lion (missing on some variants of this series) has been replaced by a short length of twisted rope.