Firebacks

Description: Armorial within complex ovolo moulded edging (top and sides); quartered shield, helm, crest and mantling; plain panel below.

Notes: The arms can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral; quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Harris/Hawes/Hewish: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. The Maynards, originally from Devon, were a large family in Rotherfield, and Richard Maynard (d.1619) had an interest in Old Mill, Mayfield, as well as in Birchden forge, and probably Hamsell furnace. An example without the extension panel at the bottom has been noted. A larger fireback with the same arms, and probably by the same pattern maker, can also be seen (no. 144).

Copies of this fireback are known.

Arms: Maynard

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; various ‘tools’ of his trade arranged about him; (clockwise from top left) a circular cartouche with a central bead; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a circular cartouche with a central bead, a mirrored image of the one in the top left corner; from the top of the cartouche a dog leaping up at its master; between the man’s legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp.

Notes: A pastiche of the 1636 original Lenard fireback (no. 429), now often mistaken for it; the inscription is missing, as are the fireback and the shield each being replaced by a form of cartouche; the figure of the man is more naturalistically modelled, yet wearing similar clothes; his feet face outwards.

Copies of this fireback are known.

Inscription: 1639

Description: Arched rectangular shape; cavetto edging; three ostrich feathers issuing from a royal coronet; a blank motto banner below; the initials bottom left, above banner.

Notes: The badge of the Prince of Wales; perhaps cast during the Commonwealth period.

Copies of this fireback are known.

Inscription: IL

Description: Arched rectangular shape; cavetto moulding all round; spreading oak tree, with leaves and acorns, filling the whole plate; three royal crowns, one at the top of the tree, the other two symmetrically on the ends of branches towards the top corners; initials CR towards the bottom corners, the remaining inscription on a scroll across the base.

Notes: The design is derived from the celebrated occasion when Charles II evaded his pursuers by hiding in an oak tree at Boscobel House, near Wolverhampton, following the final Royalist defeat at the battle of Worcester in 1651. This popular fireback has been copied frequently.

Copies of this fireback are known.

Inscription: C THE ROYALL OAK R

Description: Rectangle with curved shoulders and low arch joined with concave curves; fillet and ogee moulded edging; central Tudor royal shield surrounded by garter, with crown above and lion and dragon supporters; royal initials either side of crown; lower right, inclined rectangular stamp of a dog; extended variant.

Notes: On clearer examples the garter motto has ‘EQVI’ instead of ‘HONI’, making it meaningless; possibly ‘EQVI’ was a mis-transcription of ‘HONI’; the crown is distinctly continental in form; a much-copied fireback.

Copies of this fireback are known.

Inscription: E R [Garter motto illegible]

Arms: Tudor royal - Elizabeth I

Description: Arched rectangular shape with sloped spandrels; stepped fillet-moulded edging; pictorial scene of a behatted woman and a girl standing behind a kneeling cloaked figure of a man wearing a pointed cap and holding an open book, with a cross above it; to the left a cottage with trees and ground; to the right the frame of a building.

Notes: The scene is entitled 'Frère Luce', copied from an engraving by Nicolas Larmessin III (1656-1725), of a painting (now lost) by Nicolas Vleughels (1668-1737), from 'Suites d'Estampes Nouvelles pour les Contes de La Fontaine' (c.1736-43).

Copies of this fireback are known.

Description: Arched rectangular plain shape with the sides of the arch concave, and with a diamond-shaped protrusion on each side; astragal edged sides terminating at the shoulders of the platre with a triangle on each side; top centre, initials in triad.

Notes: As small and unusual fireback of which only the upper part is visible, the lower part concealed behind a metal plate.

Inscription: IWM [triad]

Description: Arched rectangular central panel with bead edging; an inverted, cabled anchor surmounted by a crown, flanked by one initial each side; arched rectangular border with cavetto-moulded edging; top centre, face of a putto with flowing leaf arrangement descending each side.

Notes: An English pastiche of the ‘Dutch’ style of fireback, which became popular in the second half of the seventeenth century. One of a small series of firebacks with similar proportions and detail. Much copied.

Copies of this fireback are known.

Inscription: C R

Description: Arched rectangular shape; cavetto edging; armorial; Stuart English royal arms within a circular garter; crown, motto and supporters (crowned lion and unicorn); initials separated by crown.

Notes: An early casting of a widely copied fireback. A later copy with an inserted, probably spurious, date is no. 1303.

Copies of this fireback are known.

Inscription: C R / HONI SOIT QVI MAL Y PENSE / DIEU ET MON DROIT

Arms: English Stuart royal

Description: Arched rectangular shape on a plain plinth; scalloped cavetto-moulded edging (top and sides); initials in triad within arch; date split in top corners; unidentified stamp top centre; hound stamp above letter 'R', stag stamp above letter 'A'; annulet stamp repeated inside each half of the date; flat scrolled protuberance on each side of arch; smaller protuberance above each shoulder.

Notes: The initials are likely to be those of a husband and wife, the stag and hound possibly associated with the husband's occupation. The protuberances are seen in different forms on few firebacks of the same period.

Inscription: RHA / 16 66