Firebacks

Description: Fragment; left part only; this fireback comprises at least four separate elements: the rectangular central panel has an anchor with coiled rope between two fleurs de lys, below which are two roses; the rectangular side panels each comprise a vertical stem with six ‘grape bunches’ surmounted by a circular grape cluster; above, a semicircular arch contains the initials between two roses as in the central panel, with the date above; where the arch meets the central panel there is an arc across each corner. The side and top panels are edged with simulated twisted rope; to the left and botoom, a plain extension has been added before casting.

Notes: One of an unusual series formed from separate panels. The left panel is likely to have been repeated in the missing section. The extensions to the side and bottom will be unique to this casting which, because of the sharpness of the relief detail, is probably an early example. Because of its date and the use of the anchor motif, this much-copied plate is often referred to as the Armada fireback. No other connection with the sea battle is known. Other firebacks have been cast using some of the separate elements described.

Inscription: 1588 / IFC

Description: Arched rectangular shape; cavetto moulded edging; garter enclosing Stuart royal arms, with supporters, crown and motto; date split either side of garter buckle.

Notes: The style of the numerals is very similar to those on a plate bearing a lion, dated 1656, and is likely to be the work of the same pattern-maker; a variant (no. 253) has a substituted date of 1664.

Inscription: C R / 16 41

Arms: English Stuart royal

Description: Arched rectangular shape; cavetto edging; armorial; Stuart English royal arms within a circular garter; crown, motto and supporters (crowned lion and unicorn); initials separated by crown; left rectangular extension panel with double ovolo-moulded edging; top, putto face above initials in triad, with floral patera below; right rectangular extension panel with double ovolo-moulded edging; top, putto face above date, with floral patera below.

Notes: A widely copied armorial fireback with extension panels of a style associated with other date and initial firebacks; the central fireback measures 1080 x 860mm.

Inscription: [central fireback] C [R missing] / ..I SOI T.QVI.MAL.Y. ...SE; [left panel] IRM [triad]; [right panel] 1686

Arms: English Stuart royal

Description: Arched rectangular shape; rebated fillet edging; shield, helm, crest and mantling of the family of Barttelot of Stopham, Sussex.

Notes: The shield is divided into eight quarters (from left) top: Barttelot, Stopham, Lewknor, Doyley; bottom: Tregoz, Camoys, Walton and Sykeston; arms granted in this form in 1616. Walter Bartlett/Barttelot ran Pallingham furnace in the early 17th century, suggesting a possible place of manufacture.

Copies of this fireback are known.

Arms: Barttelot of Stopham

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths; date in top corners; initials at bottom, below mantling.

Notes: One of the hooked ‘1’ series; unevenly impressed, the right more deeply than the left.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Arched rectangular with plain edges; arched rectangular inset with cavetto edging and armorial design in low relief: circular garter enclosing an ornate Tudor royal shield, surmounted by a crown; date inside top of arch; initials inside top corners of rectangle

Notes: Discovered by Mr Anthony Hill of the Plymouth ironworks, Glamorgan, in the 1820s, and believed by David Mushet, in his 'Papers on Iron and Steel' to have been cast at the early furnace on the opposite side of the River Taff; a variant of the same date (no. 288) has an inscription on the bottom panel and roses in relief at the bottom corners of the rectangle, which may have been obliterated by fire damage on this casting, the drawing showing it how the artist thought it might have looked originally. The west country source for both of these firebacks offers the possibility of an origin in those parts.

Inscription: HONV SOIT QVE MALE V [illegible]

Arms: Tudor royal - Edward VI

Description: Arched rectangular with cavetto-moulding along top, supported by Ionic pilasters; English Stuart royal shield, garter, helm, crown, motto and supporters; date below and either side of garter.

Notes: One of several firebacks, all of the same date, but varying in size, framing style and moulding; all have stylistic features in common and will have been the work of the same pattern maker, who was also responsible for carving royal coats of arms in three West Country churches.

Copies of this fireback are known.

Inscription: I R [Jacobus Rex] / HONI SOIT QVI MAL Y PENSE / 16 18 / DIEV ET MON DROIT

Arms: English Stuart royal (James I)

Description: Fragment; arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom; left hand rectangular extension panel with twisted rope edging on top and side: initials in top left corner, ‘dragon’s head’ in top right corner, rose-en-soleil stamp in centre, rose stamp bottom centre.

Notes: The letters on the extension panel are the same form and size as those on the top of the armorial pattern, indicating that they were added to the armorial, perhaps to indicate a change of reign. The letter 'E' has also been noted on another fireback of the same series. The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol; it is seen on other firebacks. From a house in Chailey, Sussex. Illustration from Lower (1849).

Inscription: E R / E / R / HONY SOIT QUE MAL Y PAYNCE / Made in Sussex by John Harvo / DV ET MOVN DR...

Arms: Tudor royal

Description: Arched rectangular shape; twisted rope edging (top and sides); in arch; rose and crown with dragon and lion supporters, above a fleur cross and a crowned shield bearing a small fleur-de-lys; text across top half, each word separated by two fleur terminals; lower left and right, twice repeated eight-pointed star design formed of twisted rope with fleur-de-lys terminals; bottom left, ‘I’; bottom right, ‘A’.

Notes: A James Hide married Joan Blackefane at Horley, Surrey on 11th October 1579; illustrated in Lower, 1849 p. 217, when it was at Sutton Hurst, Barcombe, Sussex (still there in 1893, house since demolished). One of a small series of distinctive firebacks cast in 1582, most with inscriptions dedicated to pairs of individuals; the initials IA may be of the founder as they appear in the same arrangement on other firebacks.

Inscription: THES : IS FOR IAMES : / HIDE : AND : ION : HIS : WIF [W inverted] / 1582 / I A

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of 'bullseye' motifs comprising concentric rings deepening towards the centre.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with the outer panel repeated.‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. A version of the same design, recorded in a photograph of 1904 at Willesden, London, is a different casting, the top panel with the date and initials, being straight not slightly askew as in this example.

Inscription: 1598 / IM IB