Firebacks

Description: Arched rectangular shape; ovolo-moulded edging; shield, Garter, crowned helm and mantling of the English royal arms to 1603 with crowned lion and griffon supporters standing on separate rectangular cartouches containing the word 'ANNO' and the date '1662'; above the mantling are the initials 'I R'

Notes: The date appears to have been altered from 1602. The initials 'I R' for Jacobus Rex (James I of England) are inappropriate for the date in both its original and its altered form; also the griffon supporter on the sinister side is incorrect, a dragon being correct for the arms of Elizabeth I in 1602. There is a vertical plankline left of centre.

Inscription: I R / HONI SOIT QVI MAL I PENSE / ANNO 1662

Arms: English Tudor royal

Description: Arched rectangular shape; cavetto edging; three ostrich feathers issuing from a royal coronet; motto banner below.

Notes: The badge of the Prince of Wales; perhaps cast during the Commonwealth period; a variant at Rottingdean Grange has pattern-maker's initials.

Copies of this fireback are known.

Inscription: ICH [DIEN]

Description: Arched rectangular shape with symmetrical scrolled ‘portico’ above, a flower vase between and circular discs at each end, symmetrical horizontal palm fronds below; pilaster with spiral design and Ionic capital on each side; central pictorial scene of a bagpiper with Elizabethan ruff and soft cap with feather in front of a vaulted ruin, on the right a flaming cauldron on a plinth.

Notes: This seems to be pastiche using various elements derived from other firebacks, notably the moulding and scrolled top are from the Lenard fireback , and the palm fronds are from elsewhere. The figure may be adapted from a painting of a bagpiper by Abraham Bloemaert (1564-1651)

Copies of this fireback are known.

Description: Fragment; left side only; twisted rope edging to left, canted moulded batten above; left hand print with dividers to its right.

Notes: An unusual combination of edging. The dividers may refer to the occupation of the person for whom this fireback was cast. Formerly in the collection of Dr C. L. Prince of Crowborough, Sussex.

Description: Arched rectangular shaped; convex moulding (top and sides surviving); scrolled protrusions above top corners; Stuart royal shield, crown, garter, supporters and motto; initials separated by crown.

Notes: The scrolled protrusions suggest a possible association with other firebacks with similar features.

Inscription: I R / HONI SOIT QVI MAL Y PENSE

Arms: English Stuart royal - James I

Description: Arched rectangular central panel with bead edging terminating at the top in two loops, gather drapery and a scallop shell; two figures to the right, both bearded, the one kneeling wears cavalry armour, a cloak and a crown, the other stands behind; to the left is a sacrificial pyre on which an ox carcass burns, and above an angel carrying a sword in his right hand and a skull in his left; around this is an arched rectangular border with fillet edging and a repeated leaf pattern; on top is a scallop shell between two dolphins.

Notes: The scene illustrates the visitation of the pestilence on Israel described in 2 Samuel 24, and the sacrifice of an oxen by King David; the skull borne by the angel represents the death of those struck down by the plague. A slightly different version has the face of David looking down (no. 527). Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Description: Rectangular with fillet edging; central, oval panel with fillet edging containing the semi-reclining, begowned figure of Cleopatra, a mirror/sceptre in her right hand and an asp in her left hand; oval border with astragal and fillet edging and undulating foliage; in each of the top spandrels, a face of a putto; in the bottom spandrels, a triangular design of swirled foliage; at the centre of each side, overlapping the central oval border, an oval cartouche with scrolls in the inward facing side; four horizontal plank lines regularly spaced.

Notes: The naivety of the figuration and the similarity of the scrolled designs suggest that this may be the work of the same pattern-maker as the Lenard fireback. Three tapestries of the death of Cleopatra, one of them made for the Swedish royal court, were inspired by artwork by Karel van Mander II (1579-1623), which is likely to have been the inspiration for this fireback as well.

Description: Rectangular; astragal and fillet edging; date across top of plate.

Notes: One of a series of backs dating to the 1730s and 40s using very similar sets of letters and numerals. Sold at Christie's Masters and Makers auction, 30 November 2010, lot 521 (£1000 part lot with no. 601, no. 623 and no. 634).

Inscription: 1736

Description: Arched rectangular shape; cavetto edging; three ostrich feathers issuing from a royal coronet; a blank motto banner below; the initials bottom left, above banner.

Notes: The badge of the Prince of Wales; perhaps cast during the Commonwealth period.

Copies of this fireback are known.

Inscription: IL

Description: Arched rectangular central panel, with bead edging; pictorial, two men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a small number of firebacks bear the initials, GK; it is not known to whom they refer, but dated examples are of 1700.

Copies of this fireback are known.

Inscription: G K