Firebacks

Description: Arched rectangular panel with a Salomonic column on each side enclosing a scene of Abraham about to sacrifice Isaac but being restrained by an angel; below, bottom panel of indeterminate decoration (due to corrosion); above each column a burning torch, with symmetrical floriate scrolls over the arch.

Notes: Given the biblical subject, this is probably of German manufacture although the Salomonic columns are more often encountered on English pastiches of the 'Dutch' style.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date, between floral swags; on top, twin spirals between descending floral festoons.

Notes: The figure is an allegory of Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699). A recasting.

Copies of this fireback are known.

Inscription: [?H]H ...

Description: Rectangular central panel with bead edging all round, pictorial representation of the Annunciation by the Angel Gabriel to the Virgin Mary, the angel carries a lily, Mary kneels at a desk, between them is a basket, above them a dove descends from clouds amid sunbeams, to the left is an arch, in the centre a bed, and to the right a window and a canopy; above the panel is a bead-edged arch with a central scallop shell and a floral swag suspended from scrolls; arched rectangular shaped border with fillet edging, a cascade of leaves and fruit (inc. apples, grapes, pears and pomegranates) descending from a wreath, at the base two cartouches conjoined by a scallop shell and containing the inscription; on top a scallop shell between two dolphins.

Notes: Whole pattern. A common fireback design originating in the Siegerland of north Germany and made for the Dutch market. A good clear casting. The illustration is probably drawn from V. Solis, 'Biblische Figuren'.

Copies of this fireback are known.

Inscription: ANNO 1667

Description: Arched rectangular central panel, bead edging, a stork, to the left, its beak in the top of a tall vase, a fox seated to the right, a tree behind; arched rectangular border, fillet edging, swags of fruit bunches (missing at the sides) suspended from ribbon, inscription below central panel; on top, symmetrical floral swirls and flowers.

Notes: The scene is drawn from 'The Fox and the Stork', one of Aesop's fables. A recasting. Formerly at Ffynnon Deilo, Pendoylan, Glamorgan.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Arched shape; cavetto moulded edge; double-headed eagle displayed, a Holy Roman Imperial crown above; in front, a quartered shield; a flaming pillar on each side, a motto scroll entwining each.

Notes: The shield bears the arms of Charles V, Holy Roman Emperor (reigned 1519-1556), king of Spain and nephew of Katherine of Aragon, Queen of England; the pillars are a symbolic representation of the Pillars of Hercules at the Strait of Gibraltar. Some variants of this fireback have a different date (e.g. see no. 627) or none at all.

Copies of this fireback are known.

Inscription: PLUS OVLTRE [Further Beyond]

Arms: Charles V, Holy Roman Emperor

Description: Triple arched rectangular shape, centre arch higher; each arch supported by pilasters; within centre arch, cloaked, bearded male figure wearing a crown and carrying a ewer and what appear to be a pile of plates; in left arch, above first half of date, a clothed female figure carrying a goblet and possibly a candle on a staff; in the right arch, above the second half of the date, a clothed female figure holding a distaff and a length of wool; there is a narrow panel at the bottom; on the outside of the arches are scroll-shaped protusions.

Notes: The shape of this fireback is relatively uncommon, and the significance of the figures may relate to a particular narrative.

Inscription: 16 28

Description: Quasi-rectangular shape; top, crowned robed statuary figure holding a book, repeated three times, interspersed with a naked child statuary figure playing a flute; bottom, shield and coronet to left, small shield, helm and crest to right, all between a crude dog figure repeated on each side; the whole plate dotted randomly with a repeated small gadrooned bead stamp.

Notes: The figures are from wall-mounted statuary. The shield and coronet are those of the Duchy of Lorraine prior to 1538; blazon: Quarterly, 1. barry of eight gules and argent (Hungary) impaling azure semy-de-lis Or a label gules (Naples); 2. argent a cross potent and four crosslets Or (Jerusalem) impaling Or four pallets gules (Aragon); 3. azure semy-de-lis Or a bordure gules (Valois-Anjou); 4. azure crusilly fitchy, two barbels addorsed Or (Bar); overall an inescutcheon Or a bend gules three alerions argent (Lorraine). The figure holding the book is that of St Catherine of Siena (see von den Driesch, pp. 220, 222).

Arms: Duchy of Lorraine

Description: Quasi-arched rectangular shape upon a moulded plinth; on a background comprising foliate swirls, a central shield, helm, coronet and elaborate mantling, with a crest of a forward facing centaur armed with a drawn bow pointed to the sinister side, and behind which are six pennons, three each side display in a v-shape; to the left, a triumph comprising a drum, draped flag on pole, concealing an arquebus, halberd and breastplate, and a broad-brimmed hat with feather; to the right, a triumph comprising a drum, a breast plate and tassets, a powder horn, and partially concealed arquebus, sword and spear, and a broad-brimmed hat with feather; at the base, a horizontal fillet with scrolled ends and squatting 'rodents'.

Notes: An uncharacteristic fireback designed and cast for the family of Joan Huydecoper (1625-1704). A variant without the base plinth and 'rodents' is in the collection of Museum Rotterdam (inv. 15224).

Inscription: ANNO 1647

Arms: Joan Huydecoper

Description: Arched rectangular central panel with overlapping leaf bud edging; prancing equestrian figure of a man in late-seventeenth century dress, with a plumed tricorn hat, his head turned to his left, his left hand holding the reins and his right hand pointing a baton beside the horse's head; quasi-arched rectangular border with overlapping leaf bud edging enclosing martial emblems (cannon, helmets etc.) to left and right, and surmounted by two reclining female figures, that to the left blowing a hunting horn, and that to the right supporting a cornucopia; between them, a sun in splendour, above which is a royal crown; at the bottom corrosion through use and damage has rendered the decoration indistinct.

Notes: The sun in splendour suggests that the figure is that of Louis XIV, of France, but the 'Dutch' style makes this less likely; an alternative identification might be Crown Prince Frederick (later King Frederick IV) of Denmark, of whom other fireback representations exist in a similar pose and with similar martial accoutriments.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular shaped border with fillet edging, containing floral swags suspended from a wreath; on top, a scallop shell between two dolphins.

Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.