Firebacks

Description: Arched rectangular; bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound to the right; pomegranates on top and on each shoulder of the plate, with two symmetrical, descending serpents.

Notes: Based on the painting of Venus and Adonis by Peter Paul Rubens.

Copies of this fireback are known.

Description: Arched rectangular central panel with alternate two-bead and pellet edging; table with draped cloth surmounted by a basket containing fruit, swagged drapery above; arched rectangular border with fillet edging; descending vine with leaves and berries; bottom centre, initials separated by a lozenge; on top, symmetrical swirled foliage.

Notes: Typical pastiche of the 'Dutch' style of fireback produced with the option to affix it to a basket grate. Formerly part of the J. H. Every collection.

Inscription: I T

Description: Arched rectangular shaped central panel with astragal and fillet edge, pictorial, a bald, naked man, standing on a mound, holding a baton in his left hand, surrounded by leaf fronds to left and right, and clouds above; arched rectangular shaped border, fillet edging, hanging leaf clusters to left and right, swirled lines above, and draped foliage with monogram at base; on top are two serpents and draped foliage.

Notes: The figure may represent Pheidippides, the messenger between Athens and Sparta during the Battle of Marathon in 490BC.

Copies of this fireback are known.

Inscription: TAN

Description: Rectangular, with canted top corners; twisted rope edging (top and sides only); nine shields of Ayloffe impaling Sulyard in two rows, 5-4; two parallel vertical cuts for the insertion of firedogs.

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Arched rectangular shape, edged with simulated twisted rope between two fillets; in the arch, a shield: argent on a chevron gules three roses of the field, a canton gules for difference; beneath the shield a crest: on a wreath a squirrel sejant gules cracking a nut gules, charged on the shoulder with a cross crosslet gold for difference; inscription split either side of the head of the squirrel.

Notes: A finely modelled and cast modern fireback with the arms and crest of a direct descendant of John Davies Gilbert (1811-54) who had played a major role in the development of the town of Eastbourne and also developed Trelissick Garden in Feock, Cornwall.

Inscription: A.D. 1969

Arms: Gilbert, of Eastbourne, Sussex, and Trelissick, Cornwall

Description: Complex quasi-arched rectangular shape with astragal and fillet edging; within a parallel border and a rococo cartouche an oval shield (argent, a lion rampant sable, crowned, armed and langued gules), surmounted by a ducal coronet, and a bishop's mitre and crozier; above, a bishop's hat with trailing tassels; below, a compartment semie with diamond shapes.

Notes: Henri-Louis-René de Nos (1717-93) was abbot of Saint-Sauveur de Redon in 1747 and later, successively, Bishop of Rennes and of Verdun.

Arms: Henri-Louis-René de Nos

Description: Arched rectangular central panel with fillet edging; central seated female with an infant in her arms, a swan at her feet and a standing child on each side, the one to her left facing the front and holding aloft a flaming heart, its foot on a ball; the child to her right facing the woman, holding aloft a branch in its left hand, all on a ground with an overhanging tree to the right; arched rectangular border with fillet edging with descending festoons of acanthus flowers on each side, the date and initials at the bottom and, at the top on each side, a pair of acanthus flowers descending from a heart-shaped terminal of a strapwork frame; above, mirrored swirls of foliage.

Notes: The central pictorial scene is a crude pastiche of a panel portraying an allegory of Charity frequently used on firebacks produced in the Siegerland of north-west Germany for the Dutch market in the second half of the seventeenth century. The swirled foliage on the top is typical of English 'Dutch' style firebacks of the early-eighteenth century and the numerals are also more typically English in style.

Inscription: 17 . IAK[?] 31