Firebacks

Description: Arched rectangular; ovolo edging (top and sides only); arms of the Barony of Ashburnham: (1st & 4th) gu. a fess between six mullets ar. (Ashburnham), (2nd) az. a lion rampant between eight fleurs de lys ar. (Holland), (3rd) erm. three crescents gu. (Kenn); on an escutcheon of pretence a chevron between three boys heads couped at the shoulders each entwined around the neck with a snake (Vaughan). Supporters: two greyhounds sa. their faces, breasts, and feet ar. collared and lined or; on either side of the arms is a winged cherub’s head; below each is a monogram of ‘B J’ beneath a baron’s coronet.

Notes: The arms are those of John, 1st Baron Ashburnham (1656-1710), who married Bridget Vaughan, but the fireback dates from the time of his son, John, the 3rd Baron, created Earl in 1730.

Copies of this fireback are known.

Inscription: LE ROY ET L’ESTAT / 17 13

Arms: John, 1st Baron Ashburnham

Description: Rectangular shape; wide fillet and ogee-moulded edging; approximately top centre, initials RH, with date 1701 centred below.

Notes: A heavy casting, approx. 3cm thick; the character set for the initials and date lacks uniformity, some carved crudely, others more carefully; three horizontal planklines. The lettering differs from another fireback (see no. 1282), with the same initials and date, by the position and shape of the letter 'R'. Formerly in a house at Netherfield, East Sussex. The former location in the Netherfield area of these two firebacks suggests a possible association with Richard Hay, owner of land in that area at that time and ironmaster at Beech Furnace nearby.

Inscription: RH / 1701

Description: Arched rectangular central panel with hollow bead-on-fillet edging; pictorial scene of a female figure standing on a scallop shell on a ground, holding wind-blown drapery aloft; arched rectangular border with fillet edging; top centre, a scallop shell with descending tendrils and alternating flowers and scallop shells, and swirled leaves at the bottom; on top, mirrored serpents.

Notes: The allegorical figure of Fortune; similar in many respects to other ‘Dutch’ style firebacks of the period. The theft in 1699 from a Thames-side warehouse of several firebacks, including '5 iron Chimney-Backs cast in the figure of Fortune standing naked on a Conchus in the Sea' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; pictorial scene of the young Bacchus, a cup and bunch of grapes in his hands, seated on a barrel, surrounded by grape vines and buches, the date below the barrel, initials below, left and right; arched rectangular border with fillet edging; undulating vine design all round; on top, indistinguishable shape between two seated figures.

Notes: The seated figures on top are an unusual feature.

Copies of this fireback are known.

Inscription: 1701 / A [?] AL

Description: Canted rectangular shape; stepped fillet edging; indistinct pictorial scene of two men on the prow of a sailing ship, their arms in the air, passing a naked figure, arms also in the air.

Notes: Possibly a representation of Odysseus and one of the Sirens.

Description: Canted rectangle; cavetto moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, ‘daisy’ plant stamp; top panel, date between ‘daisy’ stamps, between initials in triad at each end; side panels, swirling foliage stamp repeated each side above a fleur-de-lys, above initial 'I' on left and 'B' on right; centre panel, stamp of ‘Indian’ smoking a pipe at top left, stamp of seated ‘gentleman’ smoking a pipe and holding another, at top right; below each, a seated monkey stamp, that on the left seated facing right, its paws in front of it and its tail below, that on the right seated facing left, its tail drawn across its chest.

Notes: The IB initials are identical to those on similar firebacks dated between 1703 and 1721, probably indicating the same founder. The number 3 of the date and the fleur-de-lys on the lower left side have been over-pressed showing the backs of the stamps. The use of stamps relating to tobacco smoking may suggest an origin near Bristol, the main entry port for the tobacco trade at that time.

Inscription: IES [triad] 1703 IES [triad] / I B

Description: Carved wooden fireback pattern. Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two 'sea horses' and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; at the bottom, between looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side. Two vertical planklines left and right of centre.

Notes: Carved on three vertical oak planks, battened together, from a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated from the Welsh as 'GOD is our strength', is a paraphrase of Psalm 46: 1; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. A casting made from this pattern is no. 271.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Rectangular with arched rectangular shaped top joined by cavetto curves; astragal edging; plain surface for the addition of other stamps or panels.

Notes: Used for armorials by the Dukes of Dorset.

Description: Rectangular with arched rectangular shaped top joined by cavetto curves; astragal edging; shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720.

Inscription: [around shield] HONY SOIT QUI MAL Y PENSE / [on motto scroll] AUT NUNQUAM TENTES, AUT PERFICE

Arms: Lionel Sackville, 1st Duke of Dorset

Description: Rectangular with arched rectangular shaped top joined by cavetto curves; astragal edging; shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720.

Copies of this fireback are known.

Inscription: [around shield] HONY SOIT QUI MAL Y PENSE / [on motto scroll] AUT NUNQUAM TENTES, AUT PERFICE

Arms: Lionel Sackville, 1st Duke of Dorset