Firebacks

Description: Rectangular; astragal edging; in centre, shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720.

Inscription: [around shield] HONY SOIT QUI MAL Y PENSE / [on motto scroll] AUT NUNQUAM TENTES, AUT PERFICE

Arms: Lionel Sackville, 1st Duke of Dorset

Description: Canted rectangle; cavetto-moulded edging; single horizontal ?rope strip below canted corners and vertical ?rope strip parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; top corner panels, a plant stamp repeated in each; top panel, date between repeated plant stamp; side panels, fleur-de-lys stamp repeated twice on each side in a vertical arrangement, a single plant stamp below, above one initial on each side; central panel plain.

Notes: The 'daisy' stamp, fleurs de lys and the IB initials are identical to those on similar firebacks dated between 1703 and 1721, and probably indicating the same founder. Illustration from Shuffrey 1912, p.139.

Inscription: 1710 / I B

Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a standing, winged male figure draped with a cloth, holding a staff in his left hand, above a ground, and with drapery over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

Notes: Presumably intended to represent an angel; similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’ (q.v.); the missing segment had been filled with a piece from another fireback (removed in this photo).

Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a figure in a chariot drawn by birds, above a ground, and with clouds over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’.

Description: Arched rectangular shape; wide fillet and egg-and-dart ovolo edging; central oval armorial with fillet edging, palm fronds on each side, tied below, a crown above; in each top corner, the cross of Lorraine.

Notes: The arms are those of Duke Leopold I of Lorraine, who also bore the titles of King of Jerusalem, Hungary and Aragon, and Duke of Anjou, Bar, Gueldre and Juliers.

Arms: Leopold I, Duke of Lorraine and Bar (1680-1729)

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; naked, crowned figure of Neptune holding a trident in his right hand, standing amid waves and with two hippocampi to his right; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Other firebacks have the same distinctive central panel and border shape, suggesting the same pattern maker.

Description: Arched rectangular central panel with helical ribbon edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand and a garland in her right hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right and, above, swagged drapery; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored swirled fronds terminating in the heads of sea monsters; bottom, vestiges of SHR monogram otherwise all decoration obliterated by fire damage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shaped central panel with bead-on-fillet edging; a peacock, facing right, standing on a plinth, with foliage to the left and clouds above; arched rectangular shaped border with fillet edging, symmetrical floral fronds descending from a scallop shell, top centre, with a scallop shell inside each shoulder; at base, detail mostly obscured by corrosion but the numerals '17 24' are faintly visible in the bottom corners; on top, a pair of mirrored, stylised sea serpents with a central arrangement of foliage.

Notes: The image of the peacock may be an adaptation of an engraving (1654-62) by Wenceslaus Hollar, after Francis Barlow, in which a peacock also stands on a plinth. The small size of this fireback makes it likely that it was intended to be fixed to the back of a grate. A copy of a fireback of this design features in Gleanings from Old English Firesides by Arthur Todhunter.

Copies of this fireback are known.

Inscription: 17 24

Description: Cavetto-canted rectangle with central pediment; cyma-reversa moulded edging; central pedimented panel, fillet edged, with shield, helm, crest and mantling of the May family; on either side, an incised floral pattern of a stem and six branches, rising from a rectangular, low-relief panel of two images of horsemen; above, the inscription in low relief.

Notes: The arms of May: Gules, a fess between eight billets Or; crest: Out of a ducal coronet Or, a lion’s head gules bezanty; the same armorial stamp appears to have been used on an unnamed iron graveslab in Ticehurst church. The initials are probably those of Susanna May (c1653-1718), heir to Pashley, in Ticehurst, who had married her distant cousin, Sir Robert May, in 1686. The May family had been involved in the iron industry in the 16th and early 17th centuries, but were no longer active a century later. Incised decoration on firebacks is uncommon, the decoration probably having been incised into the pattern board.

Inscription: 17S M02

Arms: May of Pashley, Ticehurst

Description: Arched rectangular shaped central panel with hollow bead edging; a putto, its head inclined to its left, standing on a platform, holding a wand in its right hand and a branch in its left hand, a flower in a pot is on each side, and above, swagged drapery; arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with SHR monogram at centre bottom; two mirrored stylised sea serpents on top; to each side a vertical extension with bead edging, of the same decoration as the side borders.

Notes: The figure depicted is probably emblematic although the meaning has yet to be determined. The frame of the central panel and the enclosing border are identical to those noted on another fireback displaying a figure of Pluto (see fireback no. 164). This may be an example of an image from one casting being superimposed within the frame of an earlier fireback. The border is identical to that seen on fireback no. 1220.

Inscription: SHR