Firebacks

Description: Arched rectangular shape; cavetto-moulded edging; on each side a column of small overlapping leaves above a pedestal with a single acanthus leaf; issuing from the top of each column two ribbons, in figure-of-eight with grenade terminals, fly across the arch; within an arched rectangular central panel with bead edging three naked children disport about a swag of fruit, with a central pomegranate, suspended from the top of each column; one figure sits on the top, facing right, the other two hang symmetrically from below, with mirrored swirls behind them; along the base is a line of acanthus leaves; on top a sea serpent is curled on each end.

Notes: The design may have been inspired by the paintings of Jan Pauwel Gillemans the younger (1651-1704); he may have worked in London in 1675-8. Another version of the fireback (no. 591), probably by the same pattern-maker, has a slightly different design.

Copies of this fireback are known.

Description: Arched rectangular shape with arch; bead-on-fillet edging within a cavetto-moulded border; pictorial representation of a man and woman in the dress of the mid 17th century, with a fruit tree between them.

Notes: The significance of this design has not been satisfactorily explained. Carpentier suggests it may be a contemporary depiction of Adam and Eve.

Copies of this fireback are known.

Description: Arched rectangular central panel with arch and bead-on-fillet edging; pictorial representation of a popinjay, or parrot, perched on a ring suspended by a string, the bird is clutching an olive twig, two others are below; arched rectangular border with arch; cavetto-moulded edging;to left and right, a Corinthian column with twisted lower part, and an entablature above; at top, a central flower with scrolls descending on both sides of the arch; on top, n orb, repeated on each shoulder of the plate.

Notes: The inscription is a mis-spelling of the German for parrot; the parrot on the ring perch is a popular design on Dutch firebacks.

Copies of this fireback are known.

Inscription: PAPEGEI

Description: Rectangular; cavetto-moulded edging; shield, helm, crest, supporters, mantling and motto of the Worshipful Company of Clothworkers: Sable a chevron ermine between in chief two Havettes Argent and in base a Teazel Cob Or; crest: on a Mount vert a Ram statant Or; supporters: two Griffins Or pellettée.

Notes: The arms as displayed were granted in 1587; the same fireback was also used as a stamp for a large fireback of 1659 in Haslemere Museum (no. 108).

Arms: Worshipful Company of Clothworkers

Description: Arched rectangular central panel with bead on fillet edging; suspended from the top, by a ribbon, a ring with a popinjay, or parrot perched thereon, biting a twig in its right claw; below left is a seated child, and in the bottom corners the initial and monogram; around this panel is an arched rectangular border with fillet edging, at the top of which is the word, HOLLANDIA, between scrolls, with swags of fruit hung on ribbons suspended from roses down each side; at the bottom, a motto scroll bearing the inscription, ANNO 16 ...; on top, a central scallop shell between two dolphins.

Notes: A common design among firebacks produced in Germany for the Dutch market.

Copies of this fireback are known.

Inscription: HOLLANDIA / H HS / ANNO 16 ...

Description: Rectangular with three arches, the middle one larger than the outer two; cavetto-moulded edging; bottom panel, pictorial scene of Jesus and the woman of Samaria at the well (John 4), with other figures, buildings etc. in the background, illegible text below; centre arch, shield, helm, crest and mantling of unidentified arms, the initials 'GP' in bottom corners; left arch, probable figure of a saint; right arch, probable figure of a soldier.

Notes: The combination of a biblical scene (John 4) with a coat of arms.

Inscription: 16 30 / G P

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of a seated couple (female to the left, male to the right) holding hands; behind, to the right, a sheep by a tree; arched rectangular border with fillet edging and probable foliate decoration; on top, scallop shell between two dolphins.

Notes: The symbolism of this scene is uncertain, but likely to be of an allegorical or iconological nature.

Description: Arched rectangular centrel panel with bead on fillet edging; pictorial scene of a seated naked female with two clothed male figures behind; in front is a pool with a fountain to the right, and platform with a vase of flowers to the left; behind, an archway and a tree; arched rectangular border with fillet edging; at the top of the arch a cartouche from which are suspended two ribbons, each held by a putto, from which cascade flowers and fruit, each lower part hung from a ring; two putti are on each side, one climbing on the suspended ribbon, the other at its foot; at the bottom, a cartouche containing the monogram between two clusters of flowers each suspended on a ribbon tied to a scroll; on top, two descending cornucopiae.

Notes: The scene is of Susanna and the Elders from the biblical Apocrypha.

Copies of this fireback are known.

Inscription: HIS

Description: Arched rectangular central panel with bead on fillet edging, pictorial representation of a man and woman walking, behind the woman a child holds her train and a young person carries a parasol; from behind a column on the right, a horse's head is visible, a tree stands to the left; arched rectabular border with cavetto-moulded edging; top centre, scallop shell from which descend undulating leaf fronds; on top, a pomegranate to which ascends a serpent on each side, with a further pomegranate on each shoulder of the plate.

Notes: The pictorial scene is based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek; one of series of firebacks depicting allegories of the four continents.

Copies of this fireback are known.

Inscription: EVROPA

Description: Arched rectangular shape; cavetto-moulded edging; figure in mid-17th century armour, sword in belt, riding a prancing horse; initials split, below corners of arch, in front of horse’s head and behind rider’s back.

Notes: Probably intended to represent Charles I in memoriam, as other firebacks in this style date from the end of the Commonwealth period.

Copies of this fireback are known.

Inscription: [C missing] R