Firebacks

Description: Fragment; canted rectangular; twisted rope edging (topand sides); central cross of twisted rope.

Notes: Sections missing at both ends.

Description: Rectangular; twisted rope edging (top and sides); inscription made of short lengths of twisted rope, irregularly spaced across upper middle, central device formed of a Tudor 'A' with overstamped 'V'.

Notes: It is not clear if the central device is a monogram, or if it might have apotropaic significance.

Inscription: T A M T

Description: Quasi-rectangular; twisted rope edging (top and sides); a length of twisted rope stamped six times to form a saltire and two crosses across the width of the plate; surplus iron extends from all sides.

Notes: The surplus iron resulted from over filling of the mould. The crosses are likely to have Christian significance. Formerly part of the J. H. Every collection.

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped.

Notes: The fireback has been incorrectly dated 1550 instead of 1650, which Schubert, following W. R. Lethaby, asserted was a forgery claiming indications that a ‘6’ had been erased. Undoubtedly the first '5' is more prominent than the other figures though the exact method by which it has been substituted is not clear. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Inscription: 1550

Description: Rectangular with fillet edging; central, oval panel with fillet edging containing the semi-reclining, begowned figure of Cleopatra, a mirror/sceptre in her right hand and an asp in her left hand; oval border with astragal and fillet edging and undulating foliage; in each of the top spandrels, a face of a putto; in the bottom spandrels, a triangular design of swirled foliage; at the centre of each side, overlapping the central oval border, an oval cartouche with scrolls in the inward facing side; four horizontal plank lines regularly spaced.

Notes: The naivety of the figuration and the similarity of the scrolled designs suggest that this may be the work of the same pattern-maker as the Lenard fireback. Three tapestries of the death of Cleopatra, one of them made for the Swedish royal court, were inspired by artwork by Karel van Mander II (1579-1623), which is likely to have been the inspiration for this fireback as well.

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; ovolo-moulded edging (top and sides); shield of the Worshipful Company of Masons: Sable, on a chevron, engrailed argent between 3 castles of the second, with doors and windows of the field, a pair of compasses extended of the first; above, the letter ‘C’, the letters ‘H’ and ‘M’ split by the shield.

Notes: The arms of the Masons’ Company were granted in 1473. Sold at Christie's Masters and Maker auction, 30 November 2010, lot 523 (£500).

Copies of this fireback are known.

Inscription: HCM [triad]

Arms: Worshipful Company of Masons

Description: Rectangular; ovolo-moulded edging (top and sides); repeated guilloche pattern inside top and side edges; upper centre, lozenge stamp with ovolo edges and recessed daisy flower in centre, between buckle stamps repeated twice.

Notes: The lozenge stamp is a design also seen on domestic interior panelling; the buckles suggest a Pelham family association; the buckle and lozenge are separate stamps, and in each example their relative positions differ slightly; the guilloche design appears to have been carved on the base panel; an example at The Star Inn, Alfriston, Sussex measures 665mm x 480mm.

Description: Quasi-arched rectangular shape; fillet edging; centre, fluted flower vase containing a variety of flowers, with a plant growing on each side, all within an arched rectangular bead-and-pellet border with looped top corners; on each side, a festoon of bell flowers, with a putto blowing a trumpet above; over each of their heads a single rose; top centre, a sunburst; bottom, an animal’s face between mirrored swirled foliage.

Notes: One of a small group of firebacks with similar outlines.

Copies of this fireback are known.

Description: Rectangular shape; ovolo-moulded edging; top centre, date between split initials.

Notes: The letters and numerals are particularly well formed. The fireback is displayed out of doors against a wall at the side of the street and the lower part is recessed into the pavement.

Inscription: R 1755 I