Firebacks

Description: Rectangular with arched top; astragal moulded edging (top and sides); top centre, shield, supporters, coronet and motto of the 1st Baron Ashburnham: (1st & 4th) gu. a fess between six mullets ar. (Ashburnham), (2nd) az. semee of fleurs-de-lys a lion rampant guardant ar. (Holland), (3rd) erm. three crescents gu. (Kenn); on an escutcheon of pretence, sa. a chevron between three boys' heads couped at the shoulders proper each entwined around the neck with a snake vert (Vaughan). Supporters: two greyhounds sa. their faces, breasts, and feet ar. collared and lined or; below left and right, a monogram of B and J with a baron’s coronet above.

Notes: John Ashburnham, who married Bridget Vaughan in 1677, was created baron in 1689. he died in 1710. The fireback dates from between 1689 and 1710.

Inscription: LE ROY ET L’ESTAT

Arms: John, 1st Baron Ashburnham

Description: Rectangular; twisted rope edging (top and sides); length of twisted rope parallel with, and equal to, top edge; length of rope, equal to side edge, repeated twice slanting from near top middle to bottom corners.

Notes: Very simple design using only two lengths of rope.

Description: Rectangular, with canted top corners; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Bretons, Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Christie's Masters and Makers Sale, South Kensington, 30 Nov 2010, lot 518 (£1,000).

Copies of this fireback are known.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; cavetto-moulded edging; armorial of France modern in front of a cartouche; above, an English royal crown between two small lion masks; two lion rampant supporters.

Notes: Believed to be associated with the marriage, in 1625, of Charles I with Princess Henrietta Maria of France, the juxtaposition of the arms of France with an English crown is seen on several firebacks, normally with a distinctive ornate edging; on this fireback is the unusual addition of two lion supporters, which are heraldically incorrect.

Arms: France modern

Description: Fragment (left quarter missing - symmetrical design assumed); rectangular; twisted rope edging (top and sides); top centre, crowned Tudor shield between two lions passant, the left lion guardant sinister; below each lion, two leftward heading ‘imp’ stamps, the left one of each with arms down and head facing right, the right with right arm raised; in the top corner(s), a crowned rose stamp with a ‘daisy’ stamp towards the middle.

Notes: Assuming the crowned shield is central, the fireback would have originally measured 1160mm wide; one of the ‘Royal’ series.

Arms: Tudor royal arms of England

Description: Rectangular shape; wide fillet and ogee-moulded edging; approximately top centre, initials RH, with date 1701 centred below.

Notes: A heavy casting, approx. 3cm thick; the character set for the initials and date lacks uniformity, some carved crudely, others more carefully; three horizontal planklines. The lettering differs from another fireback (see no. 1282), with the same initials and date, by the position and shape of the letter 'R'. Formerly in a house at Netherfield, East Sussex. The former location in the Netherfield area of these two firebacks suggests a possible association with Richard Hay, owner of land in that area at that time and ironmaster at Beech Furnace nearby.

Inscription: RH / 1701

Description: Canted rectangular shape; ?fillet edging; eight fleurs-de-lys (4 and 4) equally spaced and divided by vertical and horizontal fillets, the middle vertical over-stamped at the top with the numerals.

Notes: Only poor quality castings have been noted of this design, with different dates.

Inscription: 16[?]1

Description: Rectangular shape; ogee-moulded edging; upper centred, small fleur-de-lys stamp impressed three times, the rightmost slightly higher than the other two.

Notes: A simple fireback of somewhat indeterminate date.

Description: Arched rectangular shape; cavetto-moulded edging; central, two handled, fluted vase with swirled, fruited vines issuing from the neck, and a bird on each side perched within the vines; out of the neck, a naïve human figure with arms outstretched, grasping vines on each side.

Notes: The figure emerging from the vase has a symbolism which has yet to be explained.

Copies of this fireback are known.

Description: Rectangular with two-stepped top; twisted rope edging (top and sides); twisted rope extensions enclosing intermediate step with rope continued parallel to sides; central rope octagram with reversed date above between repeated inverted shield shapes off-set (left higher than right); the shield blazon: barry wavy impaling quarterly, overlaid with a small bird stamp and an indistinct ?bird shape in the top left quarter as viewed; within the rope, a roughly parallel arrangement of 23 double-loop-patterned stamps, with the faint impression of an additional stamp in the top right corner of the arrangement; outside the loop stamps and partially overlying the vertical rope extensions, the impressions of two classically designed firedogs with Ionic capitals and fluted pilasters, bearing the date 1594, but with the '1' missing; the fluting on the pilasters has been overlaid by the repeated impression of a turned peg.

Notes: A large and remarkably elaborate fireback: the octagram, a device seen more commonly on French firebacks than on English ones, suggests an apotropaic purpose; the impression of the firedogs was clearly made after the laying of the rope lengths and impressed less deeply as the rope impression has not been obliterated by the firedog on the left side. A fireback with the same loop stamps bears the same date using the same numerals but impressed the correct way round. Currently obscured behind a wood stove.

Inscription: 4951 [5 reversed] / 594 594