Firebacks

Description: Rectangular; plain plate; on top, twice repeated stamp probably formed of a section of cresting with a row of seven ?fleurs-de-lys above a diagonal grid of squares, each with a small raised square in the middle, and a horizontal astragal border below; between the cresting, a stamp of indeterminate form and design; below, four repeated hexagonal stamps, each divided into triangles by raised lines, two under each cresting stamp; between them, a stamp of indeterminate form and design, possibly the same as the one above it; below, probably six double crosses flory, with a flower head stamp between each group of three; along the bottom, two crosses flory, three hexagon stamps and two other stamps of indeterminate form and design (though different from those described above), arranged asymetrically.

Notes: A crude and poorly executed casting. Butterfield (1916) illustrated this fireback the other way up, and that is how it was displayed in Hastings Museum when it was photographed in the early 2000s. The orientation of this fireback has been reconsidered and the greater relative wear and heat corrosion of the smaller individual stamps suggests that the cresting was originally at the top of the fireback and not the bottom.

Description: Rectangular with ‘pediment’ arch linked by cavetto curves; fillet and cavetto edging; pictorial, a cylindrical furnace with inscribed stone courses, flames issuing from the top, with the heads of three people, a hand raised from two of them, and an angel with wings and arms outstretched; the furnace has a small arched opening bottom centre; above the angel, the inscription was inscribed on the pattern.

Notes: The scene represents Shadrach, Meshach, and Abednego being delivered from the burning fiery furnace by the angel of God (Daniel 3), the phrase, The Three Children, being a reference to the eponymous apocryphal verses from the Book of Daniel. Formerly at Brightling Hall, Robertsbridge, Sussex.

Inscription: THE THREE CHILDREN

Description: Cavetto-canted rectangle with arch; ovolo-moulded edging; shield, garter, helm, mantling, crest and supporters of William Cecil, 1st Lord Burghley, KG (1520-98). Date below garter.

Notes: William Cecil was Queen Elizabeth I's first minister. The wooden pattern for this fireback (no. 926), itself a fine carved, wooden painted panel, is at Hatfield House, Hertfordshire.

Copies of this fireback are known.

Inscription: HONI SOIT QUI MAL Y PENSE 15 75

Arms: William Cecil, 1st Baron Burghley KG

Description: Rectangular with an ogee arch; twisted rope edging (top and sides); line of small fleurs-de-lys around the top and sides, inside the edging; Tudor rose inside each top corner (overstamped on the left); below each rose an escarbuncle of twisted rope with fleur de lys terminals (understamped); top centre, a Tudor royal shield within an oval garter - HONE SOVT QUEY MAL Y PENSE - with greyhound and lion supporters, and crown above; cross of small fleurs inclined to each side of the crown; inverted 'Y' shape in twisted rope below each supporter, a fleur at the top end of each.

Notes: An oft-used achievement of arms; twisted rope with fleur de lys terminals are seen on other firebacks from the same source. The escarbuncle was the principal charge on the arms of the Duchy of Cleves, the same charge on this fireback possibly associating it with the brief marriage of Henry VIII and Anne of Cleves.

Inscription: HONE SOVT QUEY MAL Y PENSE

Arms: Tudor royal (prob. Henry VIII)

Description: Canted rectangle; twisted rope edging (top and sides); symmetrical arrangement of a fleur-d-lys stamp repeated seven times (2-3-2), with the middle one of the three slight above the other two, and the bottom two inverted immediately below the outer two of the three.

Notes: The style of the fleurs is identical to those on two firebacks decorated with firedogs bearing the initials, HN, and the crossed staple badge of the Nevills; Henry Nevill occupied Mayfield furnace from about 1585 until 1599.

Description: Plain rectangle; no edging; top centre, date between two six-pointed stars.

Notes: Characteristic of the last firebacks cast at Ashburnham Furnace, Sussex. One of a small series of firebacks cast in the early-19th century for farms on the Ashburnham estate.

Inscription: * 1812 *

Description: Rectangular; twisted rope edging (top and sides); impression of the end of a firedog repeated three times, one upright in centre, two diagonally inverted with feet angled towards top centre; a large saltire of twisted rope in each top corner, a small saltire, of twisted rope and dowel, on either side of top of central firedog; cross of twisted rope below right hand corner saltire; lower centre, two angled rope lengths either side of central firedog. At the bottom, and outside the feet of the central firedog, two excrescences formed by the pouring of the metal.

Notes: A well-preserved example with an unusual arrangement of the firedog stamp; formerly (c.1886) in the Warbill-in-Tun inn, Warbleton, Sussex.

Description: Canted rectangle; twisted rope edging (top and sides); central arrow-shaped design formed of three repeated rope lengths.

Notes: The arrow design probably has an apotropaic (evil-averting) purpose, perhaps intended as the initials VV for 'virgo virginum'.

Description: Rectangular; no edging; arrangement of eight fleur de lys stamps formed of, at top centre, four in a cross shape, with two in line on each side; on each side of the cross arrangement is a naked standing putto stamp.

Notes: The putti are an unusual addition to what is a quite crudely decorated fireback

Description: Rectangular; overlapping laurel leaf edging with flange on right edge; top, seated figure of a monarch with a casket at his left side and the back of a throne behind; centre, bust of a classical male figure facing to the right, surrounded by a circlet of overlapping laurel leaves; bottom, ornamental pedestal on a legged stand, floral fronds issuing from the top, between two flower heads, and descending symmetrically to the bottom.

Notes: Not a fireback, but a left side fireplace back plate. It had a circular aperture in the centre into which, in this instance, a medallion and bust were inserted, the same being inserted into an elaborate rococo fireback (no. 452).