Firebacks

Description: Rectangular; twisted rope edging (top and upper three-quarters of sides); central Tudor shield, garter, crown and supporters (greyhound and lion), formed from separate stamps; date on a single stamp in top left corner.

Notes: This is an early example of a fireback being used as a pattern, with the addition of a subsequent date. The same stamps forming the arms can also be seen on other firebacks. The extension of the lower part of the ‘3’ on the date stamp suggests that the numbers may have been fixed to the backing block, rather than the date being carved as a whole. Another variant of this fireback (no. 347) has the rope edging extending further down the sides.

Inscription: 1583 / HONE SOVT qVEY MAL Y PENSE

Arms: Tudor royal (prob. Elizabeth I)

Description: Rectangular; twisted rope edging (top and sides); top centre, twisted rope saltire between two food moulds used as stamps, comprising two concentric discs with a hatched design and enclosing four hearts arranged in a cross; below the saltire another food mould stamp; in the top corners, a twisted rope saltire with a double V design below each, the open ends facing inwards; below each of the upper pair of food mould stamps, an inverted twisted rope V.

Notes: The food mould stamps can be seen on another fireback dated to 1562; the rope Vs and saltires have an apotropaic, or evil averting, purpose.

Description: Rectangular; rope edging on top and sides; central inscription panel; repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, one vertical strip at each side.

Notes: The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. Formerly at Stonelands, West Hoathly.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular; twisted rope edging (top and sides); top corners, initials in separate stamps arranged in triad with ‘WR’ above ‘E’; top centre, date on single block overstamped.

Notes: It is somewhat puzzling why a furnace should have a stock of letters but not of numerals. The use of a block for the date suggests that other firebacks may bear the same stamp.

Inscription: WER [triad] 1632 WER [triad]

Description: Rectangular; no edging; top centre, inscription, FF, and date, 1732, separated by a small saltire.

Notes: The possibility exists that the initials are those of Francis Fairburn, whose descendants are known to have occupied the house where it lies.

Inscription: FFx1732

Description: Rectangular with an arched rectangular style arch linked by symmetrical cyma curves; double moulded edges except on the base; the date, 1720, in characteristic lettering of the early 18th century, bisected by a shield and crest formed from the impression of a carved wooden stamp. The arms are probably those of a branch of the Harvey family: a chevron (gules) between three bear’s gambs erased and erect armed (ermines).

Notes: The Harvey family of Eythorne, Kent, bore similar, but not identical arms, differenced by the addition of three crescents on the chevron. There are stylistic similarities between this fireback and two firebacks bearing the arms of the Duke of Dorset at Knole, which are probably of similar date, suggesting that they could be products of the same furnace.

Inscription: 17 20

Arms: Harvey of Eythorne, Kent (variant)

Description: Arched rectangular shape; ovolo moulded edge all round; the fireback is divided, unequally, into three Old Testament scenes. Centre left: Joseph is pushed into a well shaft by one of his brothers; above, six other brothers, wearing cloaks and sober puritan hats, look on; below, one of Joseph’s brothers presents Jacob with Joseph’s coat; Joseph utters the words, ‘Ah it is my son’s coat’ in a speech bubble above. Top right: Isaac kneels on a wooden pyre; behind him, Abraham holds Isaac’s head with his left hand, and raises a cleaver above his head with his right hand; above Abraham, an angel stays his hand; to the right of Isaac a ram stands beside a bush. Bottom right: beneath a pergola Jacob lies on his deathbed; his twelve sons gather round his bed.

Notes: The scenes depicted are derived from, respectively, Genesis 38: 20-24 & 32-33, Genesis 22: 6-13, and Genesis 49. The distinctive pictorial subject, the naïve figuration, as well as a number of minor features, such as the use of an ‘S’ scroll, draw parallels with the Lenard fireback, and the pattern may have been the work of the same wood carver, suggesting that it may share the same source. Another, probably contemporary, example is at Hampton Court.

Copies of this fireback are known.

Inscription: AH IT IS MY SONES COT [Genesis 38: 33]

Description: Rectangular central panel bearing an anchor with coiled rope between two fleurs de lys, below which are two roses; this arrangement is repeated alongside; above, a semicircular arch contains the initials between two roses as in the central panel, with the date above; where the arch meets the central panel there is an arc across each corner; The top and sides panels are edged with simulated twisted rope.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with the vertical panel repeated. Copies were advertised in F. Parkin & Sons (Exeter) catalogue in 1967 and 1972, and inferior copies in Kings Worthy Foundry's (Winchester) catalogue in the mid-20th century.

Copies of this fireback are known.

Inscription: 1588 / IFC

Description: Rectangular; edging on top and sides formed from four impressions of a length of wooden moulding approx. 600mm long, rebated at the right end, and overlapped starting on the right. Within are 14 impressions of a fleur de lys, arranged in three horizontal rows (5-4-5), carefully spaced with the middle stamp on the bottom row slightly out of line with the others. The edging does not reach the bottom of the plate, which is left plain.

Notes: Here is the distinctive use of wooden moulding salvaged from another use, possibly furniture, the moulded end of the sections suggesting that it might have come from a corner; the style of fleur de lys is one of three encountered on firebacks in this series.

Description: Rectangular; ogee-moulded edging (top and sides); at top, initials in middle, date split between top corners; large letters; straight base to number '8'.

Notes: The '8' is more typically found with the straight edge at the top.

Inscription: 16 IF 89