Firebacks

Description: Rectangular; twisted rope edging (top and sides only); five shields of Ayloffe impaling Sulyard in two rows, 3-2; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Arched rectangular shaped, the arch linked to the rectangle by cavetto curves; cavetto edging ending in two opposed spirals at top; initials below spirals; date below initials; otherwise plain.

Notes: Probably cast from a carved, edged board, with the initials and date added separately. A copy of an earlier casting.

Inscription: RH / 1698

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; naked, crowned figure of Neptune holding a trident in his right hand, standing amid waves and with two hippocampi to his right; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Other firebacks have the same distinctive central panel and border shape, suggesting the same pattern maker.

Description: Rectangular; bold ovolo-moulded edging (top and sides); at top, date widely split by initials in triad.

Notes: Characteristic lettering and numerals of the mid-18th century. The triad of initials probably refer to a husband and wife, the central initial N being that of their surname.

Inscription: 17 INE [triad] 52

Description: Cavetto-canted rectangle with central pediment; cyma-reversa moulded edging; central pedimented panel, fillet edged, with shield, helm, crest and mantling of the May family; on either side, an incised floral pattern of a stem and six branches, rising from a rectangular, low-relief panel of two images of horsemen; above, the inscription in low relief.

Notes: The arms of May: Gules, a fess between eight billets Or; crest: Out of a ducal coronet Or, a lion’s head gules bezanty; the same armorial stamp appears to have been used on an unnamed iron graveslab in Ticehurst church. The initials are probably those of Susanna May (c1653-1718), heir to Pashley, in Ticehurst, who had married her distant cousin, Sir Robert May, in 1686. The May family had been involved in the iron industry in the 16th and early 17th centuries, but were no longer active a century later. Incised decoration on firebacks is uncommon, the decoration probably having been incised into the pattern board.

Inscription: 17S M02

Arms: May of Pashley, Ticehurst

Description: Canted rectangular shape; twisted rope edging (top and sides); shield with recessed edges repeated seven times (3 and 4): a fess between three mullets of six points.

Notes: The arms are those of Courthope of Whiligh in Ticehurst; blazon: argent, a fess azure between three estoiles sable (two and one). Shown are molets of six points which have straight rays instead of (properly) estoiles which have wavy ones. However, the 1643/4 iron graveslab of David Barham of Snape, in Wadhurst church, has the same arms (also with molets instead of estoiles), which were those of his mother who was a Courthope.

Arms: Courthope, of Whiligh in Ticehurst

Description: Rectangular with two-stepped top; twisted rope edging to top of main plate and sides of lower step, reused frame moulding for sides of main plate; top centre, stamp formed of a talbot statant guardant upon a wreath; date below crest stamp; initials in triad, separated by, and below, date.

Notes: Straight elements in the letters and numbers are formed of the same short lengths of twisted rope that are used to form the edging; curved elements appear to have been formed by hand drawing in the casting sand; the talbot crest, which in this instance has been over pressed and shows the shape of the backing, has been seen on other firebacks indicating a common source, and is associated with firebacks with a stepped-shape.

Inscription: N 1615 W / K

Description: Rectangular; ogee-moulded edging on top and side edges; symmetrical layout of date and initials; date split between left and right sides, initials in centre, arranged in triad.

Notes: One of a series of backs dating to the 1730s and 40s using very similar sets of letters and numerals.

Inscription: 17 I M I 34

Description: Rectangular; astragal moulding on top and side edges; symmetrical layout of date and initials; date split between left and right sides, initials in middle.

Notes: One of a series of backs dating to the 1730s and 40s using very similar sets of letters and numerals.

Inscription: 17 IF 43

Description: Rectangular; plain edging; asymmetrical arrangement of stamps: top right, three 'renaissance' style shield stamps with a 'PL' monogram above two [?]bougets, in a triangular arrangement bases uppermost; top centre, a shield, indented at the top, charged with a bird upon a branch; top left, crowned shield of France Modern between two inverted 'PL' monogram shields above a bird shield; to the right, a broad bladed dagger, point uppermost.

Notes: The dagger is of the cinquedea style, introduced from Italy in the early-16th century, length approx. 38cm; the bird shield stamp has been seen on other firebacks. Wilkinson's Auctioneers, Doncaster, 24 Feb 2019, lot 534 (£650).

Inscription: PL [in five shields]

Arms: 'France Modern'