Firebacks

Description: Fragment; quasi-rectangular; twisted rope edging (top and sides), cavetto edging at bottom; originally, probably a symmetrical arrangement comprising a central, crude crowned, Tudor royal shield, with a standing human figure, its right arm bent at the elbow and its left arm crossing its waist, repeated in upper and lower positions on each side of the shield; to left and right, a twisted rope length repeated in the form of a cross, with the human figure placed above each transverse end and another below the cross and towards the shield; in the bottom corner(s), a (left) hand print.

Notes: The same crowned shield and use of hand print can be seen on a fireback at Etchingham (no. 60), indicating a common source.

Arms: Tudor royal

Description: Rectangular; fillet edging (top and sides, except c.100mm at bottom of each side); arrangement of a circular butter print with fleur de lys design, repeated four times: one in each top corner, and two evenly spaced across the middle of the plate; a single circular butter print stamp with a heart-shaped design in the middle top position.

Notes: The fleur de lys stamp can also be seen on a fireback at Nymans, Handcross (no. 96); one of the Pounsley series of firebacks.

Description: Rectangular, with canted top corners; twisted rope edging (top and sides only); nine shields of Ayloffe impaling Sulyard in two rows, 5-4; two parallel vertical cuts for the insertion of firedogs.

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular shape; triple fillet moulded edging (top and sides); overpressed stamp, repeated three times (top centre and below, to left and right) of a crowned rose within a circular garter, each with the initials ER to left and right respectively; lower centre, the initials IC.

Notes: The rose and crown stamp bears striking similarities to rose and crown designs used to mark some bronze cannon of the Tudor period. The initials ER could refer to Edward VI (1547-53) or Elizabeth I (1558-1603). The initials IC most probably relate to the person for whom the fireback was made.

Inscription: ER [thrice] / I C

Description: Rectangular; moulded border with bead edging derived from wooden strips (top and sides); top left, a saltire of the same moulding as the border, between roughly shaped D and R, both reversed.

Notes: The border appears to be in pieces of different lengths, probably from redundant furniture. Illustrated by Christy, 1908, in the possession of Mr E. Simmons of Lewes.

Inscription: D R

Description: Rectangular; twisted rope edging (probably on on top and sides only); cavetto-moulded-edged rectangle top centre, enclosing date between initials; 14 shields of Ayloffe impaling Sulyard in three rows (5-4-5).

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields. The bottom part of the fireback is obscured in the photograph. The initials 'CT' are likely to be those of Charles Tyler, a founder whose working life and that of his family have strong parallels with the occurrence of these firebacks.

Inscription: C.1.6.0.3.T

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Armorial within complex ovolo moulded edging (top and sides); quartered shield, helm, crest and mantling; plain panel below.

Notes: The arms can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral; quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Harris/Hawes/Hewish: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. The Maynards, originally from Devon, were a large family in Rotherfield, and Richard Maynard (d.1619) had an interest in Old Mill, Mayfield, as well as in Birchden forge, and probably Hamsell furnace. An example without the extension panel at the bottom has been noted. A larger fireback with the same arms, and probably by the same pattern maker, can also be seen (no. 144).

Copies of this fireback are known.

Arms: Maynard

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; various ‘tools’ of his trade arranged about him; (clockwise from top left) a circular cartouche with a central bead; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a circular cartouche with a central bead, a mirrored image of the one in the top left corner; from the top of the cartouche a dog leaping up at its master; between the man’s legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp.

Notes: A pastiche of the 1636 original Lenard fireback (no. 429), now often mistaken for it; the inscription is missing, as are the fireback and the shield each being replaced by a form of cartouche; the figure of the man is more naturalistically modelled, yet wearing similar clothes; his feet face outwards.

Copies of this fireback are known.

Inscription: 1639

Description: Rectangular; reversed cavetto-moulded edge on top and sides; pictorial scene depicting Abraham about to sacrifice Isaac; Abraham is on the left, holding the top of Isaac’s head with his left hand, his right hand holding a sword; in the middle stands a pyre; above and to the right an angel emerges from the clouds, while below a ram stands beside a bush; the inscription is above and to the left.

Notes: The scene is drawn from Genesis 22: 11; And the angel of the Lord called unto him out of heaven, and said, “Abraham, Abraham”: and he said, “Here am I”. The subject and the naïve figuration is similar to a fireback incorporating two other Old Testament scenes (no. 94), and may be the work of the same pattern maker.

Inscription: ABRAHAM ABRAHAM [Genesis 22: 11]

Description: Arched rectangular shape; cavetto edging; three ostrich feathers issuing from a royal coronet; a blank motto banner below; the initials bottom left, above banner.

Notes: The badge of the Prince of Wales; perhaps cast during the Commonwealth period.

Copies of this fireback are known.

Inscription: IL