Firebacks

Description: Rectangular; moulded border with bead edging derived from wooden strips (top and sides); top left, a saltire of the same moulding as the border, between roughly shaped D and R, both reversed.

Notes: The border appears to be in pieces of different lengths, probably from redundant furniture. Illustrated by Christy, 1908, in the possession of Mr E. Simmons of Lewes.

Inscription: D R

Description: Rectangular; twisted rope edging (probably on on top and sides only); cavetto-moulded-edged rectangle top centre, enclosing date between initials; 14 shields of Ayloffe impaling Sulyard in three rows (5-4-5).

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields. The bottom part of the fireback is obscured in the photograph. The initials 'CT' are likely to be those of Charles Tyler, a founder whose working life and that of his family have strong parallels with the occurrence of these firebacks.

Inscription: C.1.6.0.3.T

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Armorial within complex ovolo moulded edging (top and sides); quartered shield, helm, crest and mantling; plain panel below.

Notes: The arms can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral; quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Harris/Hawes/Hewish: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. The Maynards, originally from Devon, were a large family in Rotherfield, and Richard Maynard (d.1619) had an interest in Old Mill, Mayfield, as well as in Birchden forge, and probably Hamsell furnace. An example without the extension panel at the bottom has been noted. A larger fireback with the same arms, and probably by the same pattern maker, can also be seen.

Copies of this fireback are known.

Arms: Maynard

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; various ‘tools’ of his trade arranged about him; (clockwise from top left) a circular cartouche with a central bead; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a circular cartouche with a central bead, a mirrored image of the one in the top left corner; from the top of the cartouche a dog leaping up at its master; between the man’s legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp.

Notes: A pastiche of the 1636 original Lenard fireback (no. 429), now often mistaken for it; the inscription is missing, as are the fireback and the shield each being replaced by a form of cartouche; the figure of the man is more naturalistically modelled, yet wearing similar clothes; his feet face outwards.

Copies of this fireback are known.

Inscription: 1639

Description: Rectangular; reversed cavetto-moulded edge on top and sides; pictorial scene depicting Abraham about to sacrifice Isaac; Abraham is on the left, holding the top of Isaac’s head with his left hand, his right hand holding a sword; in the middle stands a pyre; above and to the right an angel emerges from the clouds, while below a ram stands beside a bush; the inscription is above and to the left.

Notes: The scene is drawn from Genesis 22: 11; And the angel of the Lord called unto him out of heaven, and said, “Abraham, Abraham”: and he said, “Here am I”. The subject and the naïve figuration is similar to a fireback incorporating two other Old Testament scenes (no. 94), and may be the work of the same pattern maker.

Inscription: ABRAHAM ABRAHAM [Genesis 22: 11]

Description: Arched rectangular shape; cavetto edging; three ostrich feathers issuing from a royal coronet; a blank motto banner below; the initials bottom left, above banner.

Notes: The badge of the Prince of Wales; perhaps cast during the Commonwealth period.

Copies of this fireback are known.

Inscription: IL

Description: Rectangular shape; ovolo-moulded edging; raised central rectangular panel with inset stylised design of a rounded arch upon Ionic columns, the inside edge indented; at quarter angles outside the arch, two trefoils; within the arch, sequence of linked hollow strapwork rhomboids and circles; between the columns, a roundel with the internal edge indented; left of the central panel, 16 above upper-case M in low relief; right of the central panel, 56 above upper-case G in low relief.

Notes: An unusually small but well-preserved back with a stylised design. The style of the numerals, particularly the 6 and 5, can be seen on a larger fireback of 1653.

Inscription: 16 56 / M G

Description: Arched rectangular plain shape with the sides of the arch concave, and with a diamond-shaped protrusion on each side; astragal edged sides terminating at the shoulders of the platre with a triangle on each side; top centre, initials in triad.

Notes: As small and unusual fireback of which only the upper part is visible, the lower part concealed behind a metal plate.

Inscription: IWM [triad]

Description: Arch-shaped, the arch consisting of eight, straight, ovolo-moulded sections; longer ovolo-moulded pieces form the lower sides of the fireback; in the centre a circular garter enclosing the Tudor arms of England; above, a crown; the date was carved on a single stamp and placed below left of the crown.

Notes: From other examples it is apparent that the crown is formed from a separate stamp to the shield and garter. Formerly at the Anchor Inn, Hartfield, Sussex; later at the Carnegie Science Center, Pittsburgh, PA, it was deaccessioned in 2003 from the Carnegie Museum of Natural History in Pittsburgh and sold at auction by Skinner, Inc. of Marlborough, MA. Cropped illustration from Schubert 1950.

Inscription: 1589 / HONI SOIT qVI MAL I PANSE

Arms: Tudor royal

Description: Canted rectangle; twisted rope edging (top and sides); Tudor royal shield within a Garter, supported by lion and dragon stamps, a crown above, between separate ‘E’ and ‘R’ stamps; fleur de lys stamp irregularly repeated four times below right and to left of lion.

Notes: The shield, garter and crown stamps appear on many firebacks, usually with left-facing lion and greyhound supporters; the presence of the shield and crown indicate the fireback is derived from the same source; the supporter stamps, which are over-pressed, are clearly derived from blocks intended to represent standing models. Formerly at Kirby Frith Hall, Leicestershire. Illustration from Schubert, 1957, pl. 7.

Inscription: HONE SOYT qVEY MAL Y PENSE

Arms: Tudor royal - Edward VI or Elizabeth I