Firebacks

Description: Rectangular with canted top corners; twisted rope edging all round except base: plain plate with two stamps of an iron firedog with twisted neck and shield bearing letters HN and crossed staples; firedogs have columnar capitals; fleur de lys stamp repeated six times, singly at each end, in star pattern in middle; stamps have twisted wreaths.

Notes: The initials HN probably refer to Henry Nevill, the crossed staples being a badge of the Nevill family. Henry Nevill occupied Mayfield furnace from about 1585 until 1599. One of two variants (see no. 742) with the same firedogs and fleurs-de-lys; other firedogs in a very similar style are known. Formerly at Holmbush Farm, Hellingly, Sussex.

Inscription: HN HN

Description: Rectangular, with arched rectangular extension on top; double astragal edging (top & sides); shield, helmet, crest and mantling of the Pelham family: quarterly, 1st and 4th, Azure, three pelicans vulning themselves proper; 2nd and 3rd, Gules, two broken belts palewise the buckles upwards argent; the crest: a peacock in pride argent.

Notes: The arms may be those of Sir Nicholas Pelham (1517-59) or of one of his two sons, Sir John (d. 1580) or Sir Thomas (c1540-1624); the latter was created a Baronet in 1611. As there is no evidence of the augmentation of a baronet on the arms, the fireback probably predates the creation of the baronetcy. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Arms: Sir Nicholas, Sir John or Sir Thomas Pelham

Description: Cavetto-canted rectangle with arched top; astragal and cavetto edging (top and sides); pictorial; back-to-back figures of a bearded man and a woman in a poke bonnet, both dressed in tunics, their arms raised, respectively left and right; they are chained to a vertical pole; below, flames issue from vertically stacked logs, while smoke rises above them; the physical proportions of the figures are naïve, the man’s eyes being over-large, as are the hands of both.

Notes: The design is a free adaptation of an illustration from The Book of Martyrs by John Foxe (1563), a copy from a back originally noted at Brick Cottage, Burwash, Sussex, in 1871. This may be the design of fireback referred to in an enquiry printed in the St James's Chronicle, or British Evening Post, of 9 August 1788, which described it as 'having two Bishops burning at Stakes thereon' at a house in Warwickshire. At an auction sale in 2017 the same design of fireback was interpreted as the burning of Bishops Latimer and Ridley in 1555. Protestants were burnt to death at several Wealden locations as well as elsewhere in the south-east of England during the reign of Mary I, notably at Canterbury and Lewes. The subject of the fireback should be regarded as symbolic rather than commemorating any individual martyrs.

Copies of this fireback are known.

Description: Rectangular; cyma curve and fillet edging; crowned Tudor rose within a pediment resting on Tuscan pilasters and pedestals.

Notes: The rose and crown are more finely modelled than other versions.

Copies of this fireback are known.

Description: Rectangular with two mirrored scrolls on top, a lion’s face between; ogee-moulded edging; central pilaster with vine scrolling, Corinthian capital, a diamond on the pedestal; on either side, an arched alcove with fillet edging, each with a halberdier in mid-17th century clothes, their feet pointing to the middle.

Notes: A more common version has different edging and a pattern-maker’s mark. Formerly part of the J. H. Every collection.

Description: Rectangular with pediment and frieze resting on fluted Tuscan pilasters; plain podium base; rectangular central panel with double fillet edge divided into four with central panel containing initials; date in tympanum.

Notes: An early example of the use of classical architectural elements in an English fireback. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: [1]568 / ER

Description: Fragment; arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and (missing)greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom; rectangular side panels with twisted rope edging top and side; a short length of turned dowel stamped four times, diagonally, on each panel; a circular disc with concentric grooves in top left corner.

Notes: Similar to a fireback in the Victoria & Albert Museum, but differentiated by the twisted rope edging of the side panel and the addition of the grooved disc. The disparity between the worn surface of the armorial panel and the greater clarity of the extensions indicates that the extended casting was made using an already well-used armorial fireback and therefore at a substantially later date.

Inscription: E R / HONY SOIT QUE ... / Made in Sussex by J... / DV ET MOV...

Arms: Tudor royal - Edward VI

Description: Arched rectangular shape with small rhomboidal flanges in the corners of the arch; cavetto moulded edge on all sides; Stuart royal arms (1605-88, 1702-14) with lion and unicorn supporters, garter, crown and motto; raised inscription in a tapering label beneath crown.

Notes: An amended copy of a 17th/early 18th century original (see no. 633). The added inscription has been impressed with the personalised cast handle of a cooking vessel. A bronze skillet bearing the inscription 'STANDEN 1726' on its handle has been recorded elsewhere, but the impression on the fireback has been formed from a handle with the inscription inset in relief, whereas the 1726 inscription is inscribed. Also the lettering on the handle used to personalise the fireback, which includes the letter A surmounted with a horizontal line, is of an earlier style. Three members of the Standen family, Thomas, James and Elias, were founders at Beech or Robertsbridge furnaces, Sussex, 1728-9, and a John Standen was casting skillets at Heathfield Furnace in the early 1730s; each could have been the founder of the 1726 skillet, but the maker of the handle used in the fireback casting may have been earlier. Formerly at Marshalls Manor House, Maresfield, Sussex.

Inscription: IAMES STANDEN [+Garter and royal mottoes]

Arms: English Stuart royal

Description: Arched rectangular shaped; convex moulding (top and sides surviving); scrolled protrusions above top corners; Stuart royal shield, crown, garter, supporters and motto; initials separated by crown.

Notes: The scrolled protrusions suggest a possible association with other firebacks with similar features.

Inscription: I R / HONI SOIT QVI MAL Y PENSE

Arms: English Stuart royal - James I

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped.

Notes: The fireback has been incorrectly dated 1550 instead of 1650, which Schubert, following W. R. Lethaby, asserted was a forgery claiming indications that a ‘6’ had been erased. Undoubtedly the first '5' is more prominent than the other figures though the exact method by which it has been substituted is not clear. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Inscription: 1550