Firebacks

Description: Rectangular shape; plain edging (top and sides); full-height impression of a fireback of arched rectangular shape and ovolo edging; date in arch; below arch, two parallel straps, each with a buckle at the top; initials T above R to the left of centre, and P above T to the right.

Notes: The side edging of the original fireback has been erased before casting. A variant of the 1642 series of firebacks bearing the Pelham buckle badge and the initials TP, believed to relate to Sir Thomas Pelham (1597-1654). It is not known to whom the initials RT relate; their style suggests they are contemporary with the original fireback. A larger fireback has been created by impressing either the original pattern of the Pelham fireback or a casting from it into a plain rectangular mould, and modifying it by removing the side moulding. It is unclear whether the additional initials, RT, had already been added to the 'pattern' or were added to this casting.

Inscription: 1642 / T P / R T

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped. Two plank-lines.

Notes: Whole pattern with added date; one of a series of firebacks where the number ‘1’ is hooked at both ends. Damage and subsequent repair to the bottom right corner has obliterated a letter 'M' seen on another casting; presumably part of 'IM'. A variant, at Lewes, is incorrectly dated 1550.

Copies of this fireback are known.

Inscription: 1650

Description: Rectangular; twisted rope edging (top and sides); to each side, two saltires formed of crossed lengths of twisted rope; in between, and repeated seven times, a circular stamp decorated in low relief with a central disc perforated in the centre, surrounded by a circle inside a square looped at each corner, the sides of which are echoed twice on each side; the stamps are arranged in two rows, of three and four, in the upper part of the plate.

Notes: A boldly cast fireback with an excrescence top centre caused by disturbance of the casting sand by the pouring of the iron.

Description: Central panel of arched rectangular shape with cavetto canted corners and bead edging; figure seated astride a triumph of weaponry (cannon, spears, drums), holding a laurel wreath in his right hand, surrounded by martial objects (flags, cannon, drums etc.), symmetrical hanging drapery above; same-shaped border with fillet edging and suspended ribbons with floral bunches

Notes: Possibly a depiction of an allegory of Victory. Other firebacks have the same distinctively shaped central panel and border shape, suggesting the same pattern maker. A reduced variant of a more elaborate fireback (no. 456) but missing mirrored serpents on top and probable reed decoration at the base.

Description: Rectangular; double fillet moulded edging; top centre, shield-shaped block with a rectangle containing the crest of the Fowles - an Arm in armour holding a Battle axe issuant from a Ducal Coronet, above the initials, WF; top left and right, two shields of the arms of the Fowle family - (Gules) a lion passant guardant between three roses (Or); across the lower half of the fireback are three solid triangular prisms of iron.

Notes: The stamps relate to William Fowle (1568-1634), ironmaster of Riverhall furnace. The stamps also appear on grave slabs in Wadhurst and Frant churches and on an unprovenanced graveslab in Maidstone Museum. The iron prisms were included, perhaps, to retain heat and to prevent the fireback from cracking.

Inscription: WF

Arms: William Fowle, of Frant and Wadhurst

Description: Arched rectangular shape; ovolo edging; Stuart royal arms of England (quarterly, 1st and 4th, France and England, 2nd Scotland and 3rd Ireland) with garter, crown, motto and supporters; initials either side of lion’s head; date either side of unicorn’s head.

Notes: The slightly awkward positioning of the date suggests it was added later.

Copies of this fireback are known.

Inscription: I R [Iacobus Rex] 16 04 / DEV ET MON DROIT

Arms: English Stuart royal - James I

Description: Quasi-rectangular; twisted rope edging on top and sides; cavetto-moulded-edged rectangle top centre, enclosing date between initials; 17 shields of Ayloffe impaling Sulyard in three rows (5-6-6); Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. The initials 'CT' are likely to be those of Charles Tyler, a founder whose working life and that of his family have strong parallels with the occurrence of these firebacks.

Inscription: C.1.6 2.0.T

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangle; no edging; date just above centre; initials above date.

Notes: The disparity between the quality of the stamping of the date and initials may be because the date has been stamped from a single block. There are stylistic similarities with the memorial plate to John and Ann Luck, dated 1771, in Wadhurst church porch, Sussex.

Inscription: I H / 1776

Description: Arched rectangular shaped, the arch linked to the rectangle by cavetto curves; cavetto edging ending in two opposed spirals at top; initials below spirals; date below initials; otherwise plain.

Notes: Probably cast from a carved, edged board, with the initials and date added separately.

Inscription: I or F H / 1698

Description: Arched rectangular shape; fillet edging (top and sides); twisted rope cross in centre of arch; fillet-edged square below arch containing initials of uneven size; along the top, a line of five quatrefoils on each side of the initials; below, two symmetrically carved roundels and associated spandrels, each with a central flower.

Notes: The quatrefoils and roundels are likely to have been part of a redundant, probably medieval, furniture panel, perhaps from a chest. The life-size rubbing, reinforced with ink, is by W. R. Lethaby. The fireback was formerly property of the artist John Callcott Horsley RA (1817-1903) at Wilsley Green, Cranbrook, Kent.

Inscription: PC