Firebacks

Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: SHR

Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with pictorial image of, to the right, a shepherd holding a musical pipe, his right foot upon a log, upon which a dog, to the left, sits holding the shepherd's crook; top centre, a crown, on either side of which, on the curled upper parts of the 'wings', is an inward facing sheep.

Notes: This small, but unusual, casting was probably cast in an open box mould as the upcast (reverse) side of the casting shows evidence of being sand-treated. Only a very small number of such castings are known. Depth 210mm

Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with stylised image of a tree; top centre, three ostrich feathers gathered at their quills, on either side of which, on the curled upper parts of the 'wings', are a mirrored feature of uncertain type.

Notes: This small, but unusual, casting was probably cast in an open box mould. Only a very small number of such castings are known. Depth 210mm. The fireback has been repaired in the main panel and attached to a later grate.

Description: Arched rectangular central panel with canted, cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by dogs, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677). The pattern for this fireback, from which the protuberances above the serpents’ heads is missing, is in Rottingdean Grange. The pattern, however, has a base panel of a chain-link design, which is missing from this casting.

Copies of this fireback are known.

Description: Arched rectangular panel with a Salomonic column on each side enclosing a scene of Abraham about to sacrifice Isaac but being restrained by an angel; below, bottom panel of indeterminate decoration (due to corrosion); above each column a burning torch, with symmetrical floriate scrolls over the arch.

Notes: Given the biblical subject, this is probably of German manufacture although the Salomonic columns are more often encountered on English pastiches of the 'Dutch' style.

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; crowned figure, holding a sceptre in his right hand, sitting in a chariot drawn to the left by two horses with ostrich feather head-dresses; the whole upon a causeway with pilasters and masonry, and waves beneath; a heron flying to the left; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, symmetrical, flower bunches, descending from a ribbon loop; monogram centre bottom, between plant tendrils; on top, symmetrical scrolled plant tendrils.

Notes: The design is derived from a personification of Europe, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677); a similarity with Queen Anne may not be coincidental; the flying heron has been copied from a print by Wenceslaus Hollar c.1658.

Copies of this fireback are known.

Inscription: SHR

Description: Upon a rectangular base plinth, wide scrolled side fillets with foliage about the scrolls and suspended bell flowers in chain above; central cartouche behind an oval shield bearing three fleurs-de-lys surmounted by a French royal crown; on top, an arch rising from horizontal moulding on each side.

Notes: Characteristic of designs illustrated by architects such as Daniel Marot.

Arms: French royal

Description: Arched rectangular central panel with ovolo linking curves and eyelet astragal edging; pictorial scene of Delilah, seated above a pavement, supervising the cutting of Samson's hair by a barber, a putto to the left and a small figure lower right; drapery above; arched rectangular border with ovolo linking curves and fillet edging; symmetrical pattern of plant tendrils with leaves and seed pods; at bottom, monogram 'EB' in a cartouche between symmetrical leaves and ears of wheat; on top, two mirrored sea serpents.

Notes: One of a small series of firebacks identified by the EB monogram; the pictorial scene is of Delilah and the sleeping Samson with a Philistine cutting his hair; the scene may be based on an engraving by the Dutch artist Philip Galle (1537-1612) after a painting by Maerten van Heemskerck.

Copies of this fireback are known.

Inscription: EB

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; crowned figure, holding a sceptre in his right hand, sitting in a chariot drawn to the left by two horses with ostrich feather head-dresses; the whole upon a causeway with pilasters and masonry, and waves beneath; a heron flying to the left; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, symmetrical, flower bunches, descending from a ribbon loop; monogram centre bottom, between plant tendrils; on top, symmetrical scrolled plant tendrils.

Notes: The design is derived from a personification of Europe, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677); a similarity with Queen Anne may not be coincidental; the flying heron has been copied from a print by Wenceslaus Hollar c.1658.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with bead on broad fillet edging; lattice basket standing on a ground, with flowers and fruit issuing therefrom in a symmetrical display; arched rectangular border with fillet edging; on each side, mirrored vine with flowers and leaves suspended from mirrored swirled foliage; at the bottom, the letter W in a cartouche between swirled foliage; on top, mirrored swirled foliage issuing upwards from a mythical creature on each shoulder.

Notes: The floral theme and its execution shows parallels with the SHR, N and 1724 series of firebacks and could be from the same workshop. The 'W' initial probably denotes the pattern maker.

Inscription: W