Firebacks

Description: Cavetto canted rectangular central panel with ovolo-moulded edging, enclosing a pictorial scene of a naked female seated at a fountain on the left, with two clothed males to her right; behind, a part of a domed brick building with the inscription around the top of the wall; enclosing the scene, twin floral festoons suspended from top centre; on top, a central crown between two descending dolphins.

Notes: The scene depicts the Apocryphal story of Susanna and the Elders.

Copies of this fireback are known.

Inscription: SVSANA

Description: Arched rectangular shape; ovolo-moulded edging; a shield with the arms of the Grocers' Company on a cartouche, surrounded by four sprays of olive leaves.

Notes: The blazon of the arms is: Argent, a chev­ron gules between nine cloves six in chief and three in base proper. The arms were granted in 1532. The style of the fireback owes something to the design of French firebacks of the mid-17th century.

Copies of this fireback are known.

Arms: Worshipful Company of Grocers

Description: Quasi-Arched rectangular shape with cyma reversa shoulders; ovolo edging; stylised lion passant guardant; crowned rose with leaf and stem on left, crowned fleur de lys on right, thistle with leaves above centre; three right-facing scrolls at base; down-facing scroll, with staple, on right side; date split between bottom corners; initials below date, bottom right.

Notes: Blatantly Royalist in its symbolism, a variant is dated (perhaps less convincingly) 1649. Numeral style, initials, leaf depiction and the stapled scroll are typical features of firebacks made from patterns by the same maker. A later version of the same subject, but with a different shaped plate and without the fleur-de-lys, is also known (see 'Royalist series'). M. A. Lower writes of this design of fireback being cast at Waldron Furnace in Sussex (Lower, 1849, p.219).

Copies of this fireback are known.

Inscription: 16 41 / IM

Description: Armorial within complex ovolo moulded edging on all sides; two plank lines; the achievement is distinguished by the elaborately festooned mantling, the whole resting on a boat-shaped compartment.

Notes: The arms, which are those of an esquire, may be those of John Trevor, the son of Sir John Trevor, one of Charles II’s Secretaries of State. He married Elizabeth, widow of William Morley, of Glynde, Sussex, from whom passed the Glynde estates. The arms on this fireback have been variously attributed to Lord Dacre (a descendant of John Trevor), and Col. Marcus Trevor, 1st Viscount Dungannon. The distinctive shape is seen in similar form on several other armorial firebacks, suggesting a continuity of pattern making, if not the same pattern maker. Many copies of this fireback exist.

Copies of this fireback are known.

Arms: Trevor family, of Glynde

Description: Arched rectangular shape; ovolo moulded edging; Tudor royal shield, garter, crown, motto and supporters (crowned lion and dragon), temp. Elizabeth I; the top of the lion's crown and the dragon's ear overlap the edging.

Notes: Another version has a rose and portcullis either side of the crown, and the top of the lion's crown and the dragon's ear do not overlap the edging; a faint blank rectangular stamp on each side of the crown may have been to hide initials, which have been noted on a variant of this fireback.

Copies of this fireback are known.

Inscription: [Garter] HONI SOIT QVI MAL E PENSE / [motto] DIEV ET MON DROIT

Arms: Tudor royal

Description: Quasi-Arched rectangular shape with cyma reversa shoulders; ovolo edging; stylised lion passant guardant; crowned rose with leaf and stem on left, crowned fleur de lys on right, thistle with leaves above centre; three right-facing scrolls at base; down-facing scroll, with staple, on right side; date split between bottom corners; initials below date, bottom right.

Notes: Blatantly Royalist in its symbolism, a variant is dated (perhaps more convincingly) 1641. Numeral style, initials, leaf depiction and the stapled scroll are typical features of firebacks made from patterns by the same maker. A later version of the same subject, but with a different shaped plate and without the fleur-de-lys, is also known (see 'Royalist series'). M. A. Lower writes of firebacks of this design of being cast at Waldron Furnace in Sussex (Lower, 1849, p.219).

Copies of this fireback are known.

Inscription: 16 49 / IM

Description: Canted rectangle; ovolo-moulded edging; shield and dolphin crown of the dauphin of France, encircled by the Ordre d'Esprit and the Ordre de St Michel; dolphins in the bottom corners, separating digits of the date.

Notes: The 24th Dauphin was Louis, son of Louis XV and father of Louis XVI.

Inscription: 1 7 5 0

Arms: Dauphin of France (24th Dauphin)

Description: Arched rectangle; ovol-moulded edging; pictorial scene of a begowned figure waving to figures standing beneath a portico with a sun behind, other figures opening a door to his left, above which is the shape of the man in the moon; blottom left, a computer; bottom right, a painter's palette.

Notes: A farewell gift to William Vaughan, Reader in Art History at University College, London (later professor of the History of Art at Birkbeck College).

Inscription: WILLIAM VAUGHAN / 1972 UNIVERSITY 1986 / COLLEGE

Description: Fragment; rectangular shape; ovolo-moulded edging (top and sides); six stamps, in two columns of three, taking the form of a long-pointed arrow head within a circlet of small curls.

Notes: The stamps are of an unfamiliar type with some similarity to the heraldic symbol for ermine. Because only the left part of the fireback has survived it is not known how many original columns of this stamp there were.

Description: Arched rectangular centrel panel with bead on fillet edging; central seated female with an infant in her arms, a swan at her feet and a standing child on each side, the one to her left facing the front and holding aloft a flaming heart, its foot on a ball; the child to her right facing the back, holding aloft a branch in its left hand, all on a ground with a tree behind to the right; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; at the bottom, a central cartouche with illegible date, between floral swags; on top, twin spirals between descending floral festoons.

Notes: The group is an allegory of Charity. A recasting.

Copies of this fireback are known.