Firebacks

Description: Arched rectangular shaped central panel with paternost bead edging; Hercules/Herakles slaying the Nemean lion on a ground with small trees, his club lying at his feet; above, clouds and sun rays; arched rectangular shaped border with fillet edging, symmetrical arrangement of swirled tendrils, floral wreath at base; on top, symmetrical arrangement of foliage.

Notes: The image is taken from an engraving by Gerard de Jode, from his series 'The Labours of Hercules', after Marcus Geeraerts, 1519 - 1591. One of many English firebacks which copied 'Dutch' styles. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Armorial within complex ovolo moulded edging on all sides; two plank lines; shield, helm, crest and mantling of the Trevor family; the achievement is distinguished by the elaborately festooned mantling, the whole resting on a boat-shaped compartment.

Notes: The arms, which are of an esquire, are probably those of John Trevor (c1652-1686), the son of Sir John Trevor, one of Charles II’s Secretaries of State. By his marriage in 1679 to Elizabeth (c1656-1693), widow of William Morley, of Glynde, Sussex, the Glynde Place estate passed into the hands of the Trevors. The arms on this fireback have been variously, but incorrectly, attributed to Lord Dacre (a descendant of John Trevor), and Col. Marcus Trevor, 1st Viscount Dungannon (peers' arms have supporters). The distinctive shape is seen in similar form on several other armorial firebacks over the preceding century, suggesting a continuity of pattern making, if not the same pattern maker. Many copies of this fireback exist.

Copies of this fireback are known.

Arms: Trevor family, of Glynde

Description: Arched rectangular shaped panel with fillet edging; two Salomonic columns supporting a beaded arch; standing figure of Atlas supporting a globe, on ground with plants, and two swags of fruit and leaves suspended from the centre of the arch to the capitals of the columns; above the beaded arch, symmetrical swirls of fruit and foliage; on top, a scallop shell between two sea serpents.

Notes: Probably an English design copying the north German 'Dutch' style.

Copies of this fireback are known.

Description: Arched rectangular shape with fillet edging; tall, arched central panel with bead edging (top and sides); flying bird in arch, with two small trees below, and two figures, one with a staff in his right hand, and a dog, at the bottom; two side panels with similar cascades of flowers; narrow base panel with fillet edging and symmetrical floral arrangement; on top, a scallop shell between two symmetrical lines of trailing flowers.

Notes: The figures may be Venus and Adonis, the bird aboive being a dove; probably an English design based on the 'Dutch' style. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Rectangular with low, 3-facetted arch; ovolo edging; shield of the Goldsmiths’ Company: quarterly Gules and Azure, in the first and fourth quarters a Leopard's Head affrontée Or, in the second and third quarters a Covered Cup between in chief two Buckles fesswise all of the last; behind the shield is a scrolled escutcheon.

Notes: An unusually thick fireback. The Goldsmiths’ Company were granted arms in 1571.

Copies of this fireback are known.

Arms: Worshipful Company of Goldsmiths

Description: Rectangular; plain plate with three stamps of an iron firedog with a twisted design on the neck, a primitive face on the terminal and a shield bearing initials RW.

Notes: The letters RW are said to relate to Richard Woodman, ironmaster and Protestant martyr, who resided at Cralle Place, and who operated Cralle furnace. A near-identical firedog was discovered at Bridge Cottage, Uckfield, Sussex.

Inscription: RW

Description: Quasi-arched shape; straight fillet edging to sides and bottom, symmetrical, stepped cavetto, ovolo, cavetto and double arched on top; central pictorial scene of a female and male seated on a couch, both in 18th century dress, with swirled floral border; swirled floral base panel separated by a fillet; two sea serpents on top.

Notes: The dress of the figures portrayed suggests a late-18th century date

Description: Canted rectangle; twisted rope edging (top and sides); square stamp with fillet edge and four diagonally quartered squares, repeated three times along top and once centre bottom; square stamp with triangular top containing intaglio fleur de lys, two positioned between squares in top row, and two separated by quare below. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Notes: It appears that more iron was poured into the mould than its depth allowed for, resulting in the considerable thickness of the casting.

Description: Rectangular; twisted rope edging (top and sides); inscription made of short lengths of twisted rope, irregularly spaced across upper middle, central device formed of a Tudor 'A' with overstamped 'V'.

Notes: It is not clear if the central device is a monogram, or if it might have apotropaic significance.

Inscription: T A M T

Description: Quasi-rectangular with raised symmetrical scrolls between semi-circular re-entrants on top edge; ovolo-moulded edge on bottom and sides, with fillet edging on top; grotesque face with swirled hair locks, above an inverted floral spike, between two moustachioed male figures in tunics, holding pikes, standing on a cavetto-moulded compartment, date beneath.

Notes: Alleged to represent the 'Brede Ogre', Sir Goddard Oxenbridge (1478-1531) who, legend states, was sawn in half by local children. Stylistically similar to other firebacks with connections with Brede furnace.

Copies of this fireback are known.

Inscription: 16 52