Firebacks

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; at top of arch, grape bunches; at each side, a festoon of fruit suspended on a ribbon from a lion's head; at the bottom, an oval cartouche between flowers; on top, an urn from which descends a dolphin on each side of the arch.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the same central panel is known with several different borders.

Copies of this fireback are known.

Description: Arched rectangular shape; cavetto edging; Stuart royal arms of England (quarterly, 1st and 4th, France and England, 2nd Scotland and 3rd Ireland) with garter, crown, motto and supporters; initials either side of crown base.

Notes: As in others of this series the design overlaps the edging.

Copies of this fireback are known.

Inscription: C R / ...SOIT QVI MAL Y ...

Arms: English Stuart royal

Description: Arched rectangular shape; bead-on-fillet edging; in a garden of ground, a tree and a tall plant in a pot, the standing figure of a young person blowing a pipe, two sheep or goats behind; arched rectangular border with ovolo-moulded edging; symmetrical arrangement of scrolled foliage; on top, a scallop shell with a descending dolphin on each side of the arch.

Notes: The scene may be allegorical or purely representational.

Description: Rectangular central panel with bead edging all round, pictorial scene of a landscape at the fore of which Jesus sits at a well with the woman of Samaria; above the panel is a bead-edged arch with a floral wreath; arched rectangular border with canted top corners and cavetto-moulded edging; repeated low-relief pattern of linked squares and diamonds; at the bottom, indistinct floral swirls; on top, a small crown with descending mirrored swirls.

Notes: The scene is from John 4.

Description: Arched rectangular shaped central panel with bead-on-fillet edging; pictorial scene of the interior of the stable at Bethlehem with a stone arched doorway and a hay stall in the background; in the left foreground the seated figure of the Virgin Mary with the infant Jesus, and Joseph behind; behind Joseph a donkey, and to the left of the child a seated ox; to the right, three figures, one kneeling and another holding a hat; in front of the kneeling figure a basket; arched rectangular border with fillet edging and a repeated leaf pattern; on top, a scallop shell between two dolphins.

Notes: The scene is of the Adoration by the Magi - Matthew 2: 11.

Copies of this fireback are known.

Description: Arched rectangular shape with bead-on-fillet edging; pictorial scene of St Michael the Archangel fighting the Devil; on top, a pomegranate with serpents descending down each side of the arch; a pomegranate on top of each shoulder of the plate.

Notes: Notable for the absence of a border and the lack of a background to the scene.

Copies of this fireback are known.

Description: Rectangular with fillet sides and bottom; scrolled foliage on outside edges; date in narrow rectangular panel at bottom; central pictorial representation of four historical figures (see below), three male in mid-17th century armour, and one female; tripple arched top formed of rococo scrolls, a putto forming the middle arch.

Notes: The inscription may relate to the defeat of the Spanish at s'Hertogenbosch (den Bosch - ENDE BUSH) in 1629, and Wesel. von den Driesch states that the figures, from left to right, are: Prinz Fredrik Henrik of Oranje, his daughter, Luise Henriette, Prince Maurice of Nassau, and the Elector Friedrich Wilhelm of Brandenburg, who married Luise Henriette. Foreign craftsmanship may account for the incorrect spelling of Dutch names.

Copies of this fireback are known.

Inscription: PRESNTZI VAN WESEL ENDE BVSH / 1667

Description: Arched rectangular central panel with arch and bead edging within a similarly shaped cavetto-moulded border and pomegranates on to and on the ach shoulder of the plate; pictorial representation of the king of Sweden mounted on a horse.

Notes: The king would be Gustav II. There is a companion fireback bearing the image of Prince Fredrik Henrik of Oranje.

Copies of this fireback are known.

Inscription: DIE KONINCK VON SWEDEN

Description: Arched rectangular central panel with bead-and-pellet edging; pictorial scene of Abraham about to sacrifice Isaac, the former's hand being stayed by an angel, a ram in an adjacent thicket; arched rectangular border with fillet edging; arrangement of sunflowers linked with festoons of leaves; at bottom, swirled foliage; on top, a scallop shell between mirrored swirled foliage.

Notes: The scene is from the Old Testament - Genesis 22: 12; a popular subject on firebacks.

Description: Arched rectangular shape with arch; bead-on-fillet edging within a cavetto-moulded border; pictorial representation of a man and woman in the dress of the mid 17th century, with a fruit tree between them.

Notes: The significance of this design has not been satisfactorily explained. Carpentier suggests it may be a contemporary depiction of Adam and Eve.

Copies of this fireback are known.