Firebacks

Description: Arched rectangular shaped central panel with bead edging; naked figure of Mercury/Hermes with winged helmet (petasos), holding a snake-entwined staff (caduceus); he is sitting astride a pair of bellows and blowing a straight trumpet; a twice-bent trumpet lies at his feet; the bellows are pumping air into an organ; to the right of his head is the word, AER (air - Latin); above is a swag of drapery; outside the panel is a narrow border of the same shape with fillet edging; the fireback is surmounted by a scallop shell between two outward-facing sea serpents.

Notes: One of a series of firebacks symbolising the four elements.

Copies of this fireback are known.

Inscription: AER

Description: Canted rectangular shape; twisted rope edging (top and sides); top centre, date '1675'.

Notes: Similar, in size, shape and position of numerals, to a fireback of 1670 but the numerals are from a different stock.

Inscription: 1675

Description: 'Dutch' style; arched rectangular shaped central panel with arch at top; bead edging; female figure with staff and fan in a garden, inscription DER MITAG below figure ; similarly shaped border of Corinthian columns and floral decoration; symmetrical serpents on top.

Notes: The inscription means NOON; identified from a clearer version in the collection of the Haardplatenmuseum, Klarenbeek, Netherlands. The representations in human form of various virtues and vices in Iconologia, by Cesare Ripa, first published in the early 17th century but republished in different editions many times subsequently, formed the basis of the subject matter of several firebacks, mostly cast from continental originals, that became popular in England from the late 17th century.

Copies of this fireback are known.

Inscription: DER MITAG

Description: Arched rectangular shaped central panel with fillet and bead edging, Neptune/Poseidon, holding a trident in his right hand, sitting in a scallop shell drawn by four mythical sea horses, behind are two mermaids; arched rectangular shaped border with ovolo egg and dart edging; above, two symmetrical dolphins with a clam shell between.

Notes: Typical type of firebacks produced in Germany for the Dutch market; the central panel was made separately for insertion into different borders; this border is a relatively simple type. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: 'Dutch' style; arched rectangular shaped central panel with bead edging, semi-naked figure holding a caduceus in his left hand, standing on a mound with a tree to the right and clouds above; arched rectangular shaped border with fillet edging and an ivy and acanthus leaf pattern; on top an arrangement of swirled foliage.

Notes: The figure is Hermes/Mercury, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: 'Dutch' style; arched rectangular shaped central panel with bead edging, figure of Charity holding a baby in her left arm and an olive branch in her right, two other children stand on each side of her, one holding a burning heart, trees in the background; arched rectangular shaped border with fillet edging and a repeated leaf pattern; on top a clam shell between two symmetrical serpents.

Notes: Typical type of fireback produced in Germany by Dutch pattern makers; the central panel was made separately for insertion into different borders; this border is a relatively simple type; the portrayal of Charity is derived from the 'Iconologia' of Cesare Ripa. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Canted rectangle; twisted rope edging (top and sides); date stamp top centre; arched rectangular style fireback with cavetto-moulded edge and fructed ‘vine’ plant design, impressed twice; vertical twisted rope length between. Damage to bottom corners.

Notes: A composite fireback using the impressions of another fireback repeated for a symmetrical design. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Inscription: 1673

Description: Arched rectangular shaped; cavetto moulded edging (top and sides); a cabled anchor palewise, behind it the inscription on a scroll parallel with the anchor flukes.

Notes: The inscription is a quotation from Psalms 139: 1: 'Domine, probasti me et cognovisti me' - Lord, Thou hast searched me and known me. Another version of the same design may come from the same source. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: PROBASTI ME [Thou hast searched me]

Description: Rectangular central panel with bead edging; a phoenix, with wings displayed, rising from the flames; rectangular border with bead edging, flowers and leaves festooned from a central flower; initials split either side of a flower at the base; on top, symmetrical swirled leaves.

Notes: Although similar to 'Dutch' types made in north Germany, this is probably an English design. A fireback bearing a phoenix was one of three designs ordered by Trubshaw's, ironmongers of London and Birmingham, from George Sitwell's furnace at Foxbrooke, Derbyshire, in the 1660s. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: R (or B) G

Description: Arched rectangular shaped; cavetto-moulded edge; figure of St Paul, a sword in his left hand, holding a viper in his right hand over flames rising from the ground.

Notes: The scene illustrates an episode in the New Testament, Acts 28: 3. The design shows stylistic similarities to other firebacks where simple, well-executed relief has overlapped the cavetto edging. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.