Firebacks

Description: Rectangular, cavetto moulded edging; Stuart royal shield, garter, supporters and crown.

Notes: One clear vertical plank line indicate that the pattern for this fireback was formed of a series of boards probably secured by horizontal battens on the rear.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE

Arms: English Stuart royal

Description: Arched rectangular central panel; bead-on-fillet edging; wickerwork Garden of Holland (Hollandse Tuin) within which is seated a berobed female figure holding a cap of freedom on the end of a long pole; before her is the crowned heraldic lion of the States General of the Netherlands, clutching a sheaf of arrows in its left front paw; above are the words, Pro Patria; arched rectangular boreder with fillet edging, and foliage draped from the top; on top, a pomegranate to which ascends a serpent on each side, with a further pomegranate on each shoulder of the plate.

Notes: An overtly patriotic theme with symbols of Dutch nationhood.

Copies of this fireback are known.

Inscription: PRO PATRIA

Description: Arched rectangular central panel with bead edging; image of two helmeted men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage descending from a scallop shell; bottom of the image obscured by corrosion damage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a popular subject on a variety of media in the period.

Inscription: I N

Description: Arched rectangular shape with arch on top; rebated fillet edging; below mirrored putti holding crossed fronds, the figure of St George slaying the dragon; on each side a flame-topped column.

Notes: The central panel of what would otherwise have been a typical bordered fireback intended for the Dutch market.

Description: Arched rectangular central panel with bead on fillet edging, pictorial scene of Hercules standing, right arm akimbo and left hand holding a club that rests on his shoulder; to his right the allegorical female figure of Virtue, clothed and resting her left hand on Hercules's right shoulder; to his left the female allegorical figure of Volupta, the pair symbolising the 'crossroads' where Hercules has to decide which path in life to take; below them the text VIRTUS HERCULES VOLUPTA; above, seated above clouds, Jupiter surveys the scene, the word IVPITER below; arched rectangular border with fillet edging, from a central bunch of grapes at the top of the arch, a ribbon on each side suspends bunches of fruit and flowers; at the bottom a central cartouche containing the inscription 'L7G', with flowers on each side;; on top are two mirrored dolphins, their tails covering a bunch of grapes.

Notes: The pictorial scene is loosely based on a painting c.1636-7 by Nicholas Poussin. The inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L6C and L8G) indicate different borders. Image from von den Driesch (p. 512).

Copies of this fireback are known.

Inscription: IVPITER / VIRTVS HERCVLES VOLVPTA / L7C

Description: Arched rectangular shape; cavetto-moulded edging; central, two handled, gadrooned vase with swirled, fruited vines issuing from the neck, and a bird on each side perched within the vines; out of the neck, a naïve human figure with arms outstretched, grasping vines on each side.

Notes: The figure emerging from the vase has a symbolism which has yet to be explained; more than one version of this fireback exists.

Copies of this fireback are known.

Description: Arched rectangular central panel with additional arch above; bead edging; pictorial scene of Solomon, rising seated on a scallop-backed, canopied throne, greeting the Queen of Sheba, with other figures in attendance; identical shaped border with cavetto-moulded edging; a vase on top with descending swags of drapery; at the sides, festoons of flowers suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a bunch of three flowers with an ascending serpent on each side, and a bunch pf fl;owers on each shoulder of the plate.

Notes: Several contemporary paintings are of similar scenes; this design may have been derived from a Dutch engraving of a drawing by an anonymous French artist after Maarten van Heemskerck. Close observation shows that the scene depicted, and some other decorative elements, are different to those on a similar fireback, no. 489. Wilkinsons auction, Doncaster, 25 Mar 2024, lot 606 (£200).

Description: Canted rectangular shape; twisted rope edging (top and sides); top centre, date formed of individual numerals.

Notes: The '1' has a central button, typical of the period, or of a little earlier. Formerly at Padley Hall, Derbyshire. Wilkinson's, Doncaster, auction 24 Apr 2016 lot 317.

Inscription: 1670