Firebacks

Description: Rectangular shape; twisted rope edging (top and sides only); central initials, WS, in different character sets, between split date, also in different numeral sets, with a rectangular floral patera repeated at each end; below, and at a slight incline to the right, a horizontal twisted rope dividing the plate. The '5' of the date has been stamped in reverse.

Notes: A boldly cast fireback with disparate character styles. Probably acquired for the castle in the early-20th century during its refurbishment for Edward Hudson by Edwin Lutyens.

Inscription: 1 6 W S 7 5 [5 reversed]

Description: Arched rectangular shape; twisted rope edging (top and sides); in arch, marquess's coronet above a monogram with date split either side.

Notes: The elaborate monogram has not been deciphered, but the fireback does not appear to be related to the Talbot family who owned Lacock throughout the 17th century.

Inscription: 16 [undeciphered monogram] 68

Description: Rectangular shape; no edging; top left, inverted 'renaissance' shield with the initials M above IE; top right, date 1671 in unseriffed numerals.

Notes: The shield with initials has not been noted on another fireback. The slots in the fireback are to accommodate andirons or firedogs. Lay's Auctioneers, Penzance, 20 Mar 2025, lot 424.

Inscription: IME [triad] 1671

Description: Arched rectangular central panel with additional arch above; bead and fillet edging; pictorial scene of, on the left, a tree next to a female and, in the centre, a male figure, both in eastern dress, a page behind holding a train, and to the right a short obelisk surmounted by a crescent, behind which is the head of a figure with a camel; behind is a small building also surmounted by a crescent, with clouds above; the word, ASIA, is centre bottom; identical shaped border with cavetto-moulded edging; a pomegranate on top with descending swags of drapery; at the sides, overlapping bunches of foliage suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a pomegranate with a descending serpent on each side, and a pomegranate on each shoulder of the plate.

Notes: A pastiche of the EUROPA design based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek, with the figures adopting very similar poses in an oriental setting; one of a series depicting allegories of the four continents.

Copies of this fireback are known.

Inscription: ASIA / MB

Description: Rectangular; twisted rope edging on top and sides; date placed centrally near top.

Notes: A similar fireback with slightly different proportions has the same date using the same numerals. Formerly at the Anchor Hotel, Eastbourne, Sussex.

Inscription: 1679

Description: Quasi-arched rectangular shape, semi-circular protrusions on top corners; circular loop at top of arch; fillet edging with small twists inside arch, and curls inside and below top corners; a phoenix in flames, its wings displayed and inverted.

Notes: The use of the loop in the edging draws comparisons with other firebacks, and may indicate the same source. Formerly part of the J. H. Every collection.

Description: Arched rectangular central panel with bead edging; standing figure of Abraham about to sacrifice a kneeling Isaac, Abraham's raised right hand holding a sword is retrained by an angel; behind Abraham is a ram; initials are placed in a triangle above behind and in front of the group; arched rectangular border with fillet edging and descending floral and fruit bunches on a ribbon, hanging from rings, foliate swirls at base; vases on rectangle shoulders and at top, between two putti

Notes: The initials appear to have been added subsequently.

Inscription: B / E A

Description: Arched rectangular central panel with cavetto-moulded edging; standing female figure holding a bunch of lowers in her left hand and a pot of flowers in her ight hand; to her left a ribbed, two-handled vase of tulips, to her right a fountain with a seated figure of Neptune/Poseidon holding a trident in the right hand; the words, Fruhling, split by the figure; above, clouds; on top a scallop shell between two descending sea serpents.

Notes: An iconic personification of Spring. Formerly at Swanborough Manor, Sussex.

Copies of this fireback are known.

Inscription: FRVH LING

Description: Arched rectangular central panel with bead edging; standing female figure, classically dressed, holding a child in her arms, another child holding a wreath, seated to her left, and a putto standing to her right; arched rectangular border with fillet edging; mask top centre with descending floral bunches on ribbons, with a cartouche centre bottom; on top, two symmetrical descending serpents.

Notes: The figure represents Charity, one of a several iconic figures portrayed on firebacks of this period.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging terminating at the top in two loops, gather drapery and a scallop shell; two figures to the right, both bearded, the one kneeling wears cavalry armour, a cloak and a crown, the other stands behind; to the left is a sacrificial pyre on which an ox carcass burns, and above an angel carrying a sword in his right hand and a skull in his left; around this is an arched rectangular border with fillet edging and a repeated leaf pattern; on top is a scallop shell between two dolphins.

Notes: The scene illustrates the visitation of the pestilence on Israel described in 2 Samuel 24, and the sacrifice of an oxen by King David; the skull borne by the angel represents the death of those struck down by the plague. A slightly different version has the face of David looking down (no. 527). Formerly part of the J. H. Every collection.

Copies of this fireback are known.