Firebacks

Description: Rectangular central panel with elongated arch; bead edging; semi-nude figure of Poseidon/Neptune, a trident in his right hand, standing on two hippocampi (mythical sea horses). Rectangular border with elongated arch; fillet edging; two suspended festoons of fruit and leaves; at the bottom, the date and monogram. On top, two scrolls of foliage. On each shoulder of the fireback, a basket with fruit

Notes: A number of images of Poseidon on firebacks bear more than a passing similarity to fountain statuary. This is just such an example although the source of the design has yet to be identified. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been copied in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Arched rectangular central panel with bead-and-pellet edging; S-scroll, two-handled, gadrooned vase with tulip stems, flowers and leaves; arched rectangular border with fillet edging and suspended flower bunches; two symmetrical, coiled serpents on top; narrow, curved shouldered side panels with beads in oval depressions.

Notes: This is a shortened version of a much-copied fireback. Normally there is a bottom panel. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Description: Arched rectangular shape; cavetto edging; armorial; Stuart English royal arms within a circular garter; crown, motto and supporters (crowned lion and unicorn); initials separated by crown; left rectangular extension panel with double ovolo-moulded edging; top, putto face above initials in triad, with floral patera below; right rectangular extension panel with double ovolo-moulded edging; top, putto face above date, with floral patera below.

Notes: A widely copied armorial fireback with extension panels of a style associated with other date and initial firebacks; the central fireback measures 1080 x 860mm.

Inscription: [central fireback] C [R missing] / ..I SOI T.QVI.MAL.Y. ...SE; [left panel] IRM [triad]; [right panel] 1686

Arms: English Stuart royal

Description: Rectangular; triple-moulded edging (top and sides); top left, initials RKI in triad; top right, date.

Notes: The initials probably relate to a husband and wife, the top initial being that of their surname. Formerly part of the J. H. Every collection.

Inscription: RKI [triad] 1683

Description: Canted rectangle; double fillet edging (top and sides); top centre, date; initials in triad, repeated on each side, with a fleur-de-lys between; three fleurs-de-lys evenly spaced below initial groups.

Notes: The initials are believed to be those of Edward Robinson, a bookseller, and his wife of 16 King Street, Ludlow, where the fireback was discovered.

Inscription: 1688 / ERI ERI [both triads]

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Arched rectangular central panel; fillet and ovolo edging; a ring suspended with drapery, supporting a bird, its wings displayed and inverted, looking to the right, with a small roundel below it in each corner; arched rectangular border with fillet edging, and symmetrical drapery in the arch; and indistinct figure on each side, and indistinct foliage below; on top, a scllop shell between two descending serpents.

Notes: A bird, usually a parrot, perching on a suspended ring can be seen on other firebacks produced in the Siegerland for the Dutch market in the latter part of the 17th century.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead on fillet edging; central shield of the Dutch house of Orange impaling English royal Stuart, surmounted by a crown and supported by two putti; above, a maske with two descending grape bunches; below, two more putti seated on scrolls and cornucopiae; a drapery swag and bow in each top corner; arched rectangular border with cavetto-moulded edging and canted top corners; on each side, a Corinthian column and entablature on a pedestal, the columns with floriate decoration; below, a symmetrical swirled design; above the arch, from a scallop shell on each shoulder, two serpents rising towards a third scallop on top.

Notes: The arms are of William IV Prince of Orange (1650-1702) impaling those of his wife, Mary, Queen of Great Britain. Note, these are not the royal arms of William III and Mary II as joint sovereigns, but as Prince and Princess of Orange. William and Mary married in 1677 and Mary died in 1694, so the fireback dates from between 1689, when Mary became Queen, and 1694. A fireback of the same design with the arms of Louis XIV of France is illustrated by Elling and Winkler-Borck, p.213; it has the initials AD in the cartouche above the arch, not visible on this casting.

Arms: William of Orange

Description: Arched rectangular central panel with bead-and-pellet edging (top and sides); on a ground between two plants, their flowers upstanding, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents; at the sides, a narrow vertical extension bordered with a fillet and with bead infill; at the base, a plain extension panel.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced there rather than on the Continent. One of several very similar designs, varied by the forms of the vases, the style of the flowers and by their dimensions.

Copies of this fireback are known.