Firebacks

Description: Arched rectangular centrel panel with bead on fillet edging; central seated female with an infant in her arms, a swan at her feet and a standing child on each side, the one to her left facing the front and holding aloft a flaming heart, its foot on a ball; the child to her right facing the back, holding aloft a branch in its left hand, all on a ground with a tree behind to the right; arched rectangular border with fillet edging; at the top of the arch a cartouche from which are suspended two ribbons, each held by a putto, from which cascade flowers and fruit, each lower part hung from a ring; two putti are on each side, one climbing on the suspended ribbon, the other at its foot; at the bottom, a cartouche containing the monogram between two clusters of flowers each suspended on a ribbon tied to a scroll; on top, two descending cornucopiae.

Notes: The scene portrays Charity; the same central panel can be seen with different borders, and also exists in other versions.

Copies of this fireback are known.

Inscription: HIS

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; descending swags of fruit and seashells enclosing the central panel; inscription in an oval cartouche at the bottom; on top, a Holy Roman Imperial crown between two mirrored dolphins, heads downward.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the initials, L8G, denote the style of border - other firebacks having the same inscription have the same border - and other borders are denoted by similar inscriptions (e.g. L6C and L7C). Von den Driesch (p.520) illustrates the same central image within an L7C border.

Copies of this fireback are known.

Inscription: L8G

Description: Armorial within complex ovolo moulded edging on all sides; two plank lines; shield, helm, crest and mantling of the Trevor family; the achievement is distinguished by the elaborately festooned mantling, the whole resting on a boat-shaped compartment.

Notes: The arms, which are of an esquire, are probably those of John Trevor (c1652-1686), the son of Sir John Trevor, one of Charles II’s Secretaries of State. By his marriage in 1679 to Elizabeth (c1656-1693), widow of William Morley, of Glynde, Sussex, the Glynde Place estate passed into the hands of the Trevors. The arms on this fireback have been variously, but incorrectly, attributed to Lord Dacre (a descendant of John Trevor), and Col. Marcus Trevor, 1st Viscount Dungannon (peers' arms have supporters). The distinctive shape is seen in similar form on several other armorial firebacks over the preceding century, suggesting a continuity of pattern making, if not the same pattern maker. Many copies of this fireback exist.

Copies of this fireback are known.

Arms: Trevor family, of Glynde

Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.

Notes: The image is probably intended to be Phryxus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: 16 NDW 97 / DER IUNGE SAMSON [the young Samson]

Description: Canted rectangular; astragal edging (top and sides), inside of which are repeated panels carved with overlapping fleurs-de-lys; upper centre, date evenly spaced in individual numerals; below date, initials evenly spaced in individual letters; at each end of date, single small fleur-de-lys stamp; at each end of initials, large hollow fleur-de-lys; diagonally from each lower corner of canting, line of six squared cross stamps; in bottom corners, triad of small fleur-de-lys stamps each enclosing a large fleur below; bottom centre, woodblock stamp.

Notes: The repeated fleur panels are likely to have derived from furniture. Varied use of the same stamps are on other firebacks, including one dated 1667 at Upper End Farm, Hope Mansell, Herefordshire.

Inscription: 1683 / AK

Description: Rectangular; twisted rope edging on top and sides; date placed slightly right of centre near top.

Notes: A similar fireback with slightly different proportions has the same date using the same numerals.

Inscription: 1679

Description: Arched rectangular shaped central panel with open-bud edging; pictorial: Venus in her chariot drawn by doves, with her child, Cupid; a heron flies away to the left; above are swagged curtains and a pair of tassels, below is a landscape; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet Venus in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585); the flying heron has been copied from a print by Wenceslaus Hollar c.1658. The theft, in 1699, from a Thames-side warehouse of several firebacks, included '6 of Venus in a Chariot with Doves', which is likely to refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shape; fillet edging; broad, fillet-edged central panel with pictorial landscape and battle scene; on top, above a cone of laurel leaves, a crown supported by two putti, each holding a plant stem; on each side, a flower and fruit festoon suspended on a ribbon from a ring; at the bottom , inscription on a scroll.

Notes: The pictorial scene is alleged to be the Siege of Namur of 1695 in which British and Dutch forces, under the leadership of William III, defeated the French forces of Louis XIV, however details of the scene more closely resemble those seen in images of the Siege of Vienna in 1683, an iconic victory of the Christian powers over the Ottoman Turks.

Copies of this fireback are known.

Inscription: NON[...]ROSEDARMIS / N ANNO 1695 L

Description: Arched rectangular shaped, the arch linked to the rectangle by cavetto curves; cavetto edging ending in two opposed spirals at top; initials below spirals; date below initials; otherwise plain.

Notes: Probably cast from a carved, edged board, with the initials and date added separately.

Inscription: I or F H / 1698

Description: Canted rectangle; double fillet edging (top and sides); top centre, date between two flower heads; initials in triad, repeated on each side, with two fleurs-de-lys between; flower head below each initial group; small stamp of the figure of a stag below the date.

Notes: The initials are likely to be those of a husband (P) and wife (M) whose surname begins N. Illustration from Lenygon, p. 245.

Inscription: 1689 / PNM PNM [both triads]