Firebacks

Description: Arched rectangular shape with small rhomboidal flanges in the corners of the arch; cavetto moulded edge on all sides, with a rose stamp on each curved enlargement of the moulding in the top corners; Stuart royal arms (1605-88, 1702-14) with lion and unicorn supporters, garter, crown and motto.

Notes: A recasting. A casting of the same fireback is in the collection of the Sussex Archaeological Society, but with the addition of a person's name impressed from the broken handle of a skillet (no. 405).

Copies of this fireback are known.

Inscription: [Garter and royal mottoes]

Arms: English Stuart royal

Description: Damaged; top missing; arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; border with fillet edging; two suspended festoons of fruit and leaves; date and monogram in rectangular panel below central panel; rectangular panel at the bottom, with the inscription, PALLAS VND VENVS.

Notes: The three goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). Examples of this fireback have been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram.

Inscription: 16 NDW 97 / PALLAS VND VENVS

Description: Arched rectangular central panel and bead edging; pictorial scene probably showing the annunciation of the Virgin Mary; Mary sits beneath a canopy on the left, to which an angel descends, behind two figures seated on a stepped dais; above, two figures sit above a cloud, a curtain to the right; arched rectangular border with fillet edging, containing twisted ribbon; palm fronds gathered with a ribbon along the bottom. On top, two vases, one on each shoulder of the border, with swirled foliage descending from a central scallop shell.

Notes: The scene appears to be from the New Testament, probably relating to the Annunciation or the Nativity.

Description: Arched rectangular central panel; fillet edging; pictorial scene of a phoenix rising from a fire; above right, a human mask at the centre of a sunburst; arched rectangular border with fillet edging, the date between initials along the bottom; down each side, a floral festoon hanging from a ring; over the arch, the inscription; on top, floral scrolls.

Notes: The inscription translates as 'out of death, immortality'; the initials NL are likely to be those of the pattern maker. Skinner's, Marlborough, Massachusetts, auction 14 Aug 2016 lot 226.

Inscription: EX MORTE IMMORTALITAS / N 1696 L

Description: Arched rectangular shape; cavetto-moulded edging;lower centre, crowned bust of King William III above a cartouche, possibly orange branches, with leaves and fruit on each side; above, a putto blowing a trumpet; initials on each side of cartouche; date split between bottom corners.

Notes: A finely detailed image of King William III; the significance of initials is not known. It is possible that the bust of the king, the date, initials and the surrounding branches were carved on a separate pattern which was added to an otherwise simple mould comprising an arched rectangular border and the trumpet-blowing putto before casting. Christie's auction, 25 Feb 2014, lot 184 (£6,000).

Copies of this fireback are known.

Inscription: 16 96 / AC AL

Description: Canted rectangle; twisted rope edging (top and sides); top centre, date.

Inscription: 1697

Description: Arched rectangular shaped, the arch linked to the rectangle by cavetto curves; cavetto edging ending in two opposed spirals at top; initials below spirals; date below initials; otherwise plain.

Notes: Probably cast from a carved, edged board, with the initials and date added separately. A copy of an earlier casting.

Inscription: RH / 1698

Description: Canted rectangle; cavetto moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, lion passant stamp, left facing in right corner, right facing in left corner; top panel, date between double fleurs-de-lys stamps; side panels, suspended vine stamp repeated each side; centre panel, flower head stamp in each top corner.

Notes: The lion, flower head and double fleur stamps and linear division are identical to those on a group of firebacks, some of which are identified by the initials IB. The vine stamp in the side panels is not seen on other backs in the series.

Inscription: 1699

Description: Quasi-arched rectangular shape; on a ground, an armorial achievement comprising a central cartouche on which is an oval shield bearing the arms of the Cavendish family, with graduated bead edging; supporters, two stags rampant; above the cartouche, on a wreath a coiled snake crest surmounted by an earl’s coronet; the date split either side of the crest; to each side, a column with foliate capital supporting a three-sided arch with ovolo-moulded edging, on each shoulder of which is a flaming orb.

Notes: The arms are those of the Earls of Devonshire. However, the date relates to William Cavendish (1640-1707), previously 4th Earl and created 1st Duke of Devonshire in 1694. An earlier casting (no. 246) has a date of 1657, the second pair of numerals having been changed. Christie's auction 3 Dec 2014 lot 15 (dated incorrectly as 1693) (£1,875).

Inscription: 1695

Arms: William Cavendish, 1st Duke of Devonshire, as 4th Earl of Devonshire

Description: Canted rectangle; fillet edging (top and sides); date to full width across centre of plate.

Notes: Bold, evenly-spaced numerals.

Inscription: 1680