Firebacks

Description: Rectangular; twisted rope edging (top and sides) with fillet inside; top centre, rose-and-crown between four concentric roundels, two on each side in line, with two more below the inner ones; small fleurs-de-lys in triad below rose-and-crown; top left, initials; top right, date; small rose below date; triad of small roses to right of, and below, initials.

Notes: The style of rose and crown is similar to that used in gun founding in the Tudor period, suggesting that the furnace that was the source of this fireback may have been used for that purpose. Sold at Christie's Masters and Makers auction, 30 November 2010, lot 524 (£688).

Inscription: RP 1692

Description: Arched rectangular shape with small rhomboidal flanges in the corners of the arch; cavetto moulded edge on all sides, with a rose stamp on each curved enlargement of the moulding in the top corners; Stuart royal arms (1605-88, 1702-14) with lion and unicorn supporters, garter, crown and motto.

Notes: A recasting. A casting of the same fireback is in the collection of the Sussex Archaeological Society, but with the addition of a person's name impressed from the broken handle of a skillet (no. 405).

Copies of this fireback are known.

Inscription: [Garter and royal mottoes]

Arms: English Stuart royal

Description: Damaged; top missing; arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; border with fillet edging; two suspended festoons of fruit and leaves; date and monogram in rectangular panel below central panel; rectangular panel at the bottom, with the inscription, PALLAS VND VENVS.

Notes: The three goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). Examples of this fireback have been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram.

Inscription: 16 NDW 97 / PALLAS VND VENVS

Description: Arched rectangular central panel and bead edging; pictorial scene probably showing the annunciation of the Virgin Mary; Mary sits beneath a canopy on the left, to which an angel descends, behind two figures seated on a stepped dais; above, two figures sit above a cloud, a curtain to the right; arched rectangular border with fillet edging, containing twisted ribbon; palm fronds gathered with a ribbon along the bottom. On top, two vases, one on each shoulder of the border, with swirled foliage descending from a central scallop shell.

Notes: The scene appears to be from the New Testament, probably relating to the Annunciation or the Nativity.

Description: Arched rectangular central panel; fillet edging; pictorial scene of a phoenix rising from a fire; above right, a human mask at the centre of a sunburst; arched rectangular border with fillet edging, the date between initials along the bottom; down each side, a floral festoon hanging from a ring; over the arch, the inscription; on top, floral scrolls.

Notes: The inscription translates as 'out of death, immortality'; the initials NL are likely to be those of the pattern maker. Skinner's, Marlborough, Massachusetts, auction 14 Aug 2016 lot 226.

Inscription: EX MORTE IMMORTALITAS / N 1696 L

Description: Arched rectangular shape; cavetto-moulded edging;lower centre, crowned bust of King William III above a cartouche, possibly orange branches, with leaves and fruit on each side; above, a putto blowing a trumpet; initials on each side of cartouche; date split between bottom corners.

Notes: A finely detailed image of King William III; the significance of initials is not known. It is possible that the bust of the king, the date, initials and the surrounding branches were carved on a separate pattern which was added to an otherwise simple mould comprising an arched rectangular border and the trumpet-blowing putto before casting. Christie's auction, 25 Feb 2014, lot 184 (£6,000).

Copies of this fireback are known.

Inscription: 16 96 / AC AL

Description: Canted rectangle; twisted rope edging (top and sides); top centre, date.

Inscription: 1697

Description: Arched rectangular shaped, the arch linked to the rectangle by cavetto curves; cavetto edging ending in two opposed spirals at top; initials below spirals; date below initials; otherwise plain.

Notes: Probably cast from a carved, edged board, with the initials and date added separately. A copy of an earlier casting.

Inscription: RH / 1698

Description: Canted rectangle; cavetto moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, lion passant stamp, left facing in right corner, right facing in left corner; top panel, date between fleurs-de-lys; side panels, suspended vine stamp repeated each side; centre panel, flower stamp in each top corner.

Notes: The lion stamps and design elements (canted shape, vertical and horizontal divisions) are identical to those on similar firebacks dated to the first decade of the 18th century, and indicate a common source.

Inscription: 1699

Description: Quasi-arched rectangular shape; on a ground, an armorial achievement comprising a central cartouche on which is an oval shield bearing the arms of the Cavendish family, with graduated bead edging; supporters, two stags rampant; above the cartouche, on a wreath a coiled snake crest surmounted by an earl’s coronet; the date split either side of the crest; to each side, a column with foliate capital supporting a three-sided arch with ovolo-moulded edging, on each shoulder of which is a flaming orb.

Notes: The arms are those of the Earls of Devonshire. However, the date relates to William Cavendish (1640-1707), previously 4th Earl and created 1st Duke of Devonshire in 1694. An earlier casting (no. 246) has a date of 1657, the second pair of numerals having been changed. Christie's auction 3 Dec 2014 lot 15 (dated incorrectly as 1693) (£1,875).

Inscription: 1695

Arms: William Cavendish, 1st Duke of Devonshire, as 4th Earl of Devonshire