Firebacks

Description: Rectangular; plain plate with three stamps of an iron firedog with a twisted design on the neck, a primitive face on the terminal and a shield bearing initials RW.

Notes: The letters RW are said to relate to Richard Woodman, ironmaster and Protestant martyr, who resided at Cralle Place, and who operated Cralle furnace. A near-identical firedog was discovered at Bridge Cottage, Uckfield, Sussex.

Inscription: RW

Description: Rectangular; twisted rope edging (top and sides); inscription made of short lengths of twisted rope, irregularly spaced across upper middle, central device formed of a Tudor 'A' with overstamped 'V'.

Notes: It is not clear if the central device is a monogram, or if it might have apotropaic significance.

Inscription: T A M T

Description: Rectangular; twisted rope edging (top, and top two-thirds of sides); rectangular stamp with griffin passant, repeated six times: two in top corners; two in bottom corners, rotated left; two in middle, separated by two inverted shields bearing a rose and crown, placed vertically; across each top corner, a length of twisted rope.

Notes: Five other firebacks bearing these stamps are known: one is also in Hastings, and one, dated 1569, is at Hadlow Down, Sussex. The locations of the other three are not known.

Description: Rectangular; plain plate with central crossed-square rope pattern with crosses at the corner and top; on each side a rectangular stamp with swirled tendril, serpent and demi-cup decoration.

Notes: The crossed square was an alchemistic symbol for iron vitriol (i.e. ferrous sulphate or copperas), but the crosses at the extremities may indicate other symbolism or none; similar patterns are found on other firebacks of a group that may have been associated with Pounsley furnace, Sussex. The repeated panel at the top appears to have been formed using a mould for a section of a plasterwork frieze, resulting in an intaglio impression (approx 395 x 142mm or 15½ x 5½ in.) as opposed to the normal bas-relief; this is very unusual on a fireback. The style of the mould dates from the Elizabethan or Jacobean period. The stubs on the bottom edge are likely to have been the remains of runners where the molten iron entered the mould. Recovered from a property in Burwash, Sussex, in 1910.

Description: Rectangular; double fillet moulded edging; top centre, on a rectangular block, shield of the arms of the Fowle family - (Gules) a lion passant guardant between three roses (Or); on each side, two rectangles, each containing a helm and the crest of the Fowles - an Arm in armour holding a Battle axe issuant from a Ducal Coronet, above each being the date, 1603, and below each the initials, WF. Across the lower half of the fireback are two solid triangular prisms of iron.

Notes: The stamps relate to William Fowle (1568-1634), ironmaster of Riverhall furnace. The shield stamp also appears on grave slabs in Wadhurst and Frant churches and on an unprovenanced graveslab in Maidstone Museum. The iron prisms were included, perhaps, to retain heat and to prevent the fireback from cracking. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Inscription: 1603 WF [twice]

Arms: William Fowle, of Frant and Wadhurst

Description: Rectangular: fillet edging; top left, standing classically dressed female figure playing a lyre, with short column behind; top right, classically dressed female figure leaning on a short column; top centre, hatted figure of a bearded man with bagpipes on his back, riding a horse.

Notes: An unusual group of stamps, possibly derived from brass chimney ornaments; the middle figure seems to have little in common with the other two, and the horse’s tail may include part of another figure. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Rectangular; plain plate; on top, twice repeated stamp probably formed of a section of cresting with a row of seven ?fleurs-de-lys above a diagonal grid of squares, each with a small raised square in the middle, and a horizontal astragal border below; between the cresting, a stamp of indeterminate form and design; below, four repeated hexagonal stamps, each divided into triangles by raised lines, two under each cresting stamp; between them, a stamp of indeterminate form and design, possibly the same as the one above it; below, probably six double crosses flory, with a flower head stamp between each group of three; along the bottom, two crosses flory, three hexagon stamps and two other stamps of indeterminate form and design (though different from those described above), arranged asymetrically.

Notes: A crude and poorly executed casting. Butterfield (1916) illustrated this fireback the other way up, and that is how it was displayed in Hastings Museum when it was photographed in the early 2000s. The orientation of this fireback has been reconsidered and the greater relative wear and heat corrosion of the smaller individual stamps suggests that the cresting was originally at the top of the fireback and not the bottom.

Description: Plain rectangle; no edging; top centre, date between two six-pointed stars.

Notes: Characteristic of the last firebacks cast at Ashburnham Furnace, Sussex. One of a small series of firebacks cast in the early-19th century for farms on the Ashburnham estate.

Inscription: * 1812 *

Description: Rectangular; twisted rope edging (top and sides); impression of the end of a firedog repeated three times, one upright in centre, two diagonally inverted with feet angled towards top centre; a large saltire of twisted rope in each top corner, a small saltire, of twisted rope and dowel, on either side of top of central firedog; cross of twisted rope below right hand corner saltire; lower centre, two angled rope lengths either side of central firedog. At the bottom, and outside the feet of the central firedog, two excrescences formed by the pouring of the metal.

Notes: A well-preserved example with an unusual arrangement of the firedog stamp; formerly (c.1886) in the Warbill-in-Tun inn, Warbleton, Sussex.

Description: Rectangular; no edging; arrangement of eight fleur de lys stamps formed of, at top centre, four in a cross shape, with two in line on each side; on each side of the cross arrangement is a naked standing putto stamp.

Notes: The putti are an unusual addition to what is a quite crudely decorated fireback