Firebacks

Description: Rectangular; cavetto-moulded edging; shield, helm, crest, supporters, mantling and motto of the Worshipful Company of Clothworkers: Sable a chevron ermine between in chief two Havettes Argent and in base a Teazel Cob Or; crest: on a Mount vert a Ram statant Or; supporters: two Griffins Or pellettée.

Notes: The arms as displayed were granted in 1587; the same fireback was also used as a stamp for a large fireback of 1659 in Haslemere Museum (no. 108).

Arms: Worshipful Company of Clothworkers

Description: Rectangular; cavetto-moulded edging; shield, crown and supporters of King Philip IV of Spain, incorporating the arms of Castille and Leon, Aragon - Sicily, Granada, Portugal, Austria, Burgundy and Brabant; around the shield is the chain of the Order of the Golden Fleece; at the top, the date split by the crown; behind, crossed lilies.

Notes: By 1662 the arms of Portugal were redundant on the Spanish royal arms, but were retained until after the death of Philip IV; the word, LOVEN, indicates the particular association of this plate with the town of Leuven, the capital of Brabant in what was, at the time, part of the Spanish Netherlands.

Inscription: 16 62 / LO VEN

Arms: King Philip IV of Spain

Description: Rectangular; flanged edging; rectangular upper panel with cyma recta edging; pictorial scene of Jesus sitting at the well with the woman of Samaria, inscription along the bottom edge; lower inset rectangular panel with date in relief.

Notes: The inscription reads: From the maiden of Samaria - John 4

Inscription: VOM FROWLEIN VON SAMARIA JOH 4 / 1649

Description: Quasi-rectangular; grooved dowel edging (top and sides); four impressions of a rondel dagger (c.330mm) saltirewise between two dowel crosses; two vertical lengths of dowel in line along right edge.

Notes: Rondel daggers were common in the 15th and 16th century. Grooved lengths of dowel are to be seen on other firebacks suggesting a common source. The arrangement of the daggers (each approx. 35cm long) in a saltire may also have apotropaic significance.

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Illustrated in Lloyd (1925).

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular, cavetto moulded edging; Stuart royal shield, garter, supporters and crown.

Notes: Four clear vertical plank lines indicate that the pattern for this fireback was formed of a series of boards probably secured by horizontal battens on the rear.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE

Arms: English Stuart royal

Description: Rectangular shape; ogee/cyma reversa moulded edging (top and sides); top centre, shield-shaped stamp bearing initials above date.

Notes: Two blemishes on the surface of the casting indicate that the molten iron was probably poured from two ladles simultaneously disturbing the casting sand in both locations.

Inscription: AE / 1698

Description: Rectangular with fillet edging; central, oval panel with fillet edging containing the semi-reclining, begowned figure of Cleopatra, a mirror/sceptre in her right hand and an asp in her left hand; oval border with astragal and fillet edging and undulating foliage; in each of the top spandrels, a face of a putto; in the bottom spandrels, a triangular design of swirled foliage; at the centre of each side, overlapping the central oval border, an oval cartouche with scrolls in the inward facing side; four horizontal plank lines regularly spaced.

Notes: The naivety of the figuration and the similarity of the scrolled designs suggest that this may be the work of the same pattern-maker as the Lenard fireback. Three tapestries of the death of Cleopatra, one of them made for the Swedish royal court, were inspired by artwork by Karel van Mander II (1579-1623), which is likely to have been the inspiration for this fireback as well.

Description: Rectangular; astragal and fillet moulding on top and side edges; symmetrical layout of date and initials; date split between left and right sides, initials in middle, central letter in line with date, outer letters lower.

Notes: One of a series of backs dating to the 1730s and 40s using very similar sets of letters and numerals. K may relate to the surname, while the F and S may relate to the initials of husband and wife respectively. Sold at Christie's Masters and Maker auction, 30 November 2010, lot 521 (£1000 part with no. 623, no. 634 and no. 637). Mander Auctioneers, Sudbury, Suffolk, 2 Dec 2023, lot 455 (ns); 20 Jan 2024, lot 289 (£30 part).

Inscription: 17 K 38 / F S

Description: Rectangular with ovolo-moulded edging; elaborate symmetrical rococo design framing a pictorial representation of an old man and two young women.

Notes: Carpentier (p.116) ascribes this design to Fontaine's fable of Les Oies de frere Philippe - Brother Philip's Geese.