Firebacks

Description: Rectangular shape; triple fillet moulded edging (top and sides); overpressed stamp, repeated three times (top centre and below, to left and right) of a crowned rose within a circular garter, each with the initials ER to left and right respectively; lower centre, the initials IC.

Notes: The rose and crown stamp bears striking similarities to rose and crown designs used to mark some bronze cannon of the Tudor period. The initials ER could refer to Edward VI (1547-53) or Elizabeth I (1558-1603). The initials IC most probably relate to the person for whom the fireback was made.

Inscription: ER [thrice] / I C

Description: Rectangular; moulded border with bead edging derived from wooden strips (top and sides); top left, a saltire of the same moulding as the border, between roughly shaped D and R, both reversed.

Notes: The border appears to be in pieces of different lengths, probably from redundant furniture. Illustrated by Christy, 1908, in the possession of Mr E. Simmons of Lewes.

Inscription: D R

Description: Rectangular; twisted rope edging (probably on on top and sides only); cavetto-moulded-edged rectangle top centre, enclosing date between initials; 14 shields of Ayloffe impaling Sulyard in three rows (5-4-5).

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Bretons, Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields. The bottom part of the fireback is obscured in the photograph. The initials 'CT' are likely to be those of Charles Tyler, a founder whose working life and that of his family have strong parallels with the occurrence of these firebacks.

Inscription: C.1.6.0.3.T

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; reversed cavetto-moulded edge on top and sides; pictorial scene depicting Abraham about to sacrifice Isaac; Abraham is on the left, holding the top of Isaac’s head with his left hand, his right hand holding a sword; in the middle stands a pyre; above and to the right an angel emerges from the clouds, while below a ram stands beside a bush; the inscription is above and to the left.

Notes: The scene is drawn from Genesis 22: 11; And the angel of the Lord called unto him out of heaven, and said, “Abraham, Abraham”: and he said, “Here am I”. The subject and the naïve figuration is similar to a fireback incorporating two other Old Testament scenes (no. 94), and may be the work of the same pattern maker.

Inscription: ABRAHAM ABRAHAM [Genesis 22: 11]

Description: Rectangular shape; ovolo-moulded edging; raised central rectangular panel with inset stylised design of a rounded arch upon Ionic columns, the inside edge indented; at quarter angles outside the arch, two trefoils; within the arch, sequence of linked hollow strapwork rhomboids and circles; between the columns, a roundel with the internal edge indented; left of the central panel, 16 above upper-case M in low relief; right of the central panel, 56 above upper-case G in low relief.

Notes: An unusually small but well-preserved back with a stylised design. The style of the numerals, particularly the 6 and 5, can be seen on a larger fireback of 1653.

Copies of this fireback are known.

Inscription: 16 56 / M G

Description: Rectangular; astragal and fillet edging; two heater-shaped shields side by side, with a stag trippant crest above centre.

Notes: The dexter shield: quarterly first and fourth - Mostyn baronet - Gules a saracen's head erased proper wreathed about the temples sable and argent; second and third, within a bordure a fess fusily (or three lozenges in fess); a baronet's inescutcheon in the centre chief. The sinister shield - Sale - Argent on a bend cotised three gryphons' heads erased. Crest (Mostyn), a stag trippant proper.

Arms: Left: Mostyn with unknown quartering; right: Sal, Sale, Salle or Salley

Description: Rectangular shape; indeterminate moulded edging; central initials (A? D M)in triad, between split date (6 reversed).

Notes: The characters have been derived from an odd assortment: the numbers appear to be a recognisable character set, with the 6 and 9 interchangeable, although 6 has been inadvertently reversed; the 6/9 has also been used, with the same stamp as has been used to form the uprights of the M, to construct a probable capital A (or R); the nature of the stamps forming the M is unclear. Noted in 1939 at Palfrey Farm, near Petworth, West Sussex, which from the mid-16th century had been home to the Penycod family, suggesting that the fireback had not been original to the house.

Inscription: 16 / A[?] D M [triad] / 49

Description: Rectangular shape; ovolo-moulded edging; top centre, date between split initials.

Notes: The letters and numerals are particularly well formed. The fireback is displayed out of doors against a wall at the side of the street and the lower part is recessed into the pavement.

Inscription: R 1755 I

Description: Rectangular; twisted rope edging (top and sides); top left and right, Tudor rose surmounted by a crown (separate stamps); right of centre, irregular pentagram formed of a repeated length of twisted rope enclosing a Tudor rose; on either side of top point of pentagram, a triple-loop stamp irregularly spaced.

Notes: The pentagram has both Christian and occult symbolism. The fleur and the rose and crown have been seen on another fireback.

Copies of this fireback are known.

Description: Rectangular; astragal edging; in centre, shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720.

Inscription: [around shield] HONY SOIT QUI MAL Y PENSE / [on motto scroll] AUT NUNQUAM TENTES, AUT PERFICE

Arms: Lionel Sackville, 1st Duke of Dorset