Firebacks

Description: Rectangular; rebated ovolo-moulded edging (top, left and half-right sides); top centre, date with unevenly positioned numerals.

Notes: The asymmetry of the side moulding is unusual.

Inscription: 1667

Description: Rectangular; astragal with cavetto-moulded edging (top and sides); date top centre; initials evenly-spaced below date; low-relief fleur de lys stamp repeated three times down each side, and in triangular arrangement below initials.

Notes: The initials may relate to William Boevey who was owner of Flaxley furnace from 1683-92. Another fireback with the same date and initials, and fewer fleurs, is also known.

Inscription: 1685 / W B

Description: Rectangular; cavetto-moulded edging; top centre, date, above initials; two low-relief fleurs de lys down each side from top corners, and central fleur below and between the initials.

Notes: The initials may relate to William Boevey who was owner of Flaxley furnace from 1683-92. Another fireback with the same date and initials, and more fleurs, is also known.

Inscription: 1685 / W B

Description: Rectangular; flanged edging; small guilloche pattern down each side and along the bottom; upper panel, pictorial scene of the Marriage at Cana; lower panel, inscription panel within a strapwork cartouche with flowers below.

Notes: An end stove plate with a popular scene from the New Testament - John 2.

Copies of this fireback are known.

Inscription: 16 H 38

Description: Rectangular; twisted rope edging (top and sides); twisted rope lengths parallel to top and both sides and crossing at corners, with shorter rope lengths across inside angles; shorter rope lengths arranged in three crosses across middle of plate, the middle one higher than the other two.

Notes: A particularly large and elaborate arrangement of rope lengths. The crosses suggest Christian significance.

Description: Rectangular; low-relief moulded edging along top, then down sides; double-looped 'lens' pattern stamp repeated six times across the top, inside the edging and, rotated, three times down each side; becapped human figure stamp, with his left arm raised to his head and his right arm akimbo, repeated in each top corner; between these, 'IE' monogram with continuous loop between the letters repeated five times, two in line above and three below, the centre one slightly raised; the date between the top two; a lifting handle on each side.

Notes: Said to have been at Horsham, Sussex; on another fireback, at Upper Beeding in Sussex, cast with the same stamps, and also dated 1617, the monogram stamp is clearly carved on a 'renaissance' shield, indicating that in this instance the stamps were not impressed as deeply. Drawing by J. Lewis André in the J. Starkie Gardner Collection, Victoria & Albert Museum, Archive of Art and Design (AAD/2014/8). Possibly the fireback referred to by Lewis André in 1882 as belonging to a Miss Alman, of East Street, Horsham (Sussex Archaeological Collections XXXII, p.76).

Inscription: IE 1617 IE / IE IE IE

Description: Rectangular; inset twisted rope edging (top and sides); crowned Tudor royal shield stamp repeated three times across top, each pair interspersed with an 'imp' figure with right arm raised; below each shield, rectangular stamp with indistinct ?rose design, each pair interspersed with a twisted rope saltire.

Notes: The crowned shield and 'imp' figure associate this fireback with others of the Royal series; the saltires may have apotropaic significance. Donated to the Victoria & Albert Museum by J.R. Dunn of Stone House, Rushlake Green, Sussex, but no longer in the museum's collection.

Arms: Tudor royal arms of England

Description: Rectangular; twisted rope edging; top centre and corners, stamp formed of three ostrich feathers within a coronet, repeated three times.

Notes: The ostrich feathers are the badge of the Prince of Wales; a recast plate. Gildings Auctioneers, Market Harborough, 19 Apr 2016 lot 529.

Description: Rectangular; cyma reversa moulded edging (top and sides); top centre, date with central space; top corners, ‘A’ above ‘TA’, in all cases the ‘A’ is inverted.

Notes: The significance of the inverted ‘A’ is not known; possibly an example from a late 17th-century series which often includes a rose and crown stamp.

Inscription: A 16 92 A / TA TA

Description: Plain rectangular plate; print of a left hand, lower centre.

Notes: The excrescence above and to the left of the hand print shows where the pouring iron displaced the casting sand.