Firebacks

Description: Plain rectangular plate; print of a left hand, lower centre.

Notes: The excrescence above and to the left of the hand print shows where the pouring iron displaced the casting sand.

Description: Rectangular with ‘portico’ arch; cavetto edging; two-handled vase, flower stems on each side entwined round handles; flowers emerging from top of vase; base of vase overlaps the edging.

Notes: One of a varied group of small firebacks with bold, simple designs and cavetto edging; formerly in the possession of Gertrude Jekyll, Munstead Wood, near Godalming, Surrey.

Description: Rectangular with two mirrored scrolls on top, a lion’s face between; bas-relief semi-circle edging (sides and bottom); central pilaster with vine scrolling, Corinthian capital, initials on the pedestal; on either side, an arched alcove, each with a halberdier in mid-17th century clothes, their feet pointing to the middle.

Notes: Stylistically similar to the Lenard fireback (no. 429), the initials also appear on other firebacks, possibly from Brede. All known examples of this fireback are poorly modelled and cast.

Copies of this fireback are known.

Inscription: IM

Description: 'Dutch' style; arched rectangular shaped central panel, bead on fillet edging, naturalistic scene of a heron with wings extended catching a fish, water below, clouds above, plants in background; arched rectangular shaped border, fillet edging, symmetrical scrolled tendril pattern; at bottom, two looped 'W' figures between date split corners; on top, symmetrical scrolled foliage. A single central vertical plankline.

Notes: The image of the heron is taken from a print, by Wenceslaus Hollar c.1658, of an etching by Francis Barlow (c.1626-1704); the style of the date suggests a similar pattern maker to a series of firebacks, of the same date, some bearing a Welsh inscription. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The small size of this fireback makes it likely that it was intended to be fixed to the back of a grate.

Copies of this fireback are known.

Inscription: 17 24

Description: Arched rectangular shape; ‘egg and dart’ ovolo moulding visible on top and sides; shield, helmet, crest, mantling and supporters of the Mohun family.

Notes: Cast from a finely carved pattern, the supporters denote these are the arms of a peer. The crest is: Gules, a maunch ermine, with a hand proper holding a fleur de lys or. Egg and dart moulding is rare and examples (at Maidstone and Burwash) may be the work of the same pattern maker. From Sidney Farm, Alfold, Surrey; Reginald Mohun (pron. Moon) of Dedisham, Slinfold, Sussex, was husband of Elizabeth Blounte of Dedisham c.1636. Bottom missing due to corrosion.

Copies of this fireback are known.

Arms: Mohun family, barons of Okehampton

Description: Rectangular; twisted rope edging (top and sides); narrow top panel and two narrow side panels, each separated by twisted rope; top panel with symmetrical inscription line begun and ended with a stamp formed of four spots in square, the same stamps separating the date, each of the initials and a central rose stamp, the date being repeated at each end; plain side panels; central panel comprising three shields bearing a rose and crown, one on the top line between two rectangles, each bearing a griffin passant, and two shields on the ends of the lower line with two rectangles with griffins between, the bottom half of the plate is plain.

Notes: The shield and griffin stamps appear on two firebacks at Hastings Museum, in each of which the shields are inverted.

Inscription: 1569 HB AB 1569

Description: 'Dutch' style; cavetto-canted arched rectangular shaped central panel, double fillet and bead edging, figure of Poseidon/Neptone, trident in right hand, standing on three scallop shells, within a niche with a demi-hemispherical roof and two sloping supporting walls, on either side is a mythical seahorse, below is a walled fountain base with two mermaids at the front; cavetto-canted arched rectangular shaped border with scallop and clam shells separated by swirled foliage, monogram at base between scrolled foliage; on top, scrolled foliage.

Notes: From a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot.

Copies of this fireback are known.

Inscription: EB

Description: Rectangular with triangular arch; stepped fillet edging; eleven columns of fleurs de lys, maximum seven in column, but varied according to space, with fleurs alternated for spacing.

Notes: Whole pattern with five vertical planklines; a field of small fleurs de lys, France Ancient in royal heraldry, might suggest a continental origin.

Copies of this fireback are known.

Description: Quasi-arched rectangular shaped, with sides leaning slightly towards the top; wide ovolo edging (top and sides) with twisted rope relief; Tudor shield, garter, crown and supporters (crowned lion and dragon); motto along base; irregular ribbon behind.

Notes: Whole pattern; strong stylistic similarities with a Buckhurst arms fireback (no. 491), an example of which is at Michelham Priory, near Hailsham, East Sussex, suggest a common pattern maker and possibly furnace.

Inscription: DIEV ET MON DROI

Arms: Tudor royal (prob. Elizabeth I)

Description: Arched rectangular shaped; paternost bead edging (top and sides); Stuart royal arms: shield, garter, helm, crown, crest, supporters and motto; date split between top corners; initials split beneath supporters.

Notes: Firebacks with royal arms attributable to the reign of James II are, inevitably, uncommon owing to the brevity of his reign. Paternost beads are more usually found as edging on ‘Dutch’ types of fireback. A polychrome casting of this fireback is displayed as the royal arms in St James's church in North Cray, Kent.

Copies of this fireback are known.

Inscription: 1687 /HONI SOIT QUI MAL Y PENSE / I R / DIEU ET MON DROIT

Arms: English Stuart royal (James II)