Firebacks

Description: Quasi-arched rectangular shape, semi-circular protrusions on top corners; circular loop at top of arch; fillet edging with small twists inside arch, and curls inside and below top corners; a phoenix in flames, its wings displayed and inverted.

Notes: The use of the loop in the edging draws comparisons with other firebacks, and may indicate the same source. Formerly part of the J. H. Every collection.

Description: Rectangular central panel with top arch, bead edging; pictorial scene of a a kneeling man in a wide-brimmed hat reaching up the skirt of a milk maid, who in fending him off, leans forward, tipping the milk from the bucket on her head over the man; acanthus leaves over the top arch; side border with bead edging extending over shoulders of plate, surmounted by a floral vase each side; on top a floral vase between leaves.

Notes: Inscription on the back of the casting: 'Made from a casting lent to J. H. E[very] by Mr J. T. Ade of Hellingly'.

Copies of this fireback are known.

Description: Rectangular, with low curved top and stepped concave corners; suspended floral-chain border on top and sides; alternate small and large rings along the bottom; plain panel at base. Arms of Webster, baronet, of Battle: Azure, on a bend argent, cotised Or, between two demi-lions ermine, a rose gules, barbed and seeded proper, between two boars’ heads couped sable.

Notes: Sir Thomas Webster was created baronet in 1703; he was succeeded by his son, Whistler, in 1750. A pair of matching, cast-iron side plates form a set with this fireback.

Copies of this fireback are known.

Arms: Webster of Battle

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; inscription along top edge of panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; both feet pointing to his right; various ‘tools’ of his trade arranged about him; (clockwise from top left) shield, the quarters containing a masonry hammer, a firedog, a weight, and a pair of pincers; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a fireback bearing the letters RL and a diamond shape; from the top of the fireback a dog leaping up at its master; between the man's legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp

Notes: The 'Lenard' fireback; a much-copied plate. Items relating to the founder's working life are displayed to the left of the figure, those to the right reflecting his domestic life. Its individualistic design and naïve figuration are the key to identifying a distinct group of firebacks, all probably made at Brede. A pastiche of this fireback also exists (no. 668), with which it is sometimes confused.

Copies of this fireback are known.

Inscription: RICHARD LENARD FOVNDER AT BRED FOVRNIS [each D is reversed] / 1636 / RL

Description: Fragment; to the left, rectangular panel with braid edging, vine standard with six bunches of grapes and a cluster at the top; to the right, rectangular panel with wide fillet edging, arched recess with three flower heads in low relief, and in the arch spandrels four 'bullseye' motifs comprising concentric rings deepening towards the centre; on top, a semi-circular panel with fillet edging, within which are the date between the initials, with scattered small rings, below is a pattern of eight linked circles; vestige of another semi-circular panel to the left.

Notes: Potentially a fragment of a large fireback, the vestige of a second semi-circular arched panel on top offers the possibility that several other panels originally existed further to the right. The two surviving panels combine elements from two separate sub-groups of firebacks that were moulded from individual, interchangeable panels, indicating that the sub-groups originated from a common source.

Inscription: I 1598 R

Description: Rectangular (damaged top left corner); plain plate; centre top, a circle of twisted rope enclosing a shield, indented at the top, charged with a bird upon a branch; on each side, a cross of twisted rope above two splayed lengths of rope.

Notes: The rope design is likely to be apotropaic; the heavily pitted reverse of this fireback shows the use of poor quality iron cast at a relatively low temperature; the bird shield stamp has been seen on other firebacks.

Description: Rectangular; carved moulding edging; centre, inscription panel; undulating vine strip stamp repeated thirteen times to form an inner border along each side of the inscription panel.

Notes: The only fireback of the Anne Forster series to have edging formed from wooden moulding probably from dismantled furniture or panelling. Given to the Sussex Archaeological Society in 1850 by Sir Henry Shiffner Bt., of Coombe Place, Hamsey, Sussex. A former occupant of his burnt-out estate cottage, where it had been found, was said to have been a Miss Forster.

Inscription: HER:LIETH:ANE:FORST / R:DAVGHTER:AND: / HEYR:TO:THOMAS: / GAYNSFORD:ESQVIER / DECEASED:XVIII:OF: / IANVARI:1591:LEAVYNG / BEHIND:HER:II:SONES: / AND:V:DAVGHTERS

Description: Sub-rectangular; edged with a repeated length of helically-turned dowel (top and sides); apparently random arrangement of same piece of dowel repeated ten times, including a saltire and cross.

Notes: Apart from the Christian significance of the cross, the other arrangements of rope lengths may be apotropaic in their purpose, the double V being a possible invocation of the Virgin. The blemishes at the base are caused by the casting sand being disturbed by the pouring of the metal.

Description: Canted rectangle; plain plate with two rows of fleurs de lys, eight in the top row, three off set above the other five, and five in a single row along the bottom.

Notes: The fleurs-de-lys are the same as are seen on firebacks thought to have been cast at Pounsley.

Description: Rectangular; top and side edging formed from the repeated stamping of a short length of twisted rope; three gothic panels arranged horizontally, the centre one wider than the other two, each panel a symmetrical arrangement of tracery patterns with an inverted ogee arch on top incorporating two flowers; a separate fleur-de-lys stamp has been repeated above each panel.

Notes: The panels were probably derived from a dismantled wooden chest or hutch table, c.1500. Their gothic style belies the probable age of the fireback, such chests already being old when their parts might have been re-used. The same panels are on a fireback at Nymans, Handcross.