Firebacks

Description: Central panel, cavetto-canted rectangle with arch; bud and annulet edging (in alternate threes); pictorial panel portraying Europa being carried to sea by Zeus, disguised as a bull; two female attendants wave from the right shore; two putti attend, one below with a bow and arrow; trees to right and left; clouds and sun above. Same shaped, fillet-edged border with floral scrolls top and sides; at the bottom, a cartouche bearing EB monogram between oak leaf and acorn fronds; on top, central scallop shell between floral scrolls with dolphin’s heads.

Notes: The central design is closely based on an illustration by Bernard Salomon, first published in a 1557 edition of Ovid’s Metamorphoses and copied in subsequent editions by Virgil Solis (1514-62). The initials, EB, are likely to be those of the pattern maker. The similarity between the execution of this picture and those on firebacks bearing the SHR monogram suggests the possibility of a common source. Ten rivets are the result of later repair.

Copies of this fireback are known.

Inscription: EB

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; descending swags of fruit and seashells enclosing the central panel; inscription in an oval cartouche at the bottom; on top, a Holy Roman Imperial crown between two mirrored dolphins, heads downward.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the initials, L8G, denote the style of border - other firebacks having the same inscription have the same border - and other borders are denoted by similar inscriptions (e.g. L6C and L7C). Von den Driesch (p.520) illustrates the same central image within an L7C border.

Copies of this fireback are known.

Inscription: L8G

Description: Rectangular; undulating vine tendril edging (top and upper sides); eight circular, fleur-de-lys butter mould stamps alternating (except at left end) with six rectangular, fleur-de-lys and leaf shortbread or gingerbread stamps, in a line along the top; six bird stamps (wings displayed and inverted) alternating with five pairs of butter mould stamps, as above; continuous line of horizontal vine strips; six descending vine strips, interspaced unevenly with eight butter mould stamps, in pairs except for rightmost two.

Notes: The bird (probably a swan, a Lancastrian badge) and vine strip stamps are encountered on several firebacks. In 1868 this fireback was recorded at Tickeridge, West Hoathly, Sussex.

Description: Rectangle with two similar rectangular extensions at top extremities; rope edging (top and sides); on top extensions, two stamps of a dragon and lion supporting a rose and crown, each with a crowned shield bearing a fleur de lys below; central date with rose and crown below; initials TM vertically placed inside middle left edge, initial I middle right; initials I and A, respectively, at lower left and right.

Notes: The initials, TM and I, may relate to a married couple, the first two letters to their first names and the last to their surname; the initials IA are likely to be of the founder as they appear in the same arrangement on other firebacks. The unusual shape would probably have been determined by the structure of the hearth for which it was made; the rose and crown and supporters stamp can also be seen on a large fireback, dated 1593, formerly at Baynard's Park, Surrey; the date and IA stamps can be seen, in identical form, on a fireback in the Victoria & Albert Museum, and on two other firebacks, suggesting a common source for all of these firebacks.

Inscription: TM 1582 I / I A

Description: Quasi-rectangular with narrow arches at top ends and a broad low central arch, between which are flat-topped peaks linked to the arches by shallow concave curves; flanged edge (top and sides); mirroring the edge a channel has been engraved into the metal, extending into the small arches, producing the effect of a wide fillet along the top and sides with an inverted U-shaped return into the end arches; within the channel, at each end, a primitive representation of a vertical, hollow plant stem and four mirrored pairs of curved branches, with a vertical channel parallel to the edge joining the branch ends on the inside; between these is cast a small, rectangular panel with ovolo edging, bearing a full achievement of the arms of the Worshipful Company of Clothworkers; the date is centrally placed above this panel.

Notes: An usual fireback for several reasons: the use of engraving for significant elements of the design, the flanged edge, and the incorporation of a small fireback. The Clothworkers’ arms: Sable a chevron ermine between in chief two Havettes Argent and in base a Teazel Cob Or; crest: on a Mount vert a Ram statant Or; supporters: two Griffins Or pellettée; the arms as displayed were granted in 1587. An example of the armorial fireback on its own is in Petworth House (no. 522).

Inscription: WV 1659 WV

Arms: Worshipful Company of Clothworkers

Description: 'Dutch' style; arched rectangular shaped central panel with bead edging, semi-naked figure holding a caduceus in his left hand, standing on a mound with a tree to the right and clouds above; arched rectangular shaped border with fillet edging and an ivy and acanthus leaf pattern; on top an arrangement of swirled foliage.

Notes: The figure is Hermes/Mercury, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Quasi-rectangular shape with low-curved convex top; edging (top and sides)formed of lengths of dowel grooved laterally and helically; upper centre, cross formed of the same dowel; at each side, tandem arrangement of longer dowel, similarly grooved.

Notes: The base board appears to be the same size and shape as that of a fireback at Plaxtol, Kent (no. 587), which also has the same edging; and the grooved dowels are also on a fireback with dagger stamps at Lewes; the cross will have been intended to have apotropaic significance. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Rectangular; twisted rope edging (top and sides); top left, date carved on block; top right, individual letter 'I' followed by 'WA' carved on block.

Notes: The same date stamp appears on a group of multi-facetted, arched firebacks bearing the crowned Tudor arms within a Garter. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Inscription: 1589 I WA

Description: Rectangular with triangular pediment; stepped fillet and ogee moulded edge; initials in rectangular panel (F reversed); date in portico.

Notes: The triangular top is a separate element, in this instance impressed before the lower panel. A variant at the Victoria and Albert Museum (no. 771) has the letters positioned slightly differently. A version of this fireback, with a rope-edged panel in the lower part, and medallion stamps, can also be seen at Hastings. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Inscription: 1586 F M

Description: Arched rectangular shape; cavetto moulded edge on all sides; perspective view of a lantern clock.

Notes: The arms of the Worshipful Company of Clockmakers were granted in 1672: Sable a Clock each of the four pillars of the case based on a Lion couchant and capped with a Globe surmounted by a Cross and on the dome of the case an Imperial Crown all Or. The hands of the clock show six o’clock, as on the livery company shield. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.