Firebacks

Description: Rectangular; cavetto edging all round; seated lion on right, its tail rising above its back and its head turned to face the viewer; a seated sheep on the left; date split across top.

Notes: Intended to represent the saying, ‘The lion shall lie down with the lamb’, a popular misquotation of Isaiah 11: 6.

Copies of this fireback are known.

Inscription: 1679

Description: Arched rectangular shape; fillet edging; bell-flower column repeated on each side; at bottom, central rectangular panel, fillet edged, enclosing outstretched wings; above, intertwined leaves in figure-of-eight, enclosing a crown at the top.

Notes: This fireback incorporates features of the ‘Dutch’ style but within an English form.

Description: Rectangular with curved top corners; Arched rectangular extension on top; ovolo edging; mounted figure in 17th cent. armour riding down a dragon to the left and below, sword in hand; inscription across top and either side of horseman; date below left; initials below right.

Notes: Probably a representation of St George and the Dragon, with political undertones, given the date. Cursius may be a mis-spelling of Marcus Curtius, who sacrificed himself for the good of Rome. Nil Desperandum - Despair not. Other firebacks also bear the initials, IM, which probably relate to the pattern maker, some with a similar style of lettering.

Copies of this fireback are known.

Inscription: CVRSIVS / NIL DESPERANDVM / 1650 / IM

Description: Rectangular; plain plate; central, vertical cross-hilt dagger stamp; left side, fleur de lys stamp repeated five times, irregularly arranged in three rows, two above and below and one in the middle; right side, fleur de lys stamp repeated six times, four in a star above two in a row.

Notes: The dagger (length approx. 35cm), seen on two other firebacks (no. 595 and no. 1100), may have beeen of Italian manufacture. The form of the fleurs-de-lys identifies this fireback as one of the ‘Royal’ series, a large group bearing heraldic stamps.

Description: Fragment; quasi-rectangular; twisted rope edging (top and sides), cavetto edging at bottom; originally, probably a symmetrical arrangement comprising a central, crude crowned, Tudor royal shield, with a standing human figure, its right arm bent at the elbow and its left arm crossing its waist, repeated in upper and lower positions on each side of the shield; to left and right, a twisted rope length repeated in the form of a cross, with the human figure placed above each transverse end and another below the cross and towards the shield; in the bottom corner(s), a (left) hand print.

Notes: The same crowned shield and use of hand print can be seen on a fireback at Etchingham (no. 60), indicating a common source.

Arms: Tudor royal

Description: Rectangular, with canted top corners; twisted rope edging (top and sides only); nine shields of Ayloffe impaling Sulyard in two rows, 5-4; two parallel vertical cuts for the insertion of firedogs.

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; moulded border with bead edging derived from wooden strips (top and sides); top left, a saltire of the same moulding as the border, between roughly shaped D and R, both reversed.

Notes: The border appears to be in pieces of different lengths, probably from redundant furniture. Illustrated by Christy, 1908, in the possession of Mr E. Simmons of Lewes.

Inscription: D R

Description: Inclined rectangle with ogee arch; fillet and ogee moulded edging; garter enclosing English Stuart royal arms, with supporters, helm, crest, mantling and motto.

Notes: Standard armorial design; the inclined shape is uncommon.

Inscription: [Garter motto illegible] DIEV ET MON DROIT

Arms: English Stuart royal

Description: Armorial within complex ovolo moulded edging (top and sides); quartered shield, helm, crest and mantling; plain panel below.

Notes: The arms can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral; quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Harris/Hawes/Hewish: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. The Maynards, originally from Devon, were a large family in Rotherfield, and Richard Maynard (d.1619) had an interest in Old Mill, Mayfield, as well as in Birchden forge, and probably Hamsell furnace. An example without the extension panel at the bottom has been noted. A larger fireback with the same arms, and probably by the same pattern maker, can also be seen (no. 144).

Copies of this fireback are known.

Arms: Maynard

Description: Carved wooden fireback pattern. Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two 'sea horses' and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; at the bottom, between looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side. Two vertical planklines left and right of centre.

Notes: Carved on three vertical oak planks, battened together, from a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated from the Welsh as 'GOD is our strength', is a paraphrase of Psalm 46: 1; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. A casting made from this pattern is no. 271.

Inscription: 17 DVW Ydyw Ein Cadernid 24