Firebacks

Description: Rectangular; cavetto-moulded edge; a snake rises from a fire and bites the middle finger of the hand of a sleeved left arm that descends from a top right corner cloud; left and right, ‘S’ scrolls appear strapped to the edge of the fireback; the date, top left of centre; initials, bottom right corner.

Notes: An illustration of the New Testament episode (Acts 28: 3) when St Paul, shipwrecked in the island of Malta, was putting sticks on a fire and a viper bit him. The distinctive shape of the ‘1’ in the date and the initials, ‘IM’, together with the ‘S’ scrolls, parallel such features in other firebacks. The design is an adaptation of an illustration in 'Devises Heroiques' by Claudius Paradin (1557) which was translated into English by Geoffrey Whitney as 'The Book of Emblemes' (1586).

Copies of this fireback are known.

Inscription: 1649 / IM

Description: Arched rectangular shape; cavetto/cyma recta moulded edging; plain rectangular panels at sides; top centre, bull’s head and neck issuing from a marquesal coronet, a baronial coronet above.

Notes: The crest of the Barons Bergavenny, although it should issue from a ducal, rather than a marchesal, coronet, and the rose normally placed on the neck is missing. The carved crest was affixed to a board of similar shape but smaller dimensions to the board with the moulded edging, indicating that the moulded board could have been used for other firebacks. Believed to have formerly been at Maresfield Park, Sussex.

Description: Arched rectangular; gadrooned edging (top and sides); three spondles as stamps - one centre top, and a different one on each side to left and right of arch base - initials and date split either side of top spimdle.

Notes: The distinctive edging and use of spindles or bobbins is seen on other firebacks; similar initials and date suggest a common source; the initials may relate to John Weston, of Warnham, Sussex (d. 1642). A rectangular fireback of the same date and also with three identical spindles is at Ewhurst Place, Ifield.

Copies of this fireback are known.

Inscription: I W / 16 32

Description: Arched rectangular shape with ovolo canted top corners; fillet edging; within a cartouche, shield of the Worshipful Company of Barber-Surgeons - quarterly, first and fourth, Sable a Chevron between three Fleams Argent, second and third, Per pale of the second and Vert on a Spatter also Argent a Tudor Rose proper crowned Or; on a Cross Gules dividing the quarters a Lion passant guardant Or; the date is above the shield, which is surmounted by a vase from which are displayed a flower and leaf stems; the same occupy the spaces on each side of the shield, below which is a motto scroll.

Notes: The arms on this fireback were granted to the company in 1569.

Copies of this fireback are known.

Inscription: 1631

Arms: Worshipful Company of Barber-Surgeons

Description: Rectangular; twisted rope edging (top and sides); top corners, initials in separate stamps arranged in triad with ‘WR’ above ‘E’; top centre, date on single block overstamped.

Notes: It is somewhat puzzling why a furnace should have a stock of letters but not of numerals. The use of a block for the date suggests that other firebacks may bear the same stamp.

Inscription: WER [triad] 1632 WER [triad]

Description: Rectangular with arched, mirrored, scrolls on top, surmounted by the winged face of a cherub; fillet edging continued into mirrored scrolls over the top; on either side, scrolled stylised seed pods; central scene of King David beneath a baldachin standing on a plinth, playing a harp to his left; to his left a child plays the violin, to his right another plays a trumpet, both stand on low plinths; at the bottom, a rectangular panel with an oval within a cartouche between swirled foliage.

Notes: An untypical religious-inspired subject with notably rococo design elements.

Copies of this fireback are known.

Description: Rectangular with an arched rectangular style arch linked by symmetrical cyma curves; double moulded edges except on the base; the date, 1720, in characteristic lettering of the early 18th century, bisected by a shield and crest formed from the impression of a carved wooden stamp. The arms are probably those of a branch of the Harvey family: a chevron (gules) between three bear’s gambs erased and erect armed (ermines).

Notes: The Harvey family of Eythorne, Kent, bore similar, but not identical arms, differenced by the addition of three crescents on the chevron. There are stylistic similarities between this fireback and two firebacks bearing the arms of the Duke of Dorset at Knole, which are probably of similar date, suggesting that they could be products of the same furnace.

Inscription: 17 20

Arms: Harvey of Eythorne, Kent (variant)

Description: Arched rectangular shape; ovolo moulded edge all round; the fireback is divided, unequally, into three Old Testament scenes. Centre left: Joseph is pushed into a well shaft by one of his brothers; above, six other brothers, wearing cloaks and sober puritan hats, look on; below, one of Joseph’s brothers presents Jacob with Joseph’s coat; Joseph utters the words, ‘Ah it is my son’s coat’ in a speech bubble above. Top right: Isaac kneels on a wooden pyre; behind him, Abraham holds Isaac’s head with his left hand, and raises a cleaver above his head with his right hand; above Abraham, an angel stays his hand; to the right of Isaac a ram stands beside a bush. Bottom right: beneath a pergola Jacob lies on his deathbed; his twelve sons gather round his bed.

Notes: The scenes depicted are derived from, respectively, Genesis 38: 20-24 & 32-33, Genesis 22: 6-13, and Genesis 49. The distinctive pictorial subject, the naïve figuration, as well as a number of minor features, such as the use of an ‘S’ scroll, draw parallels with the Lenard fireback, and the pattern may have been the work of the same wood carver, suggesting that it may share the same source. Another, probably contemporary, example is at Hampton Court.

Copies of this fireback are known.

Inscription: AH IT IS MY SONES COT [Genesis 38: 33]

Description: Rectangular central panel bearing an anchor with coiled rope between two fleurs de lys, below which are two roses; this arrangement is repeated alongside; above, a semicircular arch contains the initials between two roses as in the central panel, with the date above; where the arch meets the central panel there is an arc across each corner; The top and sides panels are edged with simulated twisted rope.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with the vertical panel repeated.

Copies of this fireback are known.

Inscription: 1588 / IFC

Description: Rectangular; edging on top and sides formed from four impressions of a length of wooden moulding approx. 600mm long, rebated at the right end, and overlapped starting on the right. Within are 14 impressions of a fleur de lys, arranged in three horizontal rows (5-4-5), carefully spaced with the middle stamp on the bottom row slightly out of line with the others. The edging does not reach the bottom of the plate, which is left plain.

Notes: Here is the distinctive use of wooden moulding salvaged from another use, possibly furniture, the moulded end of the sections suggesting that it might have come from a corner; the style of fleur de lys is one of three encountered on firebacks in this series.