Firebacks

Description: Rectangular; twisted rope edging (top and sides); inscription (‘S’ reversed) across upper middle of plate, with superscripted central ‘I’ (crossed) ; below each part of the date is a twisted rope saltire (145mm lengths).

Notes: A personal fireback, made to order; a similar commission by Giles Moore, Rector of Horsted Keynes, Sussex, in 1657, cost 13 shillings.

Inscription: I / 16 E S 63

Description: Low arched rectangle with stepped shoulders; cavetto moulded edging; Stuart royal shield with lion and unicorn supporters, garter and crown.

Notes: The pattern was probably carved in high relief, but the depth of casting sand may have been insufficient for all the detail to be revealed. At least one horizontal plank line is visible.

Copies of this fireback are known.

Arms: English Stuart royal

Description: Rectangular with arched, mirrored, scrolls on top, a cartouche scallop shell between; fillet edging; between two trees, three soldiers in Roman dress, holding either pikes, swords or shields, one on a plinth; at the bottom, a separate rectangular panel with mirrored scrolled foliage.

Notes: Possibly intended to represent the Horatii who, according to Livy, defeated the Curiatii.

Copies of this fireback are known.

Description: Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel; on top, earl’s coronet above an illegible character, between mirrored, swirled foliage.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks and can be compared with other. The wooden pattern from which this casting was made survives in the collection of the Sussex Archaeological Society (no. 928).

Description: Arched rectangular central panel with astragal and fillet edging; to the left, Æneäs carrying his father, Anchises; to the right, an arched gateway and portcullis beneath battlements with flames rising therefrom; above left, clouds; far left, a tree; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel; plain rectangular extensions to the bottom and each side; on top, mirrored, swirled foliage.

Notes: Many of the early illustrated editions of Ovid’s Metamorphoses show Æneäs escaping from burning Troy, with his father on his back, most of them with an archway in the background.

Copies of this fireback are known.

Inscription: TAN

Description: Arched rectangular shape; no edging; top centre, crowned capital ‘A’; date divided at top corners of plate; single six-pointed star outside date.

Notes: Earl’s coronet denotes the Earl of Ashburnham, furnace owner; the furnace was blown out for the last time in late February 1813, this fireback being reputedly the last casting from a Wealden furnace. One of a small series of firebacks cast in the early-19th century for farms on the Ashburnham estate.

Inscription: * 18 A 13 *

Description: Rectangular with semi-circular protrusions on the top and sides; cavetto edging; a pheon (a downward-pointing arrow head barbed on the inner edge), within a wreath, an earl’s coronet above; the date on either side of the coronet; the initials on left and right sides; a fleur de lys in each bottom corner.

Notes: The wreathed pheon and coronet are cast from a different pattern to the 1626 and 1630 plates.

Copies of this fireback are known.

Inscription: 16 47 / R L

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Rectangular; Ionic pilasters at sides, architrave on top; English Stuart royal shield, garter, crown, motto and supporters; date below and either side of garter.

Notes: One of several firebacks, all of the same date, but varying in size, framing style and moulding; all have stylistic features in common and will have been the work of the same pattern maker, who was also responsible for carving royal coats of arms in three West Country churches. A plaster cast of a fireback of this design is displayed as the royal arms in St George's church, near Abergele in north Wales.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE / 16 18 / DIEV ET MON DROIT

Arms: English Stuart royal (James I)

Description: Rectangular; ovolo edging; shield, helm, crest, mantling and motto of the Merchant Taylors’ Company: Argent a Pavilion Imperial Purple garnished Or lined Ermine between two Mantles also Imperial Purple lined Ermine on a chief Azure a Lion passant guardant Or.

Notes: Arms were re-granted to the Company in 1586; the excrescences on the helm and shield are probably the result of splashes caused when pouring the iron into the mould from too great a height.

Inscription: CONCORDIA PARVAE RES CRESCUNT [In Harmony Small Things Grow]

Arms: Worshipful Company of Merchant Taylors