Firebacks

Description: Arched rectangular shape with small rhomboidal flanges in the corners of the arch; cavetto moulded edge on all sides; Stuart royal arms (1605-88, 1702-14) with lion and unicorn supporters, garter, crown and motto; raised inscription in a tapering label beneath crown.

Notes: An amended copy of a 17th/early 18th century original (see no. 633). The added inscription has been impressed with the personalised cast handle of a cooking vessel. A bronze skillet bearing the inscription 'STANDEN 1726' on its handle has been recorded elsewhere, but the impression on the fireback has been formed from a handle with the inscription inset in relief, whereas the 1726 inscription is inscribed. Also the lettering on the handle used to personalise the fireback, which includes the letter A surmounted with a horizontal line, is of an earlier style. Three members of the Standen family, Thomas, James and Elias, were founders at Beech or Robertsbridge furnaces, Sussex, 1728-9, and a John Standen was casting skillets at Heathfield Furnace in the early 1730s; each could have been the founder of the 1726 skillet, but the maker of the handle used in the fireback casting may have been earlier. Formerly at Marshalls Manor House, Maresfield, Sussex.

Inscription: IAMES STANDEN [+Garter and royal mottoes]

Arms: English Stuart royal

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped.

Notes: The fireback has been incorrectly dated 1550 instead of 1650, which Schubert, following W. R. Lethaby, asserted was a forgery claiming indications that a ‘6’ had been erased. Undoubtedly the first '5' is more prominent than the other figures though the exact method by which it has been substituted is not clear. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Inscription: 1550

Description: Arched rectangular shape; cavetto moulded edge all round; holes pierced in top corners; a fouled anchor with one fluke resting on the base, a scroll below each top corner, foliage above the text, which is above the anchor; the initials either side of the lower fluke.

Notes: The inscription is a quotation from Psalms 139, v. 1: ‘Domine, probasti me et cognovisti me’ (Lord, thou hast searched me and known me).

Copies of this fireback are known.

Inscription: PROBASTI / ME / I M 16 5[0?]

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; figure of Hera/Juno, a sceptre in her right hand, with a peacock below to her left, clouds above left; arched rectangular border with fillet edging; symmetrical arrangement of wire-work swirls; on top, two mirrored serpents.

Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst.

Copies of this fireback are known.

Description: Arched rectangular central panel with cavetto-moulded edging; standing female figure holding a bunch of lowers in her left hand and a pot of flowers in her ight hand; to her left a ribbed, two-handled vase of tulips, to her right a fountain with a seated figure of Neptune/Poseidon holding a trident in the right hand; the words, Fruhling, split by the figure; above, clouds; on top a scallop shell between two descending sea serpents.

Notes: An iconic personification of Spring. Formerly at Swanborough Manor, Sussex.

Copies of this fireback are known.

Inscription: FRVH LING

Description: Rectanglular; flanged cavetto-moulded edging; pictorial scene of Christ and the woman of Samaria at Jacob's Well.

Notes: Stoveplate; the scene illustrates the story from John 4.

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; inscription along top edge of panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; both feet pointing to his right; various ‘tools’ of his trade arranged about him; (clockwise from top left) shield, the quarters containing a masonry hammer, a firedog, a weight, and a pair of pincers; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a fireback bearing the letters RL and a diamond shape; from the top of the fireback a dog leaping up at its master; between the man's legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp

Notes: The 'Lenard' fireback; a much-copied plate. Items relating to the founder's working life are displayed to the left of the figure, those to the right reflecting his domestic life. Its individualistic design and naïve figuration are the key to identifying a distinct group of firebacks, all probably made at Brede. A pastiche of this fireback also exists (no. 668), with which it is sometimes confused.

Copies of this fireback are known.

Inscription: RICHARD LENARD FOVNDER AT BRED FOVRNIS [each D is reversed] / 1636 / RL

Description: Damaged; rectangle, flanged edging; two vertical panels, each with a row of lancet arches along the top: on right, robed figure with a crown, head tilted to left, left hand raised in benediction, right hand holding a chalice, standing on a bracket; on right, similar figure facing forward.

Notes: Stoveplate. Similar plates suggest these may be two of the Magi.

Description: Rectangular; carved moulding edging; centre, inscription panel; undulating vine strip stamp repeated thirteen times to form an inner border along each side of the inscription panel.

Notes: The only fireback of the Anne Forster series to have edging formed from wooden moulding probably from dismantled furniture or panelling. Given to the Sussex Archaeological Society in 1850 by Sir Henry Shiffner Bt., of Coombe Place, Hamsey, Sussex. A former occupant of his burnt-out estate cottage, where it had been found, was said to have been a Miss Forster.

Inscription: HER:LIETH:ANE:FORST / R:DAVGHTER:AND: / HEYR:TO:THOMAS: / GAYNSFORD:ESQVIER / DECEASED:XVIII:OF: / IANVARI:1591:LEAVYNG / BEHIND:HER:II:SONES: / AND:V:DAVGHTERS

Description: Sub-rectangular; edged with a repeated length of helically-turned dowel (top and sides); apparently random arrangement of same piece of dowel repeated ten times, including a saltire and cross.

Notes: Apart from the Christian significance of the cross, the other arrangements of rope lengths may be apotropaic in their purpose, the double V being a possible invocation of the Virgin. The blemishes at the base are caused by the casting sand being disturbed by the pouring of the metal.