Firebacks

Description: Rectangular; twisted rope edging; central crowned Tudor shield with lion passant guardant sinister to the left, and lion passant to right; four-petalled rose in right and left corners; crowned, barbed, four-petalled rose below shield.

Notes: One of a large series bearing some or all of the same stamps.

Arms: Tudor royal arms of England

Description: Circular wreathed medallion, bearing the right-facing head of a man in classical dress, carried by two naked, kneeling male figures, between them a scallop shell; above the medallion a lion’s face surmounted by a flame; the medallion is surrounded by floral scrolls.

Notes: The wooden pattern would have had a circular aperture (the frame of which is just discernible) for the reception of the medallion; the same pattern was used to cast a fireback bearing the arms of George Worge, and the stamp of the profile was used on an accompanying fireplace side plate (no. 923).

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths; date in top corners; initials at bottom, below mantling.

Notes: One of the hooked ‘1’ series; unevenly impressed, the right more deeply than the left.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Carved wooden fireback pattern. Arched rectangular central panel, astragal and fillet edge, pictorial, Hercules, sword in hand, preparing to slay the Hydra; arched rectangular border, fillet edge, ivy leaves and tendrils, monogram at bottom; swirled foliage on top.

Notes: Unusually for a pattern, it was carved from a single piece of wood; formerly in the custody of William Hobday (d. 1883), last surviving ironworker at Ashburnham furnace, this pattern was given to the Sussex Archaeological Society by the Revd. J. Bickersteth.

Inscription: TAN

Description: Carved wooden fireback pattern. Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks; given to the Sussex Archaeological Society by the Rev. J. Bickersteth.

Description: Rectangular with complex quasi-arched rectangular top; fillet edging; shield with Royal arms of France in a cartouche; above, an English crown.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625. A different version is no. 659. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Arms: France modern

Description: Arched plate; ovolo moulding edging; shield, supporters, coronet, helm, crest and motto of Viscount Montague; quarterly Browne, Albini, Fitzalan, Fitzalan of Clare, Warren, Maltravers, Nevill, Montagu, Monthermer, Inglethorpe, Burghe, Delapole, Bradeston, Tiptoft, Charleton and Kent (Plantagenet); supporters: two bears collared and chained; the crest: an eagle, the wings elevated and displayed.

Notes: The arms of either the 2nd (Anthony-Maria Browne, succ. 1592-1629) or 3rd viscount (Francis Browne succ. 1629-1682) - the 1st viscount was a Knight of the Garter and no garter is shown; the style of the modelling bears similarities to that on the 1618 series of firebacks and may be the work of the same pattern-maker.

Inscription: 16 / VERITATE DUCE [Be led by Truth]

Arms: Viscount Montague

Description: Carved wooden fireback pattern. Arched rectangular central panel with cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by armadillos, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, on one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677); reputedly from Mayfield; presented to Brighton Museum by Henry Willetts. A casting from this pattern is no. 215.

Description: Rectangular with flanged edging and a moulded frame; pictorial scene of the Marriage at Cana in an architectural setting; inscription along bottom edge.

Notes: The pattern-maker is believed to be Master Ronnung.

Inscription: HISTORIA VON DER HOCHZEIT ZV CANA IN GALILEA ...

Description: Rectangular; three birds (probably swans, a Lancastrian badge) turned to the left, their heads facing right, and the front edge of their left wing extended and inverted; vine pattern strips, one horizontal along the top, and 14, of varied length, vertically across the rest of the fireback; seven ‘grape bunch’ shapes with criss-cross markings, arranged in three groups — 3-1-3 — adjacent to the birds.

Notes: The same vine strips are found on several firebacks, including some of the ‘Anne Forster’ series; the birds are also seen on a number of firebacks; the ‘grape bunch’ shapes may be the same as those on the ‘Anne Forster’ graveslab in Crowhurst church, Surrey. John Starkie Gardner and later writers attributed the birds to an association with the Fowle family; this is unlikely to be correct as the Fowles came to prominence in the iron industry towards the end of the sixteenth century and had their own distinctive decorative emblems. Formerly in the collection of Lady Dorothy Nevill.