Firebacks

Description: Arched rectangular central panel with bead-and-pellet edging; pictorial scene of Abraham about to sacrifice Isaac, the former's hand being stayed by an angel, a ram in an adjacent thicket; arched rectangular border with fillet edging; arrangement of sunflowers linked with festoons of leaves; at bottom, swirled foliage; on top, a scallop shell between mirrored swirled foliage.

Notes: The scene is from the Old Testament - Genesis 22: 12; a popular subject on firebacks.

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Arched rectangular central panel with bead edging; pictorial scene of two putti bent over a central anvil, with a third putto above; below are martial symbols (cannon, banners etc.); in the arch the word 'PAX', and in the shoulders of the panel, the date in two parts; arched rectangular boreder with fillet edging, and foliage draped from the top; on top, a pomegranate to which ascends a serpent on each side, with a further pomegranate on each shoulder of the plate.

Notes: The scene may be intended to represent the infant Vulcan.

Inscription: PAX / 16 79

Description: Arched rectangular central panel with bead on fillet edging; suspended from the top, by a ribbon, a ring with a popinjay, or parrot perched thereon, biting a twig in its right claw; below left is a seated child, and in the bottom corners the initial and monogram; around this panel is an arched rectangular border with fillet edging, at the top of which is the word, HOLLANDIA, between scrolls, with swags of fruit hung on ribbons suspended from roses down each side; at the bottom, a motto scroll bearing the inscription, ANNO 16 ...; on top, a central scallop shell between two dolphins.

Notes: A common design among firebacks produced in Germany for the Dutch market.

Copies of this fireback are known.

Inscription: HOLLANDIA / H HS / ANNO 16 ...

Description: Arched rectangular central panel with bead edging terminating at the top in two loops, gather drapery and a scallop shell; two figures to the right, both bearded, the one kneeling wears cavalry armour, a cloak and a crown, the other stands behind; to the left is a sacrificial pyre on which an ox carcass burns, and above an angel carrying a sword in his right hand and a skull in his left; around this is an arched rectangular border with fillet edging and a repeated leaf pattern; on top is a scallop shell between two dolphins.

Notes: The scene illustrates the visitation of the pestilence on Israel described in 2 Samuel 24, and the sacrifice of an oxen by King David; the skull borne by the angel represents the death of those struck down by the plague. A slightly different version has the face of David looking up at the angel (no. 424).

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; pictorial scene of seven figures, the central one crowned, seated at a table laid with cups and dishes, with two other figures, one at the front, the other to the right, serving them; below are martial symbols (cannon, banners etc.); behind the figures are two archways with drapery at the side, and a chandelier above; arched rectangular border with fillet edging, and egg-and-dart moulding on top and sides; on top, a diamond within a cartouche, and the same on each shoulder of the plate; descending from the top, a serpent on each side.

Notes: The scene is of the marriage at Cana (John 2), a biblical story often portrayed on firebacks and stoveplates.

Description: Arched rectangular central panel with cavetto-moulded edging; standing female figure holding a bunch of lowers in her left hand and a pot of flowers in her ight hand; to her left a ribbed, two-handled vase of tulips, to her right a fountain with a seated figure of Neptune/Poseidon holding a trident in the right hand; the words, Fruhling, split by the figure; above, clouds; on top a scallop shell between two descending sea serpents.

Notes: The iconic figure of Spring.

Copies of this fireback are known.

Inscription: FRVH LING

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of a seated couple (female to the left, male to the right) holding hands; behind, to the right, a sheep by a tree; arched rectangular border with fillet edging and probable foliate decoration; on top, scallop shell between two dolphins.

Notes: The symbolism of this scene is uncertain, but likely to be of an allegorical or iconological nature.

Description: Arched rectangular shaped central panel with fillet and bead edging, Neptune/Poseidon, holding a trident in his right hand, sitting in a scallop shell drawn by four mythical sea horses, behind are two mermaids blowing horns; arched rectangular shaped border with ovolo egg and dart edging; above, two symmetrical dolphins with a clam shell between.

Notes: Typical type of fireback produced in Germany by Dutch pattern makers; the central panel was made separately for insertion into different borders; this border is a relatively simple type.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; nude figure of a man standing on a mound, resting his left hand on a club, a plant to his right, and drapery swags above; arched rectangular border with symmetrical swirls; monogram centre bottom; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Hercules.

Copies of this fireback are known.

Inscription: SHR