Firebacks

Shape: 'Dutch'

170 results

  1. 42

    cuckfield_park 04.jpg
    655 x 920 mm

    Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular shaped border with fillet edging, containing floral swags suspended from a wreath; on top, a scallop shell between two dolphins.

    Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

    Copies of this fireback are known.

    Manufactured: in the mid to late 17th century in the Siegerland area of Germany.

    Current location: in private hands, Cuckfield, West Sussex, England.

  2. 271

    dorchester_museum 02.jpg
    914 x 1067 mm

    Description: Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two ‘sea horses’ and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; between two looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side.

    Notes: From a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated as 'GOD He is our strength', is a paraphrase of Psalm 46: 1; the original wooden pattern is in the Historisch Museum, Rotterdam; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. Formerly at Dogwells Farmhouse, Corscombe, Dorset; other examples are at Leith Hill Place, Surrey, and Lower Brockhampton farmhouse, Herefordshire, the latter having originally been in Dunster Castle, Somerset.

    Copies of this fireback are known.

    Inscription: 17 DVW Ydyw Ein Cadernid 24

    Manufactured: in 1724 in England.

    Current location: Dorset County Museum, Dorchester, Dorset, England.

    (part of the Dorset County Museum museum group)

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  3. 869

    dublin,_national museum of ireland 01.jpg
    432 x 635 mm

    Description: Low arched central panel with fillet edging; on a square frame in perspective, a small gadrooned pot with flowers, including daffodils and tulips, issuing from it; narrow fillet border of same shape, around top and sides, containing a repeated chain and tassel design; wide outer border with quasi-symmetrical, wave-shaped top, swirled floral design of hare bells and tendrils; inscription at bottom.

    Notes: In the museum guide of 1912, this fireback was said to have come out of an old house at Arran Quay, Dublin.

    Inscription: IP 1737

    Manufactured: in 1737 in Ireland.

    Current location: National Museum of Ireland, Benurb Street, Dublin, Dublin, Ireland.

    Museum number: NMIDM:1910.564 (part of the National Museum of Ireland museum group)

    Citation: Westropp, M. S. D. (ed.), 1912, General Guide to the Art Collections, Part VI, Metalwork, Chapter V, Iron (Dublin, National Museum of Science and Art).

  4. 280

    ellesborough,_chequers 06.jpg
    745 x 660 mm

    Description: Arched rectangular shaped central panel, bead edging (top and sides), pedestal bearing a supine male figure with headband being trampled by a horse, facing left, mounted by a rider with long hair, facing to the front; on each side of the plinth is a seated figure wearing a hat, with a basket of fruit; above the rider are crescent lines representative of clouds; the inscription is split either side of the horse; the date (‘7’ rotated and, with ‘4’, reversed) is on the die of the pedestal; arched rectangular shaped border, fillet edging, on each side a Solomonic column with vine decoration; in the arch, symmetrical parallel curved lines with a central oval cartouche beneath a crown; on top of each shoulder of the plate a figure in repose.

    Notes: The equestrian figure is derived from the statue of Charles II erected in Stocks Market, London, in 1672. Originally to be of Jan Sobieski, later king of Poland, riding down a Tatar, it was altered to represent Charles, and the Tatar’s face was changed to that of Oliver Cromwell; the statue attracted a fair degree of derision. The statue is now at Newby Hall, near Ripon, North Yorkshire.

    Copies of this fireback are known.

    Inscription: C R / 1674

    Manufactured: in 1674 in England.

    Current location: Chequers, Ellesborough, Buckinghamshire, England.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Lloyd, N., 1925, 'Domestic Ironwork I', Architectural Review, 58, pp. 58-67.

  5. 936

    fortuna_haringhuizen_475x705.jpg
    475 x 705 mm

    Description: Arched rectangular central panel with triple bead and pellet edging; semi-naked figure of Fortune, holding in her hands a billowing sheet, and standing on a ground; arched rectangular fillet border enclosing suspended swagged flowers and berries (top and sides), with indeterminate foliage on the bottom on either side of an empty cartouche; on top, symmetrical wsirled foliage.

    Notes: The design is derived from an engraving by Aegidius Sadeler after a painting by Christoph Schwarz of about 1580-1600. Although not marked as such, other castings of this fireback are marked with the initials, GK, and dated to 1700.

    Copies of this fireback are known.

    Manufactured: in the early 18th century possibly in the Siegerland area of Germany.

    Current location: in private hands Haringhuizen, Netherlands.

    Citation: Elling, W. & Winkler-Borck, S., 1992, Ofen- und Kaminplatten (Vreden, Hamaland-Museum).

  6. 858

    goodwin_smith 03.jpg
    491 x ~773 mm

    Description: Arched rectangular shaped central panel, bead-and-pellet on fillet edging, narrow-necked, two-handled urn with flowers and wheat ears issuing therefrom, the vase resting on paving, upon which are two small flowers in pots with a stool between; arched rectangular shaped border with fillet edging and symmetrical floral tendrils, a looped 'W' in each shoulder; on top, mirrored leaves, tendrils and wheat ears; inscription along bottom of border.

    Notes: The largest of five flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. Illustration from Goidwin Smith, 1936.

    Copies of this fireback are known.

    Inscription: 17 DVW Ydyw Ein Cadernid 24

    Manufactured: in 1724 in England.

    Current location:.

    Citation: Goodwin-Smith, R., 1936, 'Some English Firebacks', The Connoisseur, 97, pp. 36-8.

  7. 1230

    great_chart,_godinton_house_04.jpg
    380 x 565 mm

    Description: Arched rectangular central panel with bead-on-fillet edging; gadrooned vase with a quasi-symmetrical arrangement of fronds, leaves and flowers issuing therefrom, topped by a central bloom; arched rectangular border with fillet edging and a quasi-symmetrical arrangement of fronds, leaves and flowers descending from top centre; at the bottom, leaves splayed from a central cartouche enclosing an indecipherable initial or monogram; on top, symmetrical sea serpents descending from a central beribboned pendant.

    Notes: A familiar type of design seen on many small firebacks/gratebacks of this period.

    Inscription: [indecipherable]

    Manufactured: in the early 18th century in England.

    Current location: Godinton House, Great Chart, Kent, England.

  8. 83

    guildford_08a.jpg
    580 x 840 mm

    Description: Arched rectangular shaped central panel, bead-and-pellet edging, semi-naked male figure, wearing a floral head-dress and carrying a basket of produce, initials in top corners; arched rectangular shaped border, fillet edging, symmetrical festoons of foliage, floral scrolls at base, date in an oval cartouche; on top, two putti, two dolphins and scrolled foliage, all symmetrical.

    Notes: An allegory of Spring, based closely on an engraving, dated 1600, by Hendrik Goltzius (1558-1617); one of a series of large firebacks of similar date, all bearing the initials, GK.

    Copies of this fireback are known.

    Inscription: G K / 1700

    Manufactured: in 1700 possibly in the Siegerland area of Germany.

    Current location: Guildford Museum, Guildford, Surrey, England.

    Museum number: S,7111 (part of the Guildford Museum museum group)

    Citation: Pesch, D., 1982, Herdgussplatten (Rheinland-Verlag, Koln).

  9. 77

    guildford_museum 02.jpg
    382 x 610 mm

    Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.

    Notes: The image is probably intended to be Phryxus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6.

    Copies of this fireback are known.

    Inscription: 16 NDW 97 / DER JUNGE SAMSON [the young Samson]

    Manufactured: in the late 17th to early 18th century possibly in the Weald area of England.

    Current location: Guildford Museum, Guildford, Surrey, England.

    Museum number: G.486 (part of the Guildford Museum museum group)

  10. 82

    guildford_museum 07.jpg
    338 x 540 mm

    Description: 'Dutch' style; arched rectangular shaped central panel, bead on fillet edging, naturalistic scene of a heron with wings extended catching a fish, water below, clouds above, plants in background; arched rectangular shaped border, fillet edging, symmetrical scrolled tendril pattern; at bottom, two looped 'W' figures between date split corners; on top, symmetrical scrolled foliage. A single central vertical plankline.

    Notes: The image of the heron is taken from a print, by Wenceslaus Hollar c.1658, of an etching by Francis Barlow (c.1626-1704); the style of the date suggests a similar pattern maker to a series of firebacks, of the same date, some bearing a Welsh inscription. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

    Copies of this fireback are known.

    Inscription: 17 24

    Manufactured: in 1724 in England.

    Current location: Guildford Museum, Guildford, Surrey, England.

    Museum number: G.487 (part of the Guildford Museum museum group)

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).