Firebacks

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of a seated female holding a small child, with two putti, one on each side of her, the one on her right holding an olive branch, the one on her left holding a flaming heart, his foot aginst a globe; arched rectangular border with fillet edging; top centre, laurel wreath from which descend festoons of flowers and fruit suspended from roses; at the bottom, a cartouche containing the intials between two cornucopiae; on top, a scallop shell between two descending dolphins.

Notes: The group is an allegorical representation of Charity

Copies of this fireback are known.

Inscription: H S

Description: Arched rectangular central panel with overlapping leaf edging; pictorial scene of Poseidon/Neptune holding a trident in this right hand, and grasping the reins of two hippocampi in his left hand; beneath his feet a scallop shell, and to his lower left a putto blowing a horn; suspended above him an assemblage of shells; stepped-arched rectangular shaped border with scalloped fillet edging; top centre, scallop shell with a descending arrangment of seashells and seaweed; on top, a scallop shell between two putti and below them, two dolphins.

Notes: An uncharacteristically elaborate version of the usual 'Dutch' style of fireback, suggesting a later date, or possibly a pastiche.

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; at top of arch, grape bunches; at each side, a festoon of fruit suspended on a ribbon from a lion's head; at the bottom, an oval cartouche between flowers; on top, an urn from which descends a dolphin on each side of the arch.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the same central panel is known with several different borders.

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with bead-on-fillet edging; pictorial scene of the interior of the stable at Bethlehem with a stone arched doorway and a hay stall in the background; in the left foreground the seated figure of the Virgin Mary with the infant Jesus, and Joseph behind; behind Joseph a donkey, and to the left of the child a seated ox; to the right, three figures, one kneeling and another holding a hat; in front of the kneeling figure a basket; arched rectangular border with fillet edging and a repeated leaf pattern; on top, a scallop shell between two dolphins.

Notes: The scene is of the Adoration by the Magi - Matthew 2: 11.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead-and-pellet edging; pictorial scene of Abraham about to sacrifice Isaac, the former's hand being stayed by an angel, a ram in an adjacent thicket; arched rectangular border with fillet edging; arrangement of sunflowers linked with festoons of leaves; at bottom, swirled foliage; on top, a scallop shell between mirrored swirled foliage.

Notes: The scene is from the Old Testament - Genesis 22: 12; a popular subject on firebacks.

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Arched rectangular central panel with bead edging; pictorial scene of two putti bent over a central anvil, with a third putto above; below are martial symbols (cannon, banners etc.); in the arch the word 'PAX', and in the shoulders of the panel, the date in two parts; arched rectangular boreder with fillet edging, and foliage draped from the top; on top, a pomegranate to which ascends a serpent on each side, with a further pomegranate on each shoulder of the plate.

Notes: The scene may be intended to represent the infant Vulcan.

Inscription: PAX / 16 79

Description: Arched rectangular central panel with cavetto-moulded edging; standing female figure holding a bunch of lowers in her left hand and a pot of flowers in her ight hand; to her left a ribbed, two-handled vase of tulips, to her right a fountain with a seated figure of Neptune/Poseidon holding a trident in the right hand; the words, Fruhling, split by the figure; above, clouds; on top a scallop shell between two descending sea serpents.

Notes: The iconic figure of Spring.

Copies of this fireback are known.

Inscription: FRVH LING

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; nude figure of a man standing on a mound, resting his left hand on a club, a plant to his right, and drapery swags above; arched rectangular border with symmetrical swirls; monogram centre bottom; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Hercules.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of two men in mid-17t century dress carrying a large bunch of grapes on a pole between them, above them drapery; arched rectangular border with fillet edging; cascade of flowers around arch and down sides; on top, central crown with descending serpents, an urn on each shoulder of the plate.

Notes: The scene depicts Joshua and Caleb returning from Canaan with a bunch of grapes (Numbers 13: 23-4).