Firebacks

Description: 'Dutch' style; arched rectangular shaped central panel with bead edging, figure of Charity holding a baby in her left arm and an olive branch in her right, two other children stand on each side of her, one holding a burning heart, trees in the background; arched rectangular shaped border with fillet edging and a repeated leaf pattern; on top a clam shell between two symmetrical serpents.

Notes: Typical type of fireback produced in Germany by Dutch pattern makers; the central panel was made separately for insertion into different borders; this border is a relatively simple type; the portrayal of Charity is derived from the 'Iconologia' of Cesare Ripa. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with bead on fillet edging; helmeted figure of Mars holding a cutlass in his right hand, standing on a field of flags, spears and cannon; 'Palladian' shaped border with fillet edging enclosing a repeated scrollwork pattern with floral arrangement at base; on top, symmetrical arrangement of scallop shell between two sea serpents and plant fronds.

Notes: Although in the 'Dutch'; style, an absence of this type in continental collections suggests an British source. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with bead-and-pellet edging; figure of Abraham, a scimitar in his raised right hand, which is being restrained by an angel emerging from a cloud; Isaac is kneeling to Abraham's left and a ram is caught in a bush to the left of the plate; the initials are in the top corners; arched rectangular shaped border with fillet edging, and swags of leaves suspended from flowers; on top, symmetrical foliate swirls.

Notes: The design is an adaptation of an engraving by Adriaen Collaert (1555-1623) of a painting by Maarten de Vos (1532-1603), Plate 5 of The Story of Abraham. In the 'Thesaurus sacrarum historiarum veteris testamenti', published in Antwerp by Gerard de Jode (1509-1591) in 1579, 1585 and, subsequently, by Visscher in 1589. One of a small group of firebacks, all of similar shape, some with biblical designs, others mythological, all dated around 1700 and bearing the letters GK. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: G K / 1700

Description: Arched rectangular shaped central panel with paternost bead edging; Hercules/Herakles slaying the Nemean lion on a ground with small trees, his club lying at his feet; above, clouds and sun rays; arched rectangular shaped border with fillet edging, symmetrical arrangement of swirled tendrils, floral wreath at base; on top, symmetrical arrangement of foliage.

Notes: The image is taken from an engraving by Gerard de Jode, from his series 'The Labours of Hercules', after Marcus Geeraerts, 1519 - 1591. One of many English firebacks which copied 'Dutch' styles. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Arched rectangular shaped panel with fillet edging; two Salomonic columns supporting a beaded arch; standing figure of Atlas supporting a globe, on ground with plants, and two swags of fruit and leaves suspended from the centre of the arch to the capitals of the columns; above the beaded arch, symmetrical swirls of fruit and foliage; on top, a scallop shell between two sea serpents.

Notes: Probably an English design copying the north German 'Dutch' style.

Copies of this fireback are known.

Description: Arched rectangular shape with fillet edging; tall, arched central panel with bead edging (top and sides); flying bird in arch, with two small trees below, and two figures, one with a staff in his right hand, and a dog, at the bottom; two side panels with similar cascades of flowers; narrow base panel with fillet edging and symmetrical floral arrangement; on top, a scallop shell between two symmetrical lines of trailing flowers.

Notes: The figures may be Venus and Adonis, the bird aboive being a dove; probably an English design based on the 'Dutch' style. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.

Notes: The image is probably intended to be Phryxus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: 16 NDW 97 / DER IUNGE SAMSON [the young Samson]

Description: Arched rectangular shaped central panel with bead edging on a wide fillet; two-handled vase with assorted flowers on a stand with scrolled legs; a plant pot on each side; arched rectangular shaped border with fillet edging, symmetrical floral fronds descending from a rose, top centre, with a looped 'W' in each shoulder; inscription at base; on top, symmetrical scrolled plant tendrils.

Notes: The second largest of six flower vase designs in this series; a recast plate. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The inscription translates as 'God is our strength'.

Copies of this fireback are known.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arched rectangular shaped central panel with open-bud edging; pictorial: Venus in her chariot drawn by doves, with her child, Cupid; a heron flies away to the left; above are swagged curtains and a pair of tassels, below is a landscape; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet Venus in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585); the flying heron has been copied from a print by Wenceslaus Hollar c.1658. The theft, in 1699, from a Thames-side warehouse of several firebacks, included '6 of Venus in a Chariot with Doves', which is likely to refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with bead edging; pictorial scene of a figure in Roman dress, holding a large sword, and holding the head of a bearded man in his left hand; below to the left, a naked, decapitated body; above the winged face of a putto between mirrored, scrolled foliage; arched rectangular border with fillet edging; flowers in chain under the arch and down the sides; at the bottom, swirled foliage; on top, a crown between fruit triads.

Notes: Perseus holding the severed head of the Medusa; possibly adapted from a drawing by Crispijn de Passe the elder (1564-1637). Similarities in the design and execution of the pattern suggest a common source with contemporary English firebacks.