Firebacks

Description: Arched rectangular shaped central panel, bead edging, narrow-necked urn with swagged decoration and gadrooned base, flowers issuing therefrom; arched rectangular shaped border with fillet edging and symmetrical floral festoons; on top, mirrored plant fronds descending from a small mask; at the bottom, an indistinct cartouche and a probable letter 'W' between swirled foliage.

Notes: Small firebacks of this type and period might have been cast at one of the London foundries and used for attaching to the rear of dog grates. The initial 'W' probably denotes the pattern maker.

Inscription: W

Description: Arched rectangular central panel with bead edging on a broad fillet; standing on a ground with a peacock behind her, a classically-dressed figure of a female, wearing a crown and holding a sceptre in her right hand, her left hand across her chest; above her, swagged drapery; arched rectangular border with fillet edging; central scallop shell at the top with a descending arrangement of swirled and interlinked lines; at bottom centre, a cartouche bearing the letter ‘N’; on top, two mirrored serpents.

Notes: The figure is that of Hera/Juno. The pattern maker identified as ‘N’ is likely to have been working in collaboration with pattern makers whose fireback designs are identified with the initials, SHR and EB, and with the maker responsible for patterns made in 1724, some of which bore inscriptions in Welsh.

Inscription: N

Description: Arched rectangular central panel with additional arch above; bead and fillet edging; pictorial scene of, on the left, a tree next to a female and, in the centre, a male figure, both in eastern dress, a page behind holding a train, and to the right a short obelisk surmounted by a crescent, behind which is the head of a figure with a camel; behind is a small building also surmounted by a crescent, with clouds above; the word, ASIA, is centre bottom; identical shaped border with cavetto-moulded edging; a pomegranate on top with descending swags of drapery; at the sides, overlapping bunches of foliage suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a pomegranate with a descending serpent on each side, and a pomegranate on each shoulder of the plate.

Notes: A pastiche of the EUROPA design based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek, with the figures adopting very similar poses in an oriental setting; one of a series depicting allegories of the four continents.

Copies of this fireback are known.

Inscription: ASIA / MB

Description: Arched rectangular central panel with bead on fillet edging and two tassels hanging from top of arch; pictorial image of a cherub with arrows in both hands sitting on a phoenix; arched rectangular border with fillet edging; scallop shell at top with descending ribbons and fruit clusters; date and monogram below central panel; bottom panel with inscription; on top, two sea serpents, with open buds on shoulders of recatngle.

Notes: The customary monogram on such firebacks is NDV. Several anglicised versions of this type of fireback exist. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: 17 NDW 01 / VOGEL PHOENIX [bird phoenix]

Description: Arched rectangular central panel with bead edging; standing figure of Abraham about to sacrifice a kneeling Isaac, Abraham's raised right hand holding a sword is retrained by an angel; behind Abraham is a ram; initials are placed in a triangle above behind and in front of the group; arched rectangular border with fillet edging and descending floral and fruit bunches on a ribbon, hanging from rings, foliate swirls at base; vases on rectangle shoulders and at top, between two putti

Notes: The initials appear to have been added subsequently.

Inscription: B / E A

Description: Rectangular central panel with elongated arch; bead edging; semi-nude figure of Poseidon/Neptune, a trident in his right hand, standing on two hippocampi (mythical sea horses). Rectangular border with elongated arch; fillet edging; two suspended festoons of fruit and leaves; at the bottom, the date and monogram. On top, two scrolls of foliage. On each shoulder of the fireback, a basket with fruit

Notes: A number of images of Poseidon on firebacks bear more than a passing similarity to fountain statuary. This is just such an example although the source of the design has yet to be identified. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; figure of Hera/Juno, a sceptre in her right hand, with a peacock below to her left, clouds above left; arched rectangular border with fillet edging; symmetrical arrangement of wire-work swirls; on top, two mirrored serpents.

Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been copied in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Rectangular central panel with top arch, bead edging; pictorial scene of a a kneeling man in a wide-brimmed hat reaching up the skirt of a milk maid, who in fending him off, leans forward, tipping the milk from the bucket on her head over the man; acanthus leaves over the top arch; side border with bead edging extending over shoulders of plate, surmounted by a floral vase each side; on top a floral vase between leaves.

Notes: Inscription on the back of the casting: 'Made from a casting lent to J. H. E[very] by Mr J. T. Ade of Hellingly'.

Copies of this fireback are known.

Description: Cavetto-arched rectangular central panel with bead-and-pellet edging, head and robed shoulders of a laureated man in left profile; cavetto-arched rectangular border with cavetto-moulded edging and arrangement of outward-facing acanthus leaves; on top, scallops on shoulders of border with cornucopiae over arch.

Notes: A pastiche of the 'Dutch' style of fireback. Formerly part of the J. H. Every collection.