Firebacks

Description: Arched rectangular shape; bead-on-fillet edging; standing figure of a female holding a torch in her right hand, a goat by her feet, and a bush bottom left; arched rectangular border with ovolo-moulded edging; symmetrical arrangement of scrolled foliage; on top, a scallop shell with a descending dolphin on each side of the arch.

Notes: The figure is an allegorical representation of Wisdom.

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of a seated female holding a small child, with two putti, one on each side of her, the one on her right holding an olive branch, the one on her left holding a flaming heart, his foot aginst a globe; arched rectangular border with fillet edging; top centre, laurel wreath from which descend festoons of flowers and fruit suspended from roses; at the bottom, a cartouche containing the intials between two cornucopiae; on top, a scallop shell between two descending dolphins.

Notes: The group is an allegorical representation of Charity

Copies of this fireback are known.

Inscription: H S

Description: Arched rectangular central panel with overlapping leaf edging; pictorial scene of Poseidon/Neptune holding a trident in this right hand, and grasping the reins of two hippocampi in his left hand; beneath his feet a scallop shell, and to his lower left a putto blowing a horn; suspended above him an assemblage of shells; stepped-arched rectangular shaped border with scalloped fillet edging; top centre, scallop shell with a descending arrangment of seashells and seaweed; on top, a scallop shell between two putti and below them, two dolphins.

Notes: An uncharacteristically elaborate version of the usual 'Dutch' style of fireback, suggesting a later date, or possibly a pastiche.

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; at top of arch, grape bunches; at each side, a festoon of fruit suspended on a ribbon from a lion's head; at the bottom, an oval cartouche between flowers; on top, an urn from which descends a dolphin on each side of the arch.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the same central panel is known with several different borders.

Copies of this fireback are known.

Description: Arched rectangular central panel; bead-on-fillet edging; wickerwork Garden of Holland (Hollandse Tuin) within which is seated a berobed female figure holding a cap of freedom on the end of a long pole; before her is the crowned heraldic lion of the States General of the Netherlands, clutching a sheaf of arrows in its left front paw; above are the words, Pro Patria; arched rectangular border with cavetto-moulded edging, with the word, Hollandia, in the arch, suspended from which are festoons of flowers and fruit and the date within a scroll on the bottom; on top, a scallop shell between two mirrored serpents.

Notes: An overtly patriotic theme with symbols of Dutch nationhood.

Copies of this fireback are known.

Inscription: HOLLANDIA / PRO PATRIA / ANNO 1662

Description: Arched rectangular shape; bead-on-fillet edging; in a garden of ground, a tree and a tall plant in a pot, the standing figure of a young person blowing a pipe, two sheep or goats behind; arched rectangular border with ovolo-moulded edging; symmetrical arrangement of scrolled foliage; on top, a scallop shell with a descending dolphin on each side of the arch.

Notes: The scene may be allegorical or purely representational.

Description: Rectangular central panel with bead edging all round, pictorial scene of a landscape at the fore of which Jesus sits at a well with the woman of Samaria; above the panel is a bead-edged arch with a floral wreath; arched rectangular border with canted top corners and cavetto-moulded edging; repeated low-relief pattern of linked squares and diamonds; at the bottom, indistinct floral swirls; on top, a small crown with descending mirrored swirls.

Notes: The scene is from John 4.

Description: Arched rectangular shaped central panel with bead-on-fillet edging; pictorial scene of the interior of the stable at Bethlehem with a stone arched doorway and a hay stall in the background; in the left foreground the seated figure of the Virgin Mary with the infant Jesus, and Joseph behind; behind Joseph a donkey, and to the left of the child a seated ox; to the right, three figures, one kneeling and another holding a hat; in front of the kneeling figure a basket; arched rectangular border with fillet edging and a repeated leaf pattern; on top, a scallop shell between two dolphins.

Notes: The scene is of the Adoration by the Magi - Matthew 2: 11.

Copies of this fireback are known.

Description: Arched rectangular shape with bead-on-fillet edging; pictorial scene of St Michael the Archangel fighting the Devil; on top, a pomegranate with serpents descending down each side of the arch; a pomegranate on top of each shoulder of the plate.

Notes: Notable for the absence of a border and the lack of a background to the scene.

Copies of this fireback are known.

Description: Arched rectangular shape; cavetto-moulded edging; on each side a column of small overlapping leaves above a pedestal with a single acanthus leaf; issuing from the top of each column two ribbons, in figure-of-eight with grenade terminals, fly across the arch; within an arched rectangular central panel with bead edging three naked children disport about a swag of fruit, with a central pomegranate, suspended from the top of each column; one figure sits on the top, facing right, the other two hang symmetrically from below, with mirrored swirls behind them; along the base is a line of acanthus leaves; on top a sea serpent is curled on each end.

Notes: The design may have been inspired by the paintings of Jan Pauwel Gillemans the younger (1651-1704); he may have worked in London in 1675-8. Another version of the fireback (no. 591), probably by the same pattern-maker, has a slightly different design.

Copies of this fireback are known.