Firebacks

Shape: 'Dutch'

170 results

  1. 674

    saffron_walden museum 02.jpg
    705 x 968 mm

    Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with fillet edging; at the top of the arch a cartouche from which are suspended two ribbons, each held by a putto, from which cascade flowers and fruit, each lower part hung from a ring; two putti are on each side, one climbing on the suspended ribbon, the other at its foot; at the bottom, an empty cartouche between two clusters of flowers each suspended on a ribbon tied to a scroll; on top, two descending cornucopiae.

    Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

    Copies of this fireback are known.

    Manufactured: in the mid to late 17th century in the Siegerland area of Germany.

    Current location: Saffron Walden Museum, Saffron Walden, Essex, England.

    Museum number: 1889-9 (part of the Saffron Walden Museum museum group)

  2. 676

    saffron_walden museum 04.jpg
    386 x 650 mm

    Description: Arched rectangular central panel; bead-and-pellet edging; scene showing a semi-naked figure holding a trident in his right hand and a sheaf of corn in his raised left hand; standing on ground, with swagged drapery and tassels above, and an anchor behind right; arched rectangular border with fillet edging; on top, scallop shell symmetrical descending arrangement of swirled fronds and shells, which continue on the bottom; monogram at bottom centre; on top, mirrored stylised sea monsters.

    Notes: The figure is Neptune, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude.

    Copies of this fireback are known.

    Inscription: SHR

    Manufactured: in the late 17th to early 18th century in England.

    Current location: Saffron Walden Museum, Saffron Walden, Essex, England.

    Museum number: 1889-35 (part of the Saffron Walden Museum museum group)

  3. 678

    saffron_walden museum 06.jpg
    298 x 485 mm

    Description: Arched rectangular main panel; fillet edging; nude female figure standing on shield and holding a wind-blown sheet, upon a ground; suspended floral garlands with swirled foliage above; on top, a scallop shell between two symmetrical sea serpents

    Notes: The figure is of Fortune. The theft in 1699 from a Thames-side warehouse of several firebacks, including '5 iron Chimney-Backs cast in the figure of Fortune standing naked on a Conchus in the Sea' may refer to this type (Post Boy 11-14 Nov. 1699).

    Manufactured: in the mid to late 17th century possibly in the Siegerland area of Germany.

    Current location: Saffron Walden Museum, Saffron Walden, Essex, England.

    Museum number: 1901-39 (part of the Saffron Walden Museum museum group)

  4. 1173

    sherborne,_macintosh_antiques_610x864.jpg
    610 x 864 mm

    Description: Arched rectangular central panel with bead on broad fillet edging; pictorial scene of Neptune/Poseidon, a trident in hand, in a chariot drawn through the waves by two 'sea horses', above are clouds and three birds; arched rectangular border with fillet edging; diagonal grid forming squares, in each one of two types of flower arranged in alternate lines; at the bottom, the letter W in a cartouche between swirled foliage; on top, mirrored swirled foliage issuing upwards from a mythical creature on each shoulder.

    Notes: There is some question as to whether this is a later pastiche of an early-eighteenth century style,

    Inscription: W

    Manufactured: in the late 17th to early 18th century in England.

    Current location: Macintosh Antiques, The Courtyard, Newland, Sherborne, Dorset, England.

  5. 1082

    skinner_14 aug 2016 lot 226 394x565.jpg
    394 x 565 mm

    Description: Arched rectangular central panel; fillet edging; pictorial scene of a phoenix rising from a fire; above right, a human mask at the centre of a sunburst; arched rectangular border with fillet edging, the date between initials along the bottom; down each side, a floral festoon hanging from a ring; over the arch, the inscription; on top, floral scrolls.

    Notes: The inscription translates as 'out of death, immortality'; the initials NL are likely to be those of the pattern maker. Skinner's, Marlborough, Massachusetts, auction 14 Aug 2016 lot 226.

    Inscription: EX MORTE IMMORTALITAS / N 1696 L

    Manufactured: in 1696 possibly in the Siegerland area of Germany.

    Current location:, United States of America.

  6. 696

    stratford,_nashs house 03a.jpg
    ? x ? mm

    Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a standing, winged male figure draped with a cloth, holding a staff in his left hand, above a ground, and with drapery over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

    Notes: Presumably intended to represent an angel; similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’ (q.v.); the missing segment had been filled with a piece from another fireback (removed in this photo).

    Manufactured: in the early 18th century in England.

    Current location: Nash's House, Stratford-upon-Avon, Warwickshire, England.

    (part of the Shakespeare's Birthplace Trust museum group)

  7. 698

    sulgrave_manor.jpg
    483 x 762 mm

    Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a figure in a chariot drawn by birds, above a ground, and with clouds over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

    Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’ (below).

    Manufactured: in the early 18th century in England.

    Current location: Sulgrave Manor, Sulgrave, Northamptonshire, England.

  8. 1032

    sutton,_greenhill 04.jpg
    458 x 750 mm

    Description: Arched rectangular shaped central panel with solid and hollow bead on fillet edging, grouped alternately in threes and twos respectively, on a wide fillet; on a Tuscan pedestal rising from waves, a narrow waisted, gadrooned flower vase with two scrolled handles and a horizontal banded decoration from which issue tendrils bearing flowers, berries and seed pods; arched rectangular shaped border with fillet edging, wide at the sides, symmetrical floral fronds descending from a scallop shell, top centre, with a scallop shell inside each shoulder; at base, date split between two looped 'W' figures; on top, symmetrical scrolled plant tendrils descending from a central scallop shell.

    Notes: The third largest of five flower vase firebacks designed and made in the same year, larger ones of which include a religious inscription in Welsh. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

    Copies of this fireback are known.

    Inscription: 17 24

    Manufactured: in 1724 in England.

    Current location: in private hands, Sutton, London, England.

  9. 1224

    ticehurst,_authentic_reclamation_09_400x650.jpg
    400 x 650 mm

    Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; naked, crowned figure of Neptune holding a trident in his right hand, standing amid waves and with two hippocampi to his right; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

    Notes: Other firebacks have the same distinctive central panel and border shape, suggesting the same pattern maker.

    Manufactured: in the early 18th century possibly in the Weald area of England.

    Current location: Authentic Reclamation, Lymden Lane, Ticehurst, East Sussex, England.

  10. 701

    tiverton_castle 01.jpg
    780 x 890 mm

    Description: Arched, rectangular central panel with fillet edging; figure of Abundance holding a sickle and a Horn of Plenty, a child, also holding a sickle, to the right, a seated dog to the left, framed by trees; fillet-edged border with a plant pot each side, lilies issuing therefrom; above an oval shield of arms, a grotesque face above, supported by two lions.

    Notes: Abundance was one of many allegorical figures to feature in the Iconologia, first published by Cesare Ripa in 1593. The style of the fireback derives from those produced in the Siegenland of NW Germany for the Dutch market, but this example may be a pastiche produced for the French market.

    Copies of this fireback are known.

    Manufactured: in the late 17th to early 18th century possibly in the Lorraine area of France.

    Current location: Tiverton Castle, Tiverton, Devon, England.