Firebacks

Description: Arched rectangular shaped central panel with bead-on-fillet edging; a peacock, facing right, standing on a plinth, with foliage to the left and clouds above; arched rectangular shaped border with fillet edging, symmetrical floral fronds descending from a scallop shell, top centre, with a scallop shell inside each shoulder; at base, detail mostly obscured by corrosion but the numerals '17 24' are faintly visible in the bottom corners; on top, a pair of mirrored, stylised sea serpents with a central arrangement of foliage.

Notes: The image of the peacock may be an adaptation of an engraving (1654-62) by Wenceslaus Hollar, after Francis Barlow, in which a peacock also stands on a plinth. The small size of this fireback makes it likely that it was intended to be fixed to the back of a grate. A copy of a fireback of this design features in Gleanings from Old English Firesides by Arthur Todhunter.

Copies of this fireback are known.

Inscription: 17 24

Description: Arched, rectangular central panel with fillet edging; figure of Abundance holding a sickle and a Horn of Plenty, a child, also holding a sickle, to the right, a seated dog to the left, framed by trees; fillet-edged border with a plant pot each side, lilies issuing therefrom; above an oval shield of arms, a grotesque face above, supported by two lions.

Notes: Abundance was one of many allegorical figures to feature in the Iconologia, first published by Cesare Ripa in 1593. The style of the fireback derives from those produced in the Siegenland of NW Germany for the Dutch market, but this example may be a pastiche produced for the French market.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; pictorial figure of a winged child holding a thunderbolt in his right hand and a sceptre in his left hand, on a ground of clouds; arched rectangular border with astragal and cavetto moulded edging; two cornucopiae, flowers and leaves tumbling from them and hanging suspended down the sides; on top, two sea serpents.

Notes: The figure is of Zeus/Jupiter as a child.

Copies of this fireback are known.

Inscription: 16 [...]

Description: Arched rectangular central panel, with bead edging; pictorial, two men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a small number of firebacks bear the initials, GK; it is not known to whom they refer, but dated examples are of 1700.

Copies of this fireback are known.

Inscription: G K

Description: Arched central panel with fillet edging; figure in classical dress standing on a mound in front of a leafless tree; u; ninterrupted side and bottom border with straight fillet edges; at sides, mirrored low-relief undulating tendril design; at bottom, central leaf design; on top, central plume with hanging flower, between mirrored low-relief foliate swirls.

Notes: The figure is probably an allegory of Humility. Another example of this fireback bears the date 1746.

Description: Arched rectangular central panel with bead edging; figure of a man with a shield, brandishing a sword in his right hand; arched rectangular border with astragal and fillet edging; mirrored swirled foliate design; on top, scallop shell between two descending sea serpents.

Notes: The figure is probably a mythological subject.

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with hollow bead edging; a putto, its head inclined to its left, standing on a platform, holding a wand in its right hand and a branch in its left hand, a flower in a pot is on each side, and above, swagged drapery; arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with SHR monogram at centre bottom; two mirrored stylised sea serpents on top; to each side a vertical extension with bead edging, of the same decoration as the side borders.

Notes: The figure depicted is probably emblematic although the meaning has yet to be determined. The frame of the central panel and the enclosing border are identical to those noted on another fireback displaying a figure of Pluto (see fireback no. 164). This may be an example of an image from one casting being superimposed within the frame of an earlier fireback. The border is identical to that seen on fireback no. 1220.

Inscription: SHR

Description: Cavetto canted rectangular central panel with ovolo-moulded edging, enclosing a pictorial scene of a naked female seated at a fountain on the left, with two clothed males to her right; behind, a part of a domed brick building with the inscription around the top of the wall; enclosing the scene, twin floral festoons suspended from top centre; on top, a central crown between two descending dolphins.

Notes: The scene depicts the Apocryphal story of Susanna and the Elders.

Copies of this fireback are known.

Inscription: SVSANA

Description: Arched rectangular central panel with bead-on-fillet edging; femal figure holding scales in her right hand and a sword in her left hand, foliage and clouds behind; arched rectangular border with fillet edging; from a central bow with three tassels at the top, two suspended festoons of flowers, each running through a ring under the top corners, and continuing along the bottom; on top, a central cartouche between mirrored foliate scrolls.

Notes: The female is an allegorical representation of Justice.

Copies of this fireback are known.

Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure seated in a chariot, his left arm resting on the side of the chariot, his right hand holding a sceptre at arm’s length, the chariot drawn by two lions across a ground with small bushes; clouds above with the personification of the wind blowing to the left; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top a vase of fruit between two mirrored serpents; on each side, rectangular extension panel with a curved top copying the side borders.

Notes: A variant has no extension panels; similar to other designs incorporating figures in chariots, though not from the same series.